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6 results

  • Chapter 3 - Shakespeare’s Juliet

  • Heather James, University of Southern California
  • Book:
    Ovid and the Liberty of Speech in Shakespeare's England
    Published online:
    18 June 2021
    Print publication:
    08 July 2021, pp 101-139

  • Summary

    In Romeo and Juliet, Shakespeare fashions the dramatic role of his early tragic heroine in relationship to Ovid’s Metamorphoses and especially in relationship to his erotic elegies as they are mediated by the charismatic figure of Christopher Marlowe. This chapter explores the difference to the 1597 and 1599 quartos of the play that Ovid makes. There is no particular relationship between the part of Juliet to Ovid in the first quarto, whereas there is an intense and transformative relationship between Shakespeare’s Juliet and the version of Ovid that Marlowe brought to the Elizabethan stage. The final argument of this chapter is that Shakespeare remembers, honors, and radically adapts Marlowe by transferring the bold speech of the Ovidian erotic elegist from the tragic hero to the part of girl, performed by a boy.

Shakespeare in Print
  • A History and Chronology of Shakespeare Publishing
  • 2nd edition
  • Andrew Murphy
  • Published online:
    23 April 2021
    Print publication:
    13 May 2021
  • Described by the TLS as 'a formidable bibliographical achievement … destined to become a key reference work for Shakespeareans', Shakespeare in Print is now issued in a revised and expanded edition offering a wealth of new material, including a chapter which maps the history of digital editions from the earliest computer-generated texts to the very latest digital resources. Murphy's narrative offers a masterful overview of the history of Shakespeare publishing and editing, teasing out the greater cultural significance of the ways in which the plays and poems have been disseminated and received over the centuries from Shakespeare's time to our own. The opening chapters have been completely rewritten to offer close engagement with the careers of the network of publishers and printers who first brought Shakespeare to print, additional material has been added to all chapters, and the chronological appendix has been updated and expanded.