Since the beginning of the century, the digitization of medieval manuscripts has been a major concern of institutions in the possession of such material. This has led to the massive production of digital surrogates for online display. Preservation condition and temporal and spatial limitations are no longer restrictions for accessing these objects, making them easily available to a potentially larger public than before. The databases created for hosting the surrogates are designed for different categories of audience, with various standards in mind and different levels of technical sophistication. Although primarily accessed for the texts they bear, the digital surrogates of manuscripts are also the object of study of a specialized group of users interested in their physical features. This review will discuss whether databases that comprise digital surrogates of Greek New Testament manuscripts built by different types of institutions are efficient in addressing the needs of this admittedly small audience. I examine questions of content, interface, organization, and rationales behind the choices of their creators.
