This chapter begins exploring Fambul Tok’s program. It looks at how the organization illustrates the different ways they project themselves as local and what this says about the reproduction of common local tropes by people who know and understand this vernacular, namely by highlighting national identity – Sierra Leonean – and cultural and traditional practices by examining the materials they produced. This is contrasted with ethnographic observations, which explored how the organization actually operated on a daily basis, looking in particular at the interactions and hierarchies both within the organization, between staff and program participants. Exploring these interactions demonstrates how local transitional justice organizations also create and reinforce internal societal hierarchies, mirroring international-local hierarchies. Thus, knowledge of transitional justice and how the local is constructed within TJ programs is its own form of power. Exploring how the agency is employed by different people in different contexts enriches how we understand the micro-dynamics of power, knowledge and discourse within post-conflict contexts.

Borges’s impact on the ’Boom’ writers of Spanish American narrative consists of several factors, beginning with his unapologetic universalism. His translations of authors including Kafka, Virginia Woolf and Faulkner broadened literary horizons. He provided the Boom novelists with a model of style and verbal artifice that broke with previous practices. His laconic humour and playfulness enliven the works of García Márquez, Cabrera Infante, Donoso, and Cortázar, who all acknowledge a debt. Borges also equipped them with a set of narrative tehcniques and devices which allowed them to represent the worlds around them with previously unimagined sophistication and sweep. His insistence on reader-involvement in the construction of the literary work is another item of his legacy.