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- Contains open access
- ISSN: 0961-1371 (Print), 1474-0087 (Online)
- Editors: Associate Professor Catherine A. Bradley University of Cambridge, UK, and Associate Professor Daniel J. DiCenso College of the Holy Cross, USA
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Published twice a year, this journal covers the entire field of plainchant and music as well as book reviews. It encompasses Eastern and Western chant, secular lyric, music theory, palaeography, performance practice, as well as medieval and early renaissance polyphony, both sacred and secular. The chronological scope extends from late antiquity to the early Renaissance and to the present day in the case of chant.
Latest content
- Article
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Jennifer Bain (ed.), The Cambridge Companion to Hildegard of Bingen. Cambridge: Cambridge University Press, 2021. xvi + 325 pp. £78.99 (hardback) / £23.99 (paperback and ebook). ISBN 978 1 108 47135 0 (hardback), 978 1 108 45781 1 (paperback), 978 1 108 57383 2 (ebook).
- Plainsong & Medieval Music, Volume 34, Issue 1
- Article
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Margot Fassler, Cosmos, Liturgy, and the Arts in the Twelfth Century: Hildegard’s Illuminated Scivias, The Middle Ages Series. Philadelphia: University of Pennsylvania Press, 2023. xvii + 358 pp. + 16 colour plates. $65 / £54. ISBN 978 1 5128 2307 3.
- Plainsong & Medieval Music, Volume 34, Issue 1