We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
From the 1920s through to the early 1960s, a popular genre of Australian commercial fiction focused on exploring or narrating stories about the outback and more exotic parts of Australian life and geography. Writers as diverse as Ion Idriess, F. J. Thwaites and E. V. Timms used their books to help other non-indigenous Australians engage with their ‘new’ nation. This chapter draws on a some of these novels and uses them to demonstrate how these stories brought to the fore issues of belonging, race, desire and anxiety. The analysis will focus on these texts’ descriptions of love and romance, including how and when intercultural desire was represented. The chapter explores how a settler-colonial logic based on dispossession, erasure and/or assimilation is deployed by the range of authors to mark out social as well as political boundaries of belonging. Overall, the chapter addresses two questions: first, how was Australia imagined and how were its citizens/subjects imagined as belonging to the nation in commercial fiction about race relations at this time; and second, how do stories of intimacy – mostly cis, heterosexual romance – shape these narratives of difference and national belonging? The chapter answers these questions using textual analysis and theories of difference.
The romance publishing landscape in the Philippines is vast and complex, characterised by entangled industrial players, diverse kinds of texts, and siloed audiences. This Element maps the large, multilayered, and highly productive sector of the Filipino publishing industry. It explores the distinct genre histories of romance fiction in this territory and the social, political and technological contexts that have shaped its development. It also examines the close connections between romance publishing and other media sectors alongside unique reception practices. It takes as a central case study the Filipino romance self-publishing collective #RomanceClass, analysing how they navigate this complex local landscape as well as the broader international marketplace. The majority of scholarship on romance fiction exclusively focuses on the Anglo-American industry. By focusing here on the Philippines, the authors hope to disrupt this phenomenon, and to contribute to a more decentred, rhizomatic approach to understanding this genre world.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.