In 1877 George F. Keller (1846–1927?) commented on America’s ethnic melting pot and exclusionism by drawing “Uncle Sam’s Thanksgiving Dinner,” showing a chaotic dining scene (see Figure 34.1).1 Uncle Sam is served (uncooked) turkey by an African-American domestic and is accompanied by nine male diners. All have food in front of them: the Frenchman has frogs and wine, the German sauerkraut and sausages, the Russian holds a bottle with a label saying “Acid,” and, to the disgust of the Irish (having potatoes and whisky) and the Englishman (having pie and tea), the Chinese is eating a rat.2 This was not the first time that nations and peoples were pictured by means of foodways.3 In 1803, for example, English cartoonist James Gillray (1757–1815) drew a party of five German men who ferociously devoured sauerkraut and sausages (with beer jugs pell-mell on the floor).4 Later, typecasting nations through food occurred regularly.

I establish conceptual connections between food, the senses, and political life by drawing upon examples of gastropolitical moments which comprise charged meanings that may be unveiled through a closer inspection of the sensible. They reveal different power dynamics of cohesion and tension between varying sets of political actors. The senses aid in exemplifying political relationships and connections, directing us to particular aspects of political form and practice. This chapter therefore serves as a critical instigation of combining analytical approaches from sociology, anthropology, diplomacy, and food and foodways in appraising the importance of culinary–political encounters both within and between nations. Through such interdisciplinary conversations, it adopts a sensory reading and discussion of gastropolitical exchanges. Subsequently, my analysis is geared towards developing a political life of sensation that builds a theoretical and empirical connection between the political and the sensible. Such a sensory perspective explores the sociopolitical metaphors of taste and other accompanying sense experience. These are addressed through my proposed notion of political gustemology which I utilise in this chapter to illustrate the deployment of sensory knowledge and power in both actual sensorial exchanges and metaphorical takes on the sensory.