The engraved slate plaques were part of an extensive and variable class of ritual objects in Late Neolithic and Copper Age Iberia, with Classic plaques being the most numerous and standardized type. Classic plaques have a top and base separated by a horizontal line or bands, and base registers of repeating design elements (triangles, checkerboard, etc.). Associated with burials, they have been interpreted as genealogical records, with their base design referencing a clan or other social unit and their number of registers denoting the generational distance of the deceased from an important ancestor. The authors evaluate the genealogical hypothesis using a larger dataset than available when originally proposed, employing statistical analyses to examine the relationship between the number of registers and find locations, and between design elements and tomb size. Tomb size is viewed as a measure of collective labour, and hence a proxy of the status of the individuals in the tomb. These analyses show significant patterning between the number of registers and the plaques’ geographic distribution, and between specific design elements and tomb size, suggesting that the genealogical hypothesis remains a plausible explanation for the Classic plaques.

This article explores a meshwork of citations to other material cultures and architectures created by the form and ornament of house-shaped early medieval recumbent stone monuments popularly known in Britain as ‘hogbacks’. In addition to citing the form and ornament of contemporary buildings, shrines, and tombs, this article suggests recumbent mortuary monuments referenced a far broader range of contemporary portable artefacts and architectures. The approach takes attention away from identifying any single source of origin for hogbacks. Instead, considering multi-scalar and multi-media references within the form and ornament of different carved stones provides the basis for revisiting their inherent variability and their commemorative efficacy by creating the sense of an inhabited mortuary space in which the dead are in dialogue with the living. By alluding to an entangled material world spanning Norse and Insular, ecclesiastical and secular spheres, hogbacks were versatile technologies of mortuary remembrance in the Viking Age.

This contribution explores an aspect of boat burials in the second half of the first millennium AD across Northern Europe, specifically boat burials that included equipment for board games (surviving variously as boards and playing pieces, playing pieces only, or dice and playing pieces). Entangled aspects of identity, gender, cosmogony, performance, and commemoration are considered within a framework of cultural citation and connection between death and play. The crux of this article's citational thrust is the notion of quoting life in the rituals surrounding death. This was done both in the service of the deceased and in the service of those wanting to remember the deceased, the argument distills around the biographical trajectories or the different social and individual uses to which people put ostensibly simple things such as gaming pieces.

Introducing the European Journal of Archaeology's special issue ‘Mortuary Citations: Death and Memory in the Viking World’, this article outlines the justification and theoretical framework underpinning a new set of studies on Viking-age mortuary and commemorative practice as strategies of mortuary citation. The contributions to the collection are reviewed in relation to strengths and weaknesses in existing research and broader themes in mortuary archaeological research into memory work in past societies.

This paper assesses the applicability of modern notions of gender identity and individuality, and examines ‘relationality’ as a key dimension structuring social identity during the Bronze Age and the beginning of the Early Iron Age in western Iberia through a focus on funerary practices and stelae- and statue-menhir-making. It is argued that these practices were involved in the recollection of genealogical and mythical pasts. They entailed the creation of the dead and the ancestors as relational entities through the explicit inscription of graphic and spatial relations. Ultimately, these practices were structured by, and structured, shared understandings of the self and the roles of the deceased and the ancestors in social life—understandings in which ‘relationality’ played a seminal role.

Archaeology has been traditionally looked at as a science which reconstructs human history and evolution through the study of material objects. This contribution revisits archaeology as a discipline which revives national pasts, and thus partakes in generating myths of roots and identity. In the world ‘after Thor Heyerdahl' – plunged in environmental crisis and haunted by economic collapse of many communities – the hunger for these myths is bound to intensify. I argue that today, especially, there is a need for archaeology in ‘Thor Heyerdahls' ’ sense: one which would illuminate the unity of mankind and emphasize the imperative of reclaiming nature as human habitat.

This article addresses the potential of oral tradition (folklore) in the archaeological study of the past. It deals with oral traditions concerning landscape features in the area of the prehistoric and Roman site of Ajdovščina above Rodik, Slovenia. The palimpsest nature of modern landscapes can be regarded as a syncretic sum of past ways of life, land use, religious practices, and cults. In oral tradition concerning the ancient inhabitants of Ajdovščina, it is possible to discern the obscured memory of historical process. Certain sites, referred to in local oral tradition, mainly in the form of memories of religious practices performed there and of superstitions related to them, may well prove to be the remains of ancient sacred places. Methodological problems include identification of the generic and specific in oral tradition, the recognition of Christian intervention and/or censorship of ancient cults and beliefs, and the transposition and/or survival of elements of old ritual practices in popular beliefs. The aim of this article is to discuss the role of oral tradition linked to the landscape in the persistence of collective memory concerning historical circumstances and the survival and/or transformation of ancient cult or ritual sites and beliefs.

For over a century prehistorians have approached the engraved stone plaques of the Iberian late Neolithic and Copper Age (3000–2500 BC) from a monolithic and idealist perspective, viewing the plaques as representations of the Mother Goddess. Most have not addressed the plaques' variability, their method of manufacture, the organization of their production, or their biographies. This article presents new interpretations of the Iberian plaques based on the first comprehensive on-line catalogue of the plaques – the Engraved Stone Plaque Registry and Inquiry Tool (ESPRIT) (Lillios 2004) – which holds records for over 1100 plaques, each unique, from over 200 sites in Portugal and Spain. Analyses of the plaques' raw material, style, chaîne opératoire, and distribution over space suggest that different plaque types had different functions and meanings, which shifted over time. Two plaque types: the Classic plaques and the Biomorphic Simple plaques are considered in this article. In their diverse forms, the Iberian plaques appear to have been durable records of regional and local group identities and could have contributed toward legitimating and perpetuating an ideology of inherited social difference in the Iberian late Neolithic and Copper Age.