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Between the sixth and eighth centuries CE, the image emerged as a rhetorical category in religious literature produced in the Mediterranean basin. The development was not a uniquely Christian phenomenon. Rather, it emerged in the context of broader debates about symbolic forms that took place across a wide range of ethnic, linguistic, and religious groups who inhabited the late Roman and early Byzantine world. In this book, Alexei Sivertsev demonstrates how Jewish texts serve as an important, and until recently overlooked, witness to the formation of image discourse and associated practices of image veneration in late antiquity and the early Middle Ages. Addressing the role of the image as a rhetorical device in Jewish liturgical poetry, Sivertsev also considers the theme of the engraved image of Jacob in its early Byzantine context and the aesthetics of spaces that bridge the gap between the material and the immaterial in early Byzantine imagination.
Why do successive education reforms within a country resonate with familiar assumptions about educational goals, society, class, and state, even at moments of radical change? Repeating cultural narratives sustain continuities within institutional change processes, by influencing how new ideas are interpreted, how interest groups express preferences, and how institutional norms shape political processes. Repeating narratives make it more likely for some types of reforms to be implemented and sustained than others. This chapter develops a theoretical model suggesting how cultural narratives are transmitted across time and an empirical method for assessing cross-national differences in cultural narratives. Each country has a distinctive “cultural constraint,” or a set of cultural symbols and narratives, that appears in a nation’s literary corpus. Writers collectively contribute to this body of cultural tropes; despite individual fluctuations, they largely reproduce the master narratives of their countries. Computational linguistic processes allow us to observe empirical differences between British and Danish cultural depictions of education in 1,084 works of fiction from 1700 to 1920. Cultural narratives do not determine specific outcomes, as tropes must be activated in political struggles. Yet we can show how significant cross-national differences in literary images of education resonate with British and Danish educational trajectories.
Edited by
Ben Kiernan, Yale University, Connecticut,T. M. Lemos, Huron University College, University of Western Ontario,Tristan S. Taylor, University of New England, Australia
General editor
Ben Kiernan, Yale University, Connecticut
A question not asked to this point in the study of genocide by all the scholars associated with this work in the various disciplines is whether or not there something inherent in the very social construction we call “religion” that lends itself, adapts itself, all-too-easily to those communities— both nation-states and non-nation-state actors—that perpetrate genocide, either in actuality or in potential? Thus, this contribution begins with something of a theoretical look-see vis-à-vis that nexus between religion and genocide by suggesting applicable definitions for both and further outlining the constituent factors of each. (NB: There are, in truth, uncomfortable similarities between religious groups and genocidal perpetrator groups which, to my understanding, have never been addressed or explored.) To further bolster my overall argument—that religion, however defined and understood, is a “participating factor” (my preferred term) in all genocides, both historically and contemporarily—a series of case studies, using Raphael Lemkin’s tri-partite division from his incomplete History of Genocide—Antiquity, Middle Ages, Modern Times—are examined to determine whether my thesis holds.
Sign systems help to create descriptive and depictive representations. Descriptive representations operate on symbols. They are based on conceptual analyses identifying objects or events as well as attributes and interrelations. Attributes and relations are ascribed by predications to entities according to syntactic rules resulting in so-called propositions (“idea units”). These propositions can be integrated into coherent semantic networks. Propositional representations are considered as mental structures which can be externalized in the form of spoken or written texts. Despite their informational incompleteness, descriptions have high representational power. Depictive representations are based on inherent commonalities between a representing object and the represented subject matter. The inherent commonalities can be based on similarity or analogy. These representations are complete with regard to a certain class of information. Due to their completeness and consistency and because information can be read off directly, depictive representations have high computational efficiency.
Can finite humans grasp universal truth? Is it possible to think beyond the limits of reason? Are we doomed to failure because of our finitude? In this clear and accessible book, Barnabas Aspray presents Ricœur's response to these perennial philosophical questions through an analysis of human finitude at the intersection of philosophy and theology. Using unpublished and previously untranslated archival sources, he shows how Ricœur's groundbreaking concept of symbols leads to a view of creation, not as a theological doctrine, but as a mystery beyond the limits of thought that gives rise to philosophical insight. If finitude is created, then it can be distinguished from both the Creator and evil, leading to a view of human existence that, instead of the 'anguish of no' proclaims the 'joy of yes.'
Whether great apes possess the capacity to acquire elements of human language is an enduring scientific question. Over the last 50 years, results from laboratories using either American Sign Language or an artificial symbol-based communication system suggested that core capacities for language acquisition and comprehension are present in apes. After the completion of these projects, newer approaches examining properties of great ape vocalizations and referential gestures have taken up the question. Results from ape language research challenge the claim that human language is a uniquely derived evolutionary specialization, but we are far from reaching consensus on this point. Through these language studies, apes have demonstrated socio-cognitive abilities crucial for the development of language skills, such as joint attention, intersubjectivity, and processing abilities that include referentiality and use of top-down processing for speech restoration. In this chapter, we review ape language projects, the additional work they inspired, and how the results of these studies offer insight into the evolution of language-related cognitive capabilities. We also discuss the effects of enculturation on language acquisition and ethical quandaries that stem from raising apes in homes and laboratories to test hypotheses about the evolution of cognition and language.
|Xam told stories in which quaggas were cast as sentient beings with families, some of which were quite dysfunctional. |Xam narratives explain their stripes and brown coloration, their fear of humans, and their behavior when hunted. While they existed, they gathered little attention from Europeans apart from featuring in accounts of explorers and hunters; they appeared in two poems by Thomas Pringle and were the focus of Lord Morton’s account of telegony. Few extinct animals, however, have had such an eventful afterlife as quaggas: in the last eighty years they have featured in stories, poems, paintings, and a film, and they were the first extinct organism to have their DNA sequenced. Similarities between quagga genomes and those of plains zebras show that these animals are conspecific and so all plains zebras now have the binomial name of Equus quagga; nonetheless, there are genetic differences between quaggas and other plains zebras. Quaggas live on symbolically in the coat of arms of the Western Cape province, and as an example of anthropogenic extinction.
This paper investigates the rational and emotional functions of symbols in organizational change and how collective sensemaking and acceptance of organizational changes are facilitated by the emotional functioning of executive symbolism. Evidence from archived data, news reports, reviews, and case studies are used to support our theoretical analysis. Our opinion is that the CEO can incorporate symbols into not only the rational calculation process to convey the benefits and losses of organizational changes but also the emotional identification process to create new emotional connections and reduce the resistance of the members to organizational changes. We describe why and when the implementation of symbolism will gain the acceptance of members toward organizational change and explain the scenarios that apply for the two functions.
In this article, I challenge the semiological interpretation of Kant’s Religion, particularly as advanced in recent years by James DiCenso and Allen Wood. As I here argue, their interpretations are neither compatible with broader aspects of Kant’s positive philosophy of religion, nor with how Kant himself describes the project of the Religion. Kant wrote the Religion in order to explore the compatibility between his theologically affirmative pure rational system of religion and Christian doctrines, particularly as understood by the Lutherans and Lutheran Pietists of his era, rather than as a treatise on how to make Christian theology compatible with contemporary secularism.
This chapter examines the independence days and national commemorations of these four pseudo-states. It looks closely at the moments in which these four claimed to achieve sovereignty, and will consider the aesthetics and symbolism of the dates of their actual declarations of independence. Furthermore, it will examine how they each created national symbols and rituals, the ways in which these national days were subsequently commemorated, and how these national commemorations changed over time.
The recent ‘emotion turn’ in international theory is widely viewed as a cutting-edge development which pushes the field in fundamentally new directions. Challenging this narrative, this essay returns to the historical works of Walter Lippmann to show how thinking about emotions has been central to international theory for far longer than currently appreciated. Deeply troubled by his experience with propaganda during the First World War, Lippmann spent the next several decades thinking about the relationship between emotion, mass politics, and the challenges of foreign policy in the modern world. The result was a sophisticated account of the role of emotional stereotypes and symbols in mobilizing democratic publics to international action. I argue that a return to Lippmann's ideas offers two advantages. First, it shows his thinking on emotion and mass politics formed an important influence for key disciplinary figures like Angell, Morgenthau, Niebuhr, and Waltz. Second, it shows why the relationship between emotion and democracy should be understood as a vital concern for international theory. Vacillating between scepticism and hope, Lippmann's view of democracy highlights a series of challenges in modern mass politics – disinformation, the unintended consequences of emotional symbols, and responsibility for the public's emotional excesses – which bear directly on democracies' ability to engage the world.
Excavations at Brandon House, Southwark, uncovered a fragment of Roman pottery with a graffito identified as the Chi-Rho symbol, only the second example to be found in London. This note describes the find itself and its context, presents an overview of similar finds from Roman Britain and offers a glimpse into the significance of the sherd as evidence for Christianity in Roman Britain and its place in the dynamic religious landscape of Roman Southwark.
Several text symbol lists for common rock-forming minerals have been published over the last 40 years, but no internationally agreed standard has yet been established. This contribution presents the first International Mineralogical Association (IMA) Commission on New Minerals, Nomenclature and Classification (CNMNC) approved collection of 5744 mineral name abbreviations by combining four methods of nomenclature based on the Kretz symbol approach. The collection incorporates 991 previously defined abbreviations for mineral groups and species and presents a further 4753 new symbols that cover all currently listed IMA minerals. Adopting IMA–CNMNC approved symbols is considered a necessary step in standardising abbreviations by employing a system compatible with that used for symbolising the chemical elements.
The chapter explores the symbols and myths of EU transnational solidarity through a threefold analysis of transnational solidarity within, across, and beyond the EU. Based on post-Cold War study of the EU in global politics over the past three decades, it compares and contrasts transnational solidarity from communitarian and cosmopolitan perspectives before advocating a cosmopolitical understanding of EU transnational solidarity in a global context. The chapter examines transnational solidarity within the EU by looking at symbols and myths of communitarian, cosmopolitan and cosmopolitical solidarities. It then looks across the borders of the EU to consider the symbols and myths of communitarian, cosmopolitan, and cosmopolitical solidarities within the European neighbourhood. It then goes beyond the EU to analyse the symbols and myths of communitarian, cosmopolitan and cosmopolitical solidarities with distantly situated others through EU external actions. It concludes by arguing the need to clearly identify, in line with Carol Gould, transnational EU solidarities as overlapping networks of relations that share and support actions to eliminate oppression or reduce suffering. It further argues that cosmopolitical solidarities that network and share global ethics with local politics are more likely to take actions in concert that are caring and empathic towards distantly situated others.
Chapter 3 unpacks the jewellery inference about Neanderthal language and appraises its soundness. Including three inferential steps represented by arrows, this inference looks in outline as follows: The Neanderthal occupants of the archaeological sites S1,…,Sn were associated with the objects O1,…,On → They wore these objects as personal ornaments → They treated these ornaments as symbols → They had language. [Sites S1,…,Sn include the Grotte du Renne and at least seven other caves/shelters. The objects O1,…, On include, inter alia, marine shells, raptor talons and feathers and perforated animal teeth.] With reference to a large literature, Chapter 3 finds the following about the soundness of the jewellery inference: (a) the data from which the first inference starts provide adequate empirical grounding for it; (b) this step is warranted by an accepted theory of the distinctive propeties of personal ornaments; (c)the second step is unwarranted: it is not underpinned by an adequate theory of the distinctive properties of symbols as opposed to other signs. This finding implies that the third inferential step lacks the necessary grounding.
Chapter 4 elucidates various inferences about Neanderthal language drawn from so-called cave art attributed to Neanderthals. Skeletally, these inferences look as follows, arrows depicting inferential steps: The markings M1,…,Mn are found on the walls of the Iberian caves C1,…,Cn → These markings represent art made by Neanderthal occupants of the caves → This art had a symbolic function for these Neanderthals → These Neanderthals had language. The markings include a hashtag engraving, red disks and hand stencils, a red ladder-shaped sign and red painted mineral deposits. Serious concerns have been expressed about the soundness of these inferences. Two are fundamental. First, the empirical grounding of some are suspect: the dating of the markings is claimed to be inaccurate. This means that some markings may have been made by a modern human rather than a Neanderthal. Second, it has been pointed out, the meanings of the markings are a mystery. This implies that it is unwarranted to infer that these markings were symbols. They could have had a non-symbolic function, which would make the third inferential step ungrounded. Chapter 4 discusses these and other doubts at length.
We characterize various forms of positive dependence, such as association, positive supermodular association and dependence, and positive orthant dependence, for jump-Feller processes. Such jump processes can be studied through their state-space dependent Lévy measures. It is through these Lévy measures that we will provide our characterization. Finally, we present applications of these results to stochastically monotone Feller processes, including Lévy processes, the Ornstein–Uhlenbeck process, pseudo-Poisson processes, and subordinated Feller processes.
Inspired by the “Rhodes Must Fall” campaign, this article examines the defacement of statues and commemorative monuments in postapartheid South Africa. The term “vandalism” is problematized and, based on observation, site visits, and media reports, various cases of statue defacement are then discussed. Local events are contextualized in relation to selected postcolonial societies in Africa and other comparative international contexts. The article argues that political discontent is not necessarily expressed in overt acts of ideologically motivated vandalism, but can manifest itself equally in acts of neglect, disrespect, silence, and disengagement.
Conventionally, flags are explained as symbols of group solidarity that achieve force through ritual processes. Alternatively, flags may be seen as symbols with positive or negative associations derived from our experiences with physical space. While this article accepts these interpretations, it also argues that they need to be augmented. Flag meaning is not entirely a social or linguistic construction because there is a link between flag displays and our inherent predispositions to cues about social rank. Our evolved social intelligence makes us sensitive to the topographic features of flag displays that signal relationships of dominance and subordination.
The Basilica of Our Lady of Licheń, located near Konin in the Greater Poland Voivodeship, provides a unique insight into a nationalistic discourse in contemporary Poland. It was created not only as a Catholic shrine but also as a place of patriotic indoctrination. This paper examines not only the architecture and design of the Church and the surrounding Sanctuary, but also the ideas of Rev. Eugeniusz Makulski, the site's founder, and Barbara Bielecka, its architect, in order to understand one of the important currents in a debate on the Polish post-Communist identity. A close analysis of this religious shrine is intended not only to understand this particular site but also to examine how national identity is (re)defined in architecture. As this paper shows, the employment of symbolic devices allows the creation of a coherent story of the Polish nation as a religious community with a history intrinsically linked to the Catholic Church. However, the annexation of the lay sphere (nation) by the sacred one (religion) leads to problematic results when it comes to the universality of the religion and the “nationalization” of the Catholic Church itself.