Like other regions of the world, academic freedom is on the decline in Africa. While there are some generic factors accounting for this phenomenon worldwide, others are fundamentally unique to the African context. These are related principally to the subject matter of coloniality of higher education on the continent. This study addresses these matters by, among others, discussing the origins of the university in pre-modern Africa and the place of academic freedom in it. This development is followed by the emergence of university education in Europe through the application of the liberal script and which contributed to the sidelining and eventual general demise of higher education institutions with their roots in pre-modern Africa. The work contends that while one may trace the origins of the university/academic freedom to Africa, academic freedom as it stands today is shaped by the liberal script with hardly any reference to the root of higher education in Africa. Therefore, the meaning, understanding and application of academic freedom do not reflect the realities of higher education in Africa. This work proposes the adoption of a relative universalist approach, as opposed to the liberal approach, which is clothed with universality, but in reality, it is a reflection of a European idea of academic freedom. This approach is considered necessary to reflect the African reality of academic freedom which will help to identify effective advocacy tools to promote and protect academic freedom in Africa and thereby make academic freedom more meaningful for application in the region.

Degrowth literature predominantly states that degrowth strategies are meant from and for the Global North. While economic mainstream discourse suggests that the Global South still has to grow in terms of achieving development, degrowth proponents expect a reduction of material and energy throughput in the Global North to make ecological and conceptual space for the Global South to find its own paths toward ecosocial transformation. Based on a Latin American post-development and post-extractivist perspective and drawing on dependency theory, this article suggests another approach: first, it argues that the growth imperative, which in the peripheral world translates into the imperative to develop, also causes harm in societies of the Global South. Throughout Latin America, in the last decades, economic growth has mainly been achieved through extractivism with negative impacts, which are now being pushed further by green growth strategies. Second, I explore some possibilities for a cross-fertilisation between degrowth and International Relations scholarship, calling into question the assumption that degrowth in high-income countries would automatically ‘make space’ for the Global South to engage in self-determined paths of ecosocial transformation, as long as the structures, institutions, and rules of global governance and trade which secure profoundly asymmetric, colonial relations are not challenged.

Across Latin America, there continues to be strong resistance to the claim that racism plays a role in the production of urban space. Deemed antipatriotic, this issue remains widely unaddressed in urban planning and geography. Based on qualitative research in Bogotá and secondary literature on other Latin American cities, this article explores the afterlife of mestizaje (racial mixture) as a racial–colonial project from the viewpoint of its materialisation in the city and society–space relations. In particular, it illustrates how racism in the city is transfigured as ‘always something else’ (e.g., culture, class, regionalism, displacement) through a variety of normative, discursive and operational devices. Thus, the article confronts the need to divest from the racial hegemony of mestizaje in urban planning and geography, suggesting that it is hindering the path towards more equitable urban futures.

The aim of this article is to use a decolonial approach to interrogate Kenya's laws and policies that compel the admission and treatment of persons with psychosocial disabilities. Against the backdrop of the colonization of Africa, the article appraises the historical development of Kenyan mental health laws. It critically analyses domestic policies, legislation, court decisions and the Constitution as they apply to admission to healthcare facilities of persons with psychosocial disabilities and to the freedom to decide about treatment, in order to reveal the persistence of coloniality. It highlights gaps in the protection of equality, dignity and liberty. It also draws on pertinent provisions of the Convention on the Rights of Persons with Disabilities as a juridical method for translating a decolonial agenda into a normative framework. Ultimately, the article proposes a framework for decolonizing Kenya's mental health laws and policies.

In this article I argue that the judicial concept of non-marriage racialises and orientalises minoritised communities and their marriages. Applying a critical postcolonial lens, I show how the development of non-marriage has been influenced by colonial racialising attitudes towards marriage. This has led to its application in racist and orientalist ways to demean and other minoritised marriage practices. My analysis of the case law exposes three patterns in the judicial discourse in this area. First, that the courts emphasise “English (Christian) marriage” and its supposed hallmarks when deciding if a ceremony is non-existent; second that judgments foreground the technical, formal aspects of the law obscuring the use of personal judicial opinions which are orientalist. Finally, the application of this concept to playacting, sham and forced marriages at the same time as legitimate minoritised marriage practices is demeaning and insulting to the already marginalised communities that practise them.

A dominant narrative, produced and reproduced especially by terrorism scholars, holds that terrorism in its worst form is religious. The most dangerous and non-negotiable form of terrorism, in other words, is the religious kind. At the same time, there is a recurring implication, proposed by many terrorism scholars and reflected in public discourse, that terrorism, no matter its official designation, is always inherently ‘religious’ or ‘religious-like’. Both this implication and the dominant narrative about the uniquely dangerous character of ‘religious terrorism’ – which I summarise as the Religious Terrorism Thesis – builds on colonial knowledge and assumptions about ‘religion’. Religion is also, as I argue, written into the category ‘terrorism’ and enables its negative discursive power and the colonial imagination of ‘terrorism’ as racialised and a system-threat to (Western) modernity. Terrorism, therefore, can never constitute a neutral signifier of a specific kind of political violence. Instead, it functions as a negative ideograph to Western societies, which means it functions to uphold the project of Western modernity/coloniality. The Religious Terrorism Thesis, which I identify as the foundation for the dominant discourse on terrorism today, is a crucial element of coloniality and justifies many controversial and contemporary counterterrorism practices.

This article brings an intimate perspective to bear upon the violence of economic sanctions, shifting attention away from an exclusive focus on state actors, in order to examine how “‘wounds” enter politics’.1 In this research, I ‘stretch’ Berlant’s notion of the intimate public, reconfiguring it as a decolonial analytic lens on subaltern suffering in conditions of endemic imperial violence. I focus on the Facebook page of the Iranian chief negotiator, Javad Zarif, during Iran’s talks with the P5+1 powers over its nuclear programme, under the pressure of what the Obama administration itself termed ‘crippling’ economic sanctions. Examining Zarif’s audience’s readings of his back injury during the talks as representing the ‘crippled’ nation, I trace how subaltern injury is intimately narrated through a racialised framework of disablement and ‘recovery’, where ‘recovery’ signifies a desanctioned and deracialised national body. I firstly complicate the prevailing conception of the intimate public as oriented around a ‘national fantasy’, theorising it as an affective structure that simultaneously locates imperial power, as well as the nation-state, as sources of complaint and hope; secondly, I draw on a critical disability (‘crip’) lens to understand the intimate public as mediating both the debilitation of racialised underdevelopment, and the fantasy of a normative, ‘developed’ national body in a post-sanctions future. Through examining the intimate politics of economic sanctions, this study contributes to a decolonial perspective on the entanglements of affect, nationalism and imperial violence.

Blagoustroistvo is an archaic Russian word used today primarily to refer to urban public works. This article, a collaboration between an anthropologist and a historian, focuses on aesthetics, rhetorics, and concrete practices of blagoustroistvo in Moscow during two temporal junctures: the first decade following the October Revolution (ca. 1917–1930), and the decade of Sergey Sobyanin’s Moscow Mayoralty (2010–). Our juxtaposition reveals striking continuities and contrasts. Both in the 1920s and 2010s, we show, blagoustroistvo was characterized by a semiotically-intense presence in the city; associated with an emphasis on deterministic socio-psychological “engineering”; ideologically framed by a “vernacularized” form of Marxism-Leninism; and invested with a powerful role in reconfiguring society’s spatial hierarchies, political geometry, and class consciousness. In the former period, social transformation referred to the inversion of class hierarchies and a partly illusory reconfiguration of power between center and periphery. In the 2010s, however, blagoustroistvo became a project that sought a reversion to class categories and the re-colonial reconstitution of the center’s coercive domination of the fringes. Our analysis proffers blagoustroistvo—a high-modernist, deterministic “infrastructural ideology” that has endured into and flourished in the twenty-first century—as a uniquely illustrative concept for understanding the shifting ideologies of Soviet and post-Soviet infrastructural modernity and its winding but stubborn colonial logics. Moreover, our explication of blagoustroistvo’s trans-epochal meanderings brings comparative nuance to current global debates around the alleged “return” of “social engineering” to urban governance and design in the guise of artificial intelligence, big data, smart cities, and “surveillance capitalism.”

This article argues that although most Caribbean States have in the last 60 years ascended to statehood, colonialism continues to exist in new and variable forms. It relies upon the concept of ‘coloniality’ as advanced by Schneiderman to contend that the international investment law regime, whose history and evolution is rooted in colonialism, relentlessly pursues the economic interests of foreign investors and capital-exporting countries. It draws important connections between historic colonialism and the contemporary regime for the protection of foreign direct investment by situating the Caribbean's experience in the light of the rationales, tropes and methods arising in the past which endure in investment law's domains, as advanced by Schneiderman in his new book, Investment Law's Alibis, namely (a) profitability and privilege; (b) a discourse of improvement; (c) distrust of local self-rule; and (d) construction of legal enclaves. It is argued that each of these features of colonial rule, from a Caribbean perspective, is inscribed in the discourse and practices of the international investment law regime.

Digital iterations of African literary texts present scholarly opportunities to interrogate how literature produced and circulated on digital media becomes entangled with the capitalist politics of datafication. In the data paradigm described in the article, literary representations are subject to the workings of neoliberal capital and the constraints of algorithmic systems. Through a postcolonial approach that puts the digital humanities in conversation with African literary studies, the article transcends how digital technologies have evidently changed African literature and tackles the costs of digital literary cultures and networks from Africa. I examine data relations through an African literary culture, which, in the current moment, indisputably exhibits the attainment of new and complex elements including the integration of digital affordances in the production and critical reception of texts. How African literary expressions in a digital age circulate in market-driven digital platforms like Facebook and YouTube makes the subjects of data capitalism or the coloniality of data as important for African literature as the expanded literary networks enabled by the digital.

The suggestion that the new private law theory would have to stand the test of acceptance by the global legal community raises a question. Who is that “global legal community?” And does it go beyond Europe? Close reading demonstrates that the non-European world is present and hidden at the same time. It is present because much of the material presented, many of the theories discussed, have transnational materials. However, the non-European world is hidden at the same time because it remains unaddressed, marginalized, and ignored. Including the Global South would make necessary a more radical pluralization of private law theory. This opens up the possibility of new, very different idea of a global legal community that is more improbable but also more attractive.

Centrándose en Brasil, este artículo examina los mecanismos coloniales de imposición de la identidad y estética hegemónicas que ocasionaron la invisibilización y silenciamiento de historias y saberes de los grupos colonizados ubicados en situación marginal. Se propone que, como respuesta a este proceso, las identidades marginadas utilizan herramientas insertadas en la estrategia decolonial —desprendimiento y desobediencia— para transgredir la lógica normativa hegemónica en la elaboración de su producción cultural. El texto analiza artistas, obras, acciones y eventos brasileños recientes que, mediante sus poéticas lograron pervertir y concienciar hacia la epistemología impuesta por la colonialidad. Se estudian propuestas transgresoras que se filtraron en las instituciones legitimadas, como las obras de Rosana Paulino, Denilson Baniwa o la exposición Queermuseu, así como otra nacida fuera de los límites institucionales —la pixação— que, debido a su fricción con el modelo social normativo, escapa a cualquier imposición reglamentaria.