This re-evaluation of the Thetford hoard proposes a new date for its burial in the 5th c. CE (ca. 420s–40s), significantly later than the established date of the 380s–90s. The redating is based on comparative material from context-dated grave and hoard finds from across the western Roman Empire. At least 17 hoard artifacts are argued to have been made within the 5th c. The Thetford treasure is a key point of reference in dating artifacts, and therefore a new date, if accepted, will prompt further re-evaluation of material and significantly change our understanding of this key transition period.

The interpretation of the hoard is also revisited. The wide cultural connections that can be demonstrated in the jewelry reflect its assembly in a period of migration and displacement, and there is evidence that its economic value may have become paramount in the latest phase of the assemblage's use. Moreover, the revised date sets a new context for the hoard burial, after economic collapse and political breakdown in Britain. The article advocates for the potential role of wealthy religious sites like Thetford in filling the vacuum left by the collapse of Roman state authority in Britain.

A 1st-c. CE lamp from Cyprus, now in the Metropolitan Museum of Art, features a discus design of a satyr on a base before an enclosure. Formerly identified as a nude silenus, the design on this lamp and others with the same decoration in fact illustrates a motif after the Forum Marsyas statue from the Forum Romanum. The statue is typically understood as a symbol of civic libertas, and copies were erected in provincial fora and depicted on civic coinage in the 2nd and 3rd c. CE. This note argues that the lamps enhance our understanding of the Forum Marsyas in two respects. First, the lamps demonstrate that the motif was in provincial circulation ahead of the sculptural and numismatic trend. Second, it is now clear that the Forum Marsyas was used in private contexts, and potentially with a non-civic meaning, more extensively than previously understood. The lamps are therefore significant for understanding the provincial spread and legibility of this important but still enigmatic motif.

Il volume di Elisabetta Bianchi (B.) e Roberto Meneghini (M.), Il Foro di Traiano nell'Antichità. I risultati degli scavi 1991–2007, esamina i risultati degli scavi condotti, tra il 1998 e il 2007, dalla Sovrintendenza ai Beni Culturali del Comune di Roma (attuale Roma Capitale) nel Foro di Traiano, focalizzando principalmente l'attenzione sulle strutture murarie dell'immenso complesso, scoperte ex novo o riesaminate alla luce dei nuovi rinvenimenti, e sulle loro originarie decorazioni. L'opera si propone, come sottolineato nella Premessa, come prosecuzione e completamento di una prima monografia, ad opera del solo M., pubblicata nel 2021 nella stessa collana, incentrata sulla storia del complesso traianeo nel Medioevo e nel Rinascimento, delineata sulla base dei sopracitati scavi 1998–2007.1

In recent years, scholars have drawn particular attention to the existence in the ancient world of permanent, specialized market buildings, macella or μάκɛλλοι, which offered dedicated facilities for the processing and sale of luxury commodities such as fish and meat. However, important questions remain about the typologies, architecture, and “end-users” of these structures. Here, I outline a basic model for how the total and average wealth and traffic of settlements increases with estimated populations, before exploring the relationships between the total footprints and wider architectural characteristics of macella and estimated populations of sites. This reveals that there is a series of relationships between these measures that are not only consistent with wider theoretical and empirical expectations, but also have the potential to alter dramatically our understanding of macella by revealing the connections between the sizes and capacities of these structures and the wealth, connectivity, and integration of settlements.

L'organisation spatiale des maisons pompéiennes et les effets produits par les décors qui en ornaient les murs restent des champs d'investigation très dynamiques après des décennies de synthèses produites à leur sujet. Et le regain d'activité archéologique à Pompéi ces dernières années – assorti désormais d'une communication très abondante et efficace sur l'actualité des fouilles1 – ne fera sans doute qu'amplifier le phénomène dans les années à venir.

Time, place, and the rhythm of the seasons, essential constituents of ancient ritual, collaboratively shaped and channeled the experience of religious performance. Focusing on agricultural and civic time reckoning, this article investigates the orientations of the monuments at the extra-mural Sanctuary of the Thirteen Altars at Lavinium and their coordination with viticultural activities amid the shifting social and religious circumstances of the 6th and 5th c. BCE. The article will argue that the 6th- and 5th-c. altars were aligned in such a way as to face sunrise at a particular location on the horizon on two very particular days in the seasonal year. The altars at Lavinium, playing an important role in the emerging urban community's economic life, will be shown to be themselves a form of agentic seasonal timekeeping that closely determined the integration of local agricultural, religious, and economic practices.

Previous research has suggested that horse breeding, with the army as the intended buyer, was an important part of the local agrarian economy in the Roman Dutch eastern river area. Since it is very difficult to trace the origins of horses by traditional archaeozoological methods, strontium isotope analysis was used to investigate the origins of horses in both military and rural sites. These new data are integrated with data on horse frequencies and size to assess the economic importance of horses in rural communities in the eastern river area and further investigate possible supply networks. Both horse frequencies and horse size increase from the Early Roman period onwards, reflecting the significant economic importance of horses in this region. The laser ablation 87Sr/86Sr ratios show evidence for mobility in military horses but not in rural horses.

Research in Roman interior design and wall painting has undergone two major shifts in the past century. The first, in the 1980s, steered away from the tradition of purely art historical studies that had elucidated the basic principles of artistic developments, iconographies, and pictorial programs. Instead, researchers focused on the Roman house as a social space, with private and public zones inhabited by individuals of different social standing. The second shift, occurring in the new millennium, saw researchers returning to the decoration of the house; however, they were now more intrigued by the cognition and reception of the paintings and how they were conceived to create atmospheres, mnemonic paths, and impressions on their viewers. Simultaneously, important insights into the often-multifunctional use of space were provided by finds analysis.

This article seeks to contribute to the growing scholarship on object-focused Roman histories by expanding the conversation to previously overlooked archaeological finds from Roman Palestine. This case study focuses on “Northern Collar-Neck Lamps,” which have been found throughout Roman Galilee and date to the first two centuries CE. I argue that their distinctive high collar, perhaps designed to reduce spillage, also served as an affordance that invited additional modes of interaction, namely placing a supplemental reservoir for oil – such as a pierced eggshell – over the filling hole. Once set up, this would allow for a slow drip of oil to prolong illumination time without human intervention. This usage is suggested from chronologically and geographically proximate sources, namely early rabbinic literature: Hebrew and Aramaic writings from the first centuries that reference physical details and uses of hundreds of objects and could prove helpful for future material histories of the Roman era.

In 2003, rescue excavations at Piazzeta dell'Anfiteatro, Trento, identified an extramural funerary area dated to the 5th c. CE. The necropolis yielded 45 coins (3rd–5th c.), most of which were involuntary losses. Owing to the sound stratigraphy of the site, these coins present a reliable sample of coinage circulating in Tridentum during the 5th c. This study presents a brief synthesis of the transformations undergone by the Late Antique city, so as to understand the dynamics attested in Piazzeta dell'Anfiteatro, a description of the stratigraphic units that contained coins, and a detailed analysis of the coins from several perspectives. The aim is to improve our understanding of the Late Antique monetary history of the city and Trentino's territory.