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Abolishing states would not be the end of the matter; the country’s leaders would have to make a number of fundamental secondary decisions. Someone would ultimately have to decide which of the essential functions currently performed by state government should be nationalized, which ones should be localized, and, as to the latter, how the various local functions are to be further distributed among the many different species of local governments – municipalities, counties, townships, special purpose districts, and unincorporated areas. Who should select the decision-maker? Decisions would also be needed as to the processes and responsibilities for replacing the states’ current roles in national elections, in supplying the bulk of the country’s judges, and in the constitutional amendment process. This chapter considers the options for filling those voids. In the process, it offers a portrait of what a unitary American republic might look like without state government.
Collectivism symbolizes Japanese culture for many people in the world including Japanese themselves. The “collectivistic Japanese” are alleged to have the following characteristics: They feel at ease only in a group; they merge into their group and thus lack individuality and autonomy; they are indistinguishable from one another; they conform to their group and cooperate with the group members even at the sacrifice of their own individual interests; their obedience to their group leads to the hierarchical authoritarian society. However, these characterizations are mostly based on casual observations and personal experiences instead of systematic acadmic investigation. In psychology, nevertheless, two influential studies generalized the contrast between Western culture and Japanese culture in collectivism and individualism to the contrast between Western culture and all the other cultures.
Although it is widely believed that Japanese people are typical collectivists compared to individualistic Westerners, this view is not supported by empirical research. Employing 'Japanese collectivism' as a case example, this book explores how the dichotomous view of cultures was established and investigates how cultural stereotypes exacerbate emotional conflicts between human groups. Drawing on empirical findings, it theoretically analyses the properties of cultural stereotype to reveal the hazards associated with stereotyping nations or ethnicities. Students and researchers from numerous disciplines, including psychology, anthropology, sociology, political science, and economics, will gain fresh insights from this reconceptualization of culture.
This volume’s introduction traces the longstanding interdigitation between American literature and sexuality studies broadly imagined, mapping the inseparability between queer American literature and the history of sexuality. In so doing, it offers an institutional history of gay and lesbian studies, queer studies, and trans studies and grapples with the theoretical question of how to understand queer American literature. Examining the mutual imbrication of “queer,” “American,” and “literature,” it provides an overview of the volume’s theoretical investments, conceptual choices, and organization in order to introduce the reader to the volume as a whole.
From the country's beginning, essayists in the United States have used their prose to articulate the many ways their individuality has been shaped by the politics, social life, and culture of this place. The Cambridge History of the American Essay offers the fullest account to date of this diverse and complex history. From Puritan writings to essays by Indigenous authors, from Transcendentalist and Pragmatist texts to Harlem Renaissance essays, from New Criticism to New Journalism: The story of the American essay is told here, beginning in the early eighteenth century and ending with the vibrant, heterogeneous scene of contemporary essayistic writing. The essay in the US has taken many forms: nature writing, travel writing, the genteel tradition, literary criticism, hybrid genres such as the essay film and the photo essay. Across genres and identities, this volume offers a stirring account of American essayism into the twenty-first century.
Since the founding of the United States in the late eighteenth century, Americans have rooted their national identity in their relationship with the wider world. America’s geopolitical position, its civilizing mission, its identity as the home of a chosen people, and its security requirements have shaped not only Americans’ external relations but also their very sense of themselves and who they are in a world of other peoples.
American nationalism has of course had several other sources than the outside world.1 The virtue of republican self-government – what might be identified as “civic nationalism” – has been an obviously powerful font of America’s self-identity, particularly the ways in which Americans have seen themselves as different, even superior, to other countries.
The aim of this book is to provide a linguistic description of borrowings in informal American English and to serve as a practical resource documenting this type of language. These foreign-origin expressions, comprising both slang and colloquialism, constitute a vibrant sociolinguistic phenomenon resulting from language contact, and function as an important yet rarely discussed lexical contribution to American English. Their significance stems from the sociolinguistic significance of informal language in the United States, the strong presence of borrowings in American speech reflecting the immigrant nature of the country and the growing role of ethnic minorities, as well as the increasingly common use of this type of lexicon among larger segments of American society.
What do 'bimbo,' 'glitch,' 'savvy,' and 'shtick' all have in common? They are all expressions used in informal American English that have been taken from other languages. This pioneering book provides a comprehensive description of borrowings in informal American English, based on a large database of citations from thousands of contemporary sources, including the press, film, and TV. It presents the United States as a linguistic 'melting pot,' with words from a diverse range of languages now frequently appearing in the lexicon. It examines these borrowings from various perspectives, including discussions of terms, donors, types, changes, functions, and themes. It also features an alphabetical glossary of 1,200 representative expressions, defined and illustrated by 5,500 usage examples, providing an insightful and practical resource for readers. Combining scholarship with readability, this book is a fascinating storehouse of information for students and researchers in linguistics as well as anyone interested in lexical variation in contemporary English.
This chapter examines representations of American land and labour in the late nineteenth century as a complex engagement with the georgic mode. US writers used georgic representations of economic, technological and imperial expansion to promote widely divergent visions of the ideal citizen and worker, from the virtuous husbandman of Thomas Jefferson’s Notes on the State of Virginia (1785) to the bean-hoeing intellectual of Henry David Thoreau’s Walden (1854). Although the georgic mode represents themes central to US cultural history, it is not merely a celebration of industry and labour; like Virgil’s Georgics, which holds out the promise of progress in a fallen world but shows the human and environmental costs of the hard work it seems to promote, US adaptations of georgic illuminate the destructive aspect of agricultural labour and the moral ambiguities of imperial expansion and racialized labour.
Wallace’s public image is of an insular and profoundly American figure, whose work is strongly aligned with US postmodernist heritages and persistently categorized in geographical and national – even regional – terms. Wallace himself invited and directed many such interpretations, referring constantly to his Americanness. However, as numerous scholars have noted over the years, this US-focused lens obscures the many global threads that run through his writing. This chapter explores the European traditions that influenced Wallace, focusing particularly on German and Russian writers and philosophers. Drawing lines between Wallace and Goethe, Dostoyevsky, Kafka and Hesse among others, the chapter explores some of the specific forms of aesthetic inspiration he took from European traditions. Paying close attention to formal techniques within Wallace’s prose allows us to see the particular literary devices he felt free to appropriate within his own context. The political implications of such appropriations are carefully examined, as are questions relating to what Wallace might justifiably have expected his readers to notice or else be unaware of. Building on the work of Jacobs, Boswell and Den Dulk, among others, this chapter argues for the centrality of European literature as a crucial context in which to interpret Wallace’s work and to come to terms with his formidable literary achievements.
Functional psychology was less a system than an attitude that valued the utility of psychological inquiry. Assuming a philosophical underpinning from the pragmatism of William James and Charles Sanders Peirce, functional psychology fit well into the pioneering spirit of America. From its beginning, functional psychology had a clear emphasis on applying psychology to individual and social improvement, as was evident from the works of Münsterberg, McDougall, and Hall. The tradition of British natural science and evolutionary theory was integrated into psychology in the views on adaptation championed by the Chicago functionalists, such as Dewey, Angell, and Carr. Mental testing and the study of human capacity constituted important areas of investigation among the Columbia functionalists, represented by Cattell, Thorndike, and Woodworth. Although its reaction to structural psychology kept functional psychology from developing a systematic alternative model of psychological inquiry, this phase of American psychology resulted in two critical benefits. First, functionalism firmly entrenched the new science of psychology in America and imposed on it a particular American orientation toward applied psychology. Second, functional psychology provided a necessary transition from the restricted context of structural psychology to more viable models of psychology, permitting the science to progress.
The third force movement, grounded in the principles of existential philosophy, focuses on the individual in quest of identity, values, and authenticity. The nineteenth century writings of such figures as Kierkegaard, Nietzsche, and Dilthey formed the background for the view of the person as alone and dehumanized. The twentieth century works of Sartre, Camus, and Jaspers offered further expression to the basic state of anxiety and absurdity. The personalism of Emmanuel Mounier and Karol Wojtyła reintroduced the person within psychology. The methodological writings of Husserl and Heidegger contributed to the development of phenomenology as a means of investigating the holistic character of human experience. The combined existential–phenomenological psychology was an application of a new orientation in clinical settings, by such psychologists as Merleau-Ponty and Binswanger. In America, the humanistic viewpoints of Allport, Bühler, Maslow, May, and Rogers agreed generally with the European movement, and a center of existential-phenomenological psychology emerged at Duquesne University. Although it did not generate a comprehensive alternative to behaviorist formulations, the third force movement has exerted an impact on clinical applications, especially in therapeutic efforts.
Behavioral psychology was immediately preceded by the reflexology of Russian physiology and the associationism of Thorndike. Physiological reflexology received a sound foundation with the works of Sechenov and Bekhterev, but it was Pavlov who proposed a comprehensive theory of conditioning. Watson’s behavioral formulation defined stimulus and response elements as the substitute to rid psychology of residual mentalistic constructs. Watson’s contemporaries, Holt, Weiss, Hunter, and Lashley, soon restored to behaviorism critical psychological activities. The logical positivist movement expressed an operational spirit and insured the initial success of the behaviorist model. Behavioral psychology expanded beyond the original formulations of Pavlov and Watson. Contemporary reflexology in Russia and in nearby countries expanded to include a wide range of psychological and physiological problems, led by such eminent scientists as Vygotsky, Luria, Konorski, Asratyan, and Beritashvili. In the United States, behaviorism moved through several intellectual stages, through the contributions of Guthrie, Tolman, Hull, and Skinner. A major application of behaviorism was the behavior modification model in clinical settings. Contemporary behaviorism remains a dominant but diffused force in psychology.
Long before anyone ever heard of 'protest music', people in America were singing about their struggles. They sang for justice and fairness, food and shelter, and equality and freedom; they sang to be acknowledged. Sometimes they also sang to oppress. This book uncovers the history of these people and their songs, from the moment Columbus made fateful landfall to the start of the Second World War, when 'protest music' emerged as an identifiable brand. Cutting across musical genres, Will Kaufman recovers the passionate voices of America itself. We encounter songs of the mainland and the conquered territories of Hawai'i, Cuba, Puerto Rico, and the Philippines; we hear Indigenous songs, immigrant songs and Klan songs, minstrel songs and symphonies, songs of the heard and the unheard, songs of the celebrated and the anonymous, of the righteous and the despicable. This magisterial book shows that all these songs are woven into the very fabric of American history.
Running from Bondage tells the compelling stories of enslaved women, who comprised one-third of all runaways, and the ways in which they fled or attempted to flee bondage during and after the Revolutionary War. Karen Cook Bell's enlightening and original contribution to the study of slave resistance in eighteenth-century America explores the individual and collective lives of these women and girls of diverse circumstances, while also providing details about what led them to escape. She demonstrates that there were in fact two wars being waged during the Revolutionary Era: a political revolution for independence from Great Britain and a social revolution for emancipation and equality in which Black women played an active role. Running from Bondage broadens and complicates how we study and teach this momentous event, one that emphasizes the chances taken by these 'Black founding mothers' and the important contributions they made to the cause of liberty.
The era of the American Revolution was as critical for African American women as it was for Black men and for White Americans who gained their independence from Great Britain. Black women’s various efforts to escape bondage have been viewed as ancillary in the letters and diaries, biographical accounts, and legal proceedings historians often used to support arguments based on analysis of enslaved men or on factors that prevented women from fleeing slavery. Black women’s freedom was intertwined with the movement for American independence, and African American women influenced the military conflict and were powerfully influenced by its outcome.
Although enslaved Black women were marginalized and faced many obstacles to freedom during the Revolutionary era, they asserted their claims to freedom through fugitivity as they invoked the same philosophical arguments of liberty that White revolutionaries made in their own fierce struggle against oppression. At stake in this discussion of fugitive women is demonstrating that Black women’s resistance in the form of truancy and escape were central components of abolitionism during the Revolutionary Era. Thousands of women of diverse circumstances escaped bondage despite their status as mothers and wives. In fact, motherhood, freedom, love and family propelled Black women to escape bondage during the Revolutionary Era; a time when the chaos of war made women’s flight possible due to the breakdown of oversight and colonial authority.
Chapter 2 is an examination of the pre-Revolutionary period. This chapter examines the flight of a mulatto woman named Margaret Grant who escaped slavery in Baltimore, Maryland in 1770 and 1773. This chapter examines the meaning of freedom through a delineation of acts of self-emancipation and places the story of Margaret in the context of the wider Atlantic world. Ideas about freedom are in many ways fruitful to investigate when analyzing the experiences of enslaved women. Bond women expressed their thoughts about freedom in private and public discourse throughout the era of slavery. Their involvement in conspiracies and acts of resistance such as running away is evidence of their willingness to fight for freedom no matter what the outcome. Margaret’s story stands as a microcosm of the lives of other fugitive women in pre-Revolutionary America. Indeed, enslaved women such as Margaret were a dynamic force when measured against the contingencies of Revolutionary America. They gave definitive significance to the concept of fugitivity despite their fragmented histories and the historical fracturing of their identities.
Chapter 3 examines the ideas of the American Revolution and places fugitive slave women at the center of analysis. The impact of Dunmore’s Proclamation and the Philipsburg Proclamation are examined. From plantations, women escaped to cities and towns, North and South, fleeing poverty and malevolence. After the Philipsburg Proclamation, 40 percent of runaways were women. There were regional variations and similarities. In the South, enslaved women pursued refuge in Spanish Florida and with British troops during the Southern Campaign; in the Chesapeake, enslaved women fled to Pennsylvania and other Northern destinations often seeking refuge with British troops in the process of escaping; in the North and New England, fugitive women sought refuge with the British. In each of these regions, fugitive women also endeavored to pass as free women in urban spaces. Indeed, throughout the Revolutionary Era, enslaved women advanced their liberation through flight. The Revolutionary War bolstered the independence of Black women, gave them increased access to their families with whom they fled, and greater autonomy in their daily lives once they reached safe haven.
North Korea and posthuman superheroes rarely share discursive space. One reason: North Korea - the Democratic People’s Republic of Korea (DPRK) - is often imagined as a pre-posthuman Cold War relic. Another reason: it may seem wrong, even blasphemous, to discuss posthumanism and superheroes vis-à-vis a regime that systematically violates human rights. While mindful of such realities, I believe posthumanism can refresh overly rehearsed scripts surrounding the DPRK. The vocabulary of posthumanism (e.g. Donna Haraway’s “cyborg”) and posthuman characters from science fiction (e.g. the instantly legible superhero Spider-Man as well as the less legible Korean American Spider Lim in Richard Powers’s novel Plowing the Dark) can provide new approaches to North Korea’s “otherness” and “post”-DPRK refugees. Moreover, superheroic icons and posthumanism can address a new American art of DPRK origin such as the artwork of Song Byeok and Sun Mu. Finally, posthumanism and superheroes must narrate Korea’s future beyond trauma, war, and division. It is time for us to uproot, fruitfully, kimilsungia and kimjongilia from their rotting namesakes. Let them grow wild in the Korean Demilitarized Zone (DMZ). How might these organisms mutate? Dear Korean and Korean American artists and writers: let us now respond.