Search

Summary

This essay considers the ways in which Sebald’s engagement with his literary predecessors expresses his aim, explored in all his major books from Nach der Natur (After Nature, 1988) to Austerlitz (2001), of understanding the historically constructed condition of ‘culture’. Beyond the impact of specific individuals on his work – from Thomas Browne to Joseph Conrad, from Thomas Bernhard to Vladimir Nabokov – the essay considers why the idea of a literary tradition was so important to Sebald’s creative project, and how his intertextual engagement with this tradition helped shape the very terms of his writing. What does it mean, we can ask of Sebald with Susan Sontag, to be ‘a European at the end of European civilization’?

We argue that friendship is constituted in the practice of narration, not merely identified through psychological or sociological criteria. We show that whether two people have, as Aristotle argues, ‘lived together’ in ‘mutually acknowledged goodwill’ can be determined only through a narrative reconstruction of a shared past. We demonstrate this with a close reading of Thomas Bernhard’s Wittgenstein’s Nephew: A Friendship (1982). We argue that this book provides not only an illustration but also an enactment of the practice of friendship as the urge to redeem—and thus to instantiate—Aristotelian suzên (‘living together’) by means of its telling.

Search Results

Refine search

Refine search

Actions for selected content:

2 results

Chapter 20 - Literary Predecessors

Summary

Narrative Constitution of Friendship

Search Results

Refine search

Refine search

Actions for selected content:

Save Search

2 results

Chapter 20 - Literary Predecessors

Summary

Narrative Constitution of Friendship