Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
  1. Home
  2. Series
  3. Cambridge Library Collection - Literary Studies

This series provides a high-quality selection of early printings of literary works, textual editions, anthologies and literary criticism which are of lasting scholarly interest. Ranging from Old English to Shakespeare to early twentieth-century work from around the world, these books offer a valuable resource for scholars in reception history, textual editing and literary studies.

Refine search

Refine search

Content type:
Publication date:
Subject: Show more
Journals Show more
Publishers: Show more
Series: Show more
Collections: Show more

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
Cancel
×

451 results in Cambridge Library Collection - Literary Studies

Page 21 of 23

Othello
  • The Cambridge Dover Wilson Shakespeare
  • William Shakespeare
  • Edited by John Dover Wilson
  • Published online:
    07 September 2010
    Print publication:
    20 July 2009
    First published in:
    1957
  • John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

King Henry the Eighth
  • The Cambridge Dover Wilson Shakespeare
  • William Shakespeare
  • Edited by John Dover Wilson, J. C. Maxwell
  • Published online:
    07 September 2010
    Print publication:
    20 July 2009
    First published in:
    1962
  • John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

King John
  • The Cambridge Dover Wilson Shakespeare
  • William Shakespeare
  • Edited by John Dover Wilson
  • Published online:
    07 September 2010
    Print publication:
    20 July 2009
    First published in:
    1936
  • John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

A Midsummer Night's Dream
  • The Cambridge Dover Wilson Shakespeare
  • William Shakespeare
  • Edited by Sir Arthur Quiller-Couch, John Dover Wilson
  • Published online:
    07 September 2010
    Print publication:
    20 July 2009
    First published in:
    1924
  • John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

Much Ado about Nothing
  • The Cambridge Dover Wilson Shakespeare
  • William Shakespeare
  • Edited by Sir Arthur Quiller-Couch, John Dover Wilson
  • Published online:
    07 September 2010
    Print publication:
    20 July 2009
    First published in:
    1923
  • John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

The First Part of the History of Henry IV
  • The Cambridge Dover Wilson Shakespeare
  • Part 1
  • William Shakespeare
  • Edited by John Dover Wilson
  • Published online:
    07 September 2010
    Print publication:
    20 July 2009
    First published in:
    1946
  • John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

The Merry Wives of Windsor
  • The Cambridge Dover Wilson Shakespeare
  • William Shakespeare
  • Edited by Sir Arthur Quiller-Couch, John Dover Wilson
  • Published online:
    07 September 2010
    Print publication:
    20 July 2009
    First published in:
    1921
  • John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

Richard III
  • The Cambridge Dover Wilson Shakespeare
  • William Shakespeare
  • Edited by John Dover Wilson
  • Published online:
    07 September 2010
    Print publication:
    20 July 2009
    First published in:
    1954
  • John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

Characters of Shakespeare's Plays
  • William Hazlitt
  • Edited by J. H. Lobban
  • Published online:
    07 September 2010
    Print publication:
    20 July 2009
    First published in:
    1908
  • The critic, essayist and painter William Hazlitt (1778–1830) published and lectured widely on English literature, from Elizabethan drama to reviews of the latest work of his own time. His first extended work of literary criticism was Characters of Shakespeare's Plays, published in 1817. This volume from 1908 takes the text of the first edition and adds notes explaining complex terms to readers and an introduction by J. H. Lobban, a lecturer in English at Birkbeck College. As such it is the ideal introduction to Hazlitt's criticism. Hazlitt's political view of Shakespeare drew the ire of the Tory Quarterly review, whose hostile review destroyed sales of the second edition. The work remains of value, however, both as a contribution to the study of Shakespeare and, as with all of Hazlitt's prose, as a model of an elegant, persuasive essay.

The Tragedy of Coriolanus
  • The Cambridge Dover Wilson Shakespeare
  • William Shakespeare
  • Edited by John Dover Wilson
  • Published online:
    07 September 2010
    Print publication:
    20 July 2009
    First published in:
    1960
  • John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

As You Like It
  • The Cambridge Dover Wilson Shakespeare
  • William Shakespeare
  • Edited by Sir Arthur Quiller-Couch, John Dover Wilson
  • Published online:
    07 September 2010
    Print publication:
    20 July 2009
    First published in:
    1926
  • John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

College Plays
  • Performed in the University of Cambridge
  • George Charles Moore Smith
  • Published online:
    07 September 2010
    Print publication:
    24 June 2010
    First published in:
    1923
  • George Charles Moore Smith (1858–1940) was a renowned literary scholar who graduated from St John's College, Cambridge, with a first-class degree in the classics in 1881. In 1896 he was made professor of English language and literature at Firth College, Sheffield, and he played a key role in building up the social and academic position of the institution after it became the University of Sheffield in 1905. College Plays Performed in the University of Cambridge (1923) includes a chronological table of the Latin plays performed by scholars at the university in the sixteenth and seventeenth centuries. The study also contains Moore Smith's 48-page introduction along with an appendix of actor lists. The introduction provides useful context to sixteenth- and seventeenth-century literary and theatrical culture at the University of Cambridge, discussing both the 'outlines of [the plays] histories' and the 'manner of [their] production'.

The Poems
  • The Cambridge Dover Wilson Shakespeare
  • William Shakespeare
  • Edited by John Dover Wilson, J. C. Maxwell
  • Published online:
    07 September 2010
    Print publication:
    20 July 2009
    First published in:
    1966
  • John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

Love's Labours Lost
  • The Cambridge Dover Wilson Shakespeare
  • William Shakespeare
  • Edited by John Dover Wilson
  • Published online:
    07 September 2010
    Print publication:
    20 July 2009
    First published in:
    1962
  • John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

A Chapter in the Early Life of Shakespeare
  • Polesworth in Arden
  • Arthur Gray
  • Published online:
    07 September 2010
    Print publication:
    20 July 2009
    First published in:
    1926
  • In this charming and thought-provoking 1926 volume, Arthur Gray, Master of Jesus College, Cambridge from 1912 to 1940, explored the possibility that William Shakespeare spent his formative years at Polesworth Hall in the Forest of Arden, perhaps serving as a page boy. The Forest of Arden once stretched from just north of Stratford-upon-Avon to Tamworth, and covered what is now Birmingham; Polesworth, near Tamworth, was the home of Sir Henry Goodere and the centre of the famed 'Polesworth Circle'. This splendid focus of creative and cultural activity would have offered the young William exposure to the finest minds, a wonderful education and valuable introductions. Sir Henry, who evidently knew John Shakespeare in Stratford, was certainly patron of many young writers and musicians, including the eminent Elizabethan poet, Michael Drayton. If Gray is correct, Drayton would have been a contemporary of Shakespeare's at Polesworth.

The Third Part of King Henry VI
  • The Cambridge Dover Wilson Shakespeare
  • Part 3
  • William Shakespeare
  • Edited by John Dover Wilson
  • Published online:
    07 September 2010
    Print publication:
    20 July 2009
    First published in:
    1952
  • John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

The Tempest
  • The Cambridge Dover Wilson Shakespeare
  • William Shakespeare
  • Edited by Sir Arthur Quiller-Couch, John Dover Wilson
  • Published online:
    07 September 2010
    Print publication:
    20 July 2009
    First published in:
    1921
  • John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

The Life of Timon of Athens
  • The Cambridge Dover Wilson Shakespeare
  • William Shakespeare
  • Edited by John Dover Wilson, J. C. Maxwell
  • Published online:
    07 September 2010
    Print publication:
    20 July 2009
    First published in:
    1957
  • John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

Shakespeare and the Nature of Man
  • Theodore Spencer
  • Published online:
    07 September 2010
    Print publication:
    20 July 2009
    First published in:
    1943
  • Analysing Shakespeare's historical background and craft, Spencer's 1943 study investigates the intellectual debates of Shakespeare's age, and the effect these had on the drama of the time. The book outlines the key conflict present in the sixteenth century – the optimistic ideal of man's place in the universe, as presented by the theorists of the time, set against the indisputable and ever-present fact of original sin. This conflict about the nature of man, argues Spencer, is perhaps the deepest underlying cause for the emergence of great Renaissance drama. With detailed reference to Shakespeare's great tragedies, the book demonstrates how Shakespeare presents the fact of evil masked by the appearance of good. Shakespeare's last plays, especially The Winter's Tale and The Tempest, are also analysed in detail to show how they embody a different view from the tragedies, and the discussion is related to the larger perspective of general human experience.

The Merchant of Venice
  • The Cambridge Dover Wilson Shakespeare
  • William Shakespeare
  • Edited by Sir Arthur Quiller-Couch, John Dover Wilson
  • Published online:
    07 September 2010
    Print publication:
    20 July 2009
    First published in:
    1926
  • John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

Page 21 of 23