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  3. Cambridge Studies in American Literature and Culture

Established in 1981 and with well over 100 titles now in print, Cambridge Studies in American Literature and Culture is internationally regarded as the leading forum for high-level American critical studies. Volumes in the series are written by outstanding scholars from the United States and Europe, and cover a wide range of key topics and approaches.

  • Founding Editors: Albert Gelpi, Stanford University
  • General Editors: Leonard Cassuto, Fordham University, New York
  • Advisory Boards: Alfred Bendixen, Texas A&M University, Sacvan Bercovitch, Harvard University, Massachusetts, Ronald Bush, St John's College, Oxford, Wai Chee Dimock, Yale University, Connecticut, Albert Gelpi, Stanford University, California, Gordon Hutner, University of Illinois, Urbana-Champaign, Walter Benn Michaels, University of Illinois, Chicago, Kenneth Warren, University of Chicago

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119 results in Cambridge Studies in American Literature and Culture

Page 2 of 6

Nineteenth-Century American Literature and the Long Civil War
  • Cody Marrs
  • Published online:
    05 August 2015
    Print publication:
    22 July 2015
  • American literature in the nineteenth century is often divided into two asymmetrical halves, neatly separated by the Civil War. In Nineteenth-Century American Literature and the Long Civil War, Cody Marrs argues that the war is a far more elastic boundary for literary history than has frequently been assumed. Focusing on the later writings of Walt Whitman, Frederick Douglass, Herman Melville, and Emily Dickinson, this book shows how the war took imaginative shape across, and even beyond, the nineteenth century, inflecting literary forms and expressions for decades after 1865. These writers, Marrs demonstrates, are best understood not as antebellum or postbellum figures but as transbellum authors who cipher their later experiences through their wartime impressions and prewar ideals. This book is a bold, revisionary contribution to debates about temporality, periodization, and the shape of American literary history.

Hobbes, Sovereignty, and Early American Literature
  • Paul Downes
  • Published online:
    05 August 2015
    Print publication:
    28 July 2015
  • Hobbes, Sovereignty, and Early American Literature pursues the question of democratic sovereignty as it was anticipated, theorized and resisted in the American colonies and in the early United States. It proposes that orthodox American liberal accounts of political community need to be supplemented and challenged by the deeply controversial theory of sovereignty that was articulated in Thomas Hobbes's Leviathan (1651). This book offers a radical re-evaluation of Hobbes's political theory and demonstrates how a renewed attention to key Hobbesian ideas might inform inventive re-readings of major American literary, religious and political texts. Ranging from seventeenth- and eighteenth-century Puritan attempts to theorize God's sovereignty to revolutionary and founding-era debates over popular sovereignty, this book argues that democratic aspiration still has much to learn from Hobbes's Leviathan and from the powerful liberal resistance it has repeatedly provoked.

Fictions of Mass Democracy in Nineteenth-Century America
  • Stacey Margolis
  • Published online:
    05 August 2015
    Print publication:
    23 July 2015
  • Fictions of Mass Democracy in Nineteenth-Century America examines how mass democracy was understood before public opinion could be measured by polls. It argues that fiction, in its freedom to represent what resists representation, develops the most groundbreaking theories of the democratic public. These literary accounts of democracy focus less on overt pubic action than the profound effects of everyday social encounters. This book thus departs from recent scholarship, which emphasizes the responsibilities of citizenship and the achievements of oppositional social movements. It demonstrates how novels and stories by Charles Brockden Brown, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, Fanny Fern, Harriet Jacobs and James Fenimore Cooper attempt to understand a public organized not only by explicitly political discourse, but by informal and disorganized social networks.

The Poetry of Disturbance
  • The Discomforts of Postwar American Poetry
  • David Bergman
  • Published online:
    05 July 2015
    Print publication:
    30 June 2015
  • In The Poetry of Disturbance, David Bergman argues that post-war poetry underwent a significant if subtle shift in emphasis, moving from the modernist concern with the poem as a visual text to one that was chiefly oral in nature. The resulting change was disturbing, especially for those brought up on the principles of high modernism. This new stress on orality implied a shift in the economy of the poem, away from the austerity of language advocated by Pound and Eliot to a style that conveyed freedom, expansiveness, and an innovative directness.

American Poetic Materialism from Whitman to Stevens
  • Mark Noble
  • Published online:
    18 December 2014
    Print publication:
    15 December 2014
  • In American Poetic Materialism from Whitman to Stevens, Mark Noble examines writers who rethink the human in material terms. Do our experiences correlate to our material elements? Do visions of a common physical ground imply a common purpose? Noble proposes new readings of Walt Whitman, Ralph Waldo Emerson, William James, George Santayana and Wallace Stevens that explore a literary history wrestling with the consequences of its own materialism. At a moment when several new models of the relationship between human experience and its physical ground circulate among critical theorists and philosophers of science, this book turns to poets who have long asked what our shared materiality can tell us about our prospects for new models of our material selves.

Politics and Skepticism in Antebellum American Literature
  • Dominic Mastroianni
  • Published online:
    05 November 2014
    Print publication:
    23 October 2014
  • In confronting their tumultuous time, antebellum American writers often invoked unrevealable secrets. Five of Ralph Waldo Emerson's most inventive interlocutors - Melville, Hawthorne, Dickinson, Douglass and Jacobs - produced their most riveting political thought in response to Emerson's idea that moods fundamentally shape one's experience of the world, changing only through secret causes that no one fully grasps. In this volume, Dominic Mastroianni frames antebellum and Civil War literature within the history of modern philosophical skepticism, ranging from Descartes and Hume to Levinas and Cavell, arguing that its political significance lies only partially in its most overt engagement with political issues like slavery, revolution, reform, and war. It is when antebellum writing is most philosophical, figurative, and seemingly unworldly that its political engagement is most profound. Mastroianni offers new readings of six major American authors and explores the teeming archive of nineteenth-century print culture.

Thomas Pynchon and American Counterculture
  • Joanna Freer
  • Published online:
    05 September 2014
    Print publication:
    22 September 2014
  • Thomas Pynchon and American Counterculture employs the revolutionary sixties as a lens through which to view the anarchist politics of Pynchon's novels. Joanna Freer identifies and elucidates Pynchon's commentaries on such groups as the Beats, the New Left and the Black Panther Party and on such movements as the psychedelic movement and the women's movement, drawing out points of critique to build a picture of a complex countercultural sensibility at work in Pynchon's fiction. In emphasising the subtleties of Pynchon's responses to counterculture, Freer clarifies his importance as an intellectually rigorous political philosopher. She further suggests that, like the graffiti in Gravity's Rainbow, Pynchon creates texts that are 'revealed in order to be thought about, expanded on, translated into action by the people', his early attraction to core countercultural values growing into a conscious, politically motivated writing project that reaches its most mature expression in Against the Day.

Failure and the American Writer
  • A Literary History
  • Gavin Jones
  • Published online:
    05 June 2014
    Print publication:
    20 January 2014
  • If America worships success, then why has the nation's literature dwelled obsessively on failure? This book explores encounters with failure by nineteenth-century writers - ranging from Edgar Allan Poe and Herman Melville to Mark Twain and Sarah Orne Jewett - whose celebrated works more often struck readers as profoundly messy, flawed and even perverse. Reading textual inconsistency against the backdrop of a turbulent nineteenth century, Gavin Jones describes how the difficulties these writers faced in their faltering search for new styles, coherent characters and satisfactory endings uncovered experiences of blunder and inadequacy hidden in the culture at large. Through Jones's treatment, these American writers emerge as the great theorists of failure who discovered ways to translate their own social insecurities into complex portrayals of a modern self, founded in moral fallibility, precarious knowledge and negative feelings.

Visualizing Blackness and the Creation of the African American Literary Tradition
  • Lena Hill
  • Published online:
    05 February 2014
    Print publication:
    17 February 2014
  • Negative stereotypes of African Americans have long been disseminated through the visual arts. This original and incisive study examines how black writers use visual tropes as literary devices to challenge readers' conceptions of black identity. Lena Hill charts two hundred years of African American literary history, from Phillis Wheatley to Ralph Ellison, and engages with a variety of canonical and lesser-known writers. Chapters interweave literary history, museum culture, and visual analysis of numerous illustrations with close readings of Booker T. Washington, Gwendolyn Bennett, Zora Neale Hurston, Melvin Tolson, and others. Together, these sections register the degree to which African American writers rely on vision - its modes, consequences, and insights - to demonstrate black intellectual and cultural sophistication. Hill's provocative study will interest scholars and students of African American literature and American literature more broadly.

Environmental Practice and Early American Literature
  • Michael Ziser
  • Published online:
    05 July 2013
    Print publication:
    29 July 2013
  • This original and provocative study tells the story of American literary history from the perspective of its environmental context. Weaving together close readings of early American texts with ecological histories of tobacco, potatoes, apples and honey bees, Michael Ziser presents a method for literary criticism that explodes the conceptual distinction between the civilized and natural world. Beginning with the English exploration of Virginia in the sixteenth century, Ziser argues that the settlement of the 'New World' - and the cultivation and exploitation of its bounty - dramatically altered how writers used language to describe the phenomena they encountered on the frontier. Examining the work of Harriot, Grainger, Cooper, Thoreau and others, Ziser reveals how these authors, whether consciously or not, transcribed the vibrant ecology of North America, and the ways that the environment helped codify a uniquely American literary aesthetic of lasting importance.

The Poetics of Sovereignty in American Literature, 1885–1910
  • Andrew Hebard
  • Published online:
    05 January 2013
    Print publication:
    17 December 2012
  • During the Progressive Era, the United States regularly suspended its own laws to regulate racialized populations. Judges and administrators relied on the rhetoric of sovereignty to justify such legal practices, while in American popular culture, sovereignty helped authors coin tropes that have become synonymous with American exceptionalism today. In this book, Andrew Hebard challenges the notion of sovereignty as a 'state of exception' in American jurisprudence and literature at the turn of the twentieth century. Hebard explores how literary trends such as romance and realism helped conventionalize, and thereby sanction, the federal government's use of sovereignty in a range of foreign and domestic policy matters, including the regulation of overseas colonies, immigration, Native American lands, and extra-legal violence in the American South. Weaving historiography with close readings of Mark Twain, the Western, and other hallmarks of Progressive Era literature, Hebard's study offers a new cultural context for understanding the legal history of race relations in the United States.

Melville and the Idea of Blackness
  • Race and Imperialism in Nineteenth-Century America
  • Christopher Freeburg
  • Published online:
    05 September 2012
    Print publication:
    27 August 2012
  • By examining the unique problems that 'blackness' signifies in Moby-Dick, Pierre, 'Benito Cereno' and 'The Encantadas', Christopher Freeburg analyzes how Herman Melville grapples with the social realities of racial difference in nineteenth-century America. Where Melville's critics typically read blackness as either a metaphor for the haunting power of slavery or an allegory of moral evil, Freeburg asserts that blackness functions as the site where Melville correlates the sociopolitical challenges of transatlantic slavery and US colonial expansion with philosophical concerns about mastery. By focusing on Melville's iconic interracial encounters, Freeburg reveals the important role blackness plays in Melville's portrayal of characters' arduous attempts to seize their own destiny, amass scientific knowledge and perfect themselves. A valuable resource for scholars and graduate students in American literature, this text will also appeal to those working in American, African American and postcolonial studies.

The Logic of Slavery
  • Debt, Technology, and Pain in American Literature
  • Tim Armstrong
  • Published online:
    05 September 2012
    Print publication:
    27 August 2012
  • In American history and throughout the Western world, the subjugation perpetuated by slavery has created a unique 'culture of slavery'. That culture exists as a metaphorical, artistic and literary tradition attached to the enslaved - human beings whose lives are 'owed' to another, who are used as instruments by another and who must endure suffering in silence. Tim Armstrong explores the metaphorical legacy of slavery in American culture by investigating debt, technology and pain in African-American literature and a range of other writings and artworks. Armstrong's careful analysis reveals how notions of the slave as a debtor lie hidden in our accounts of the commodified self and how writers like Nathaniel Hawthorne, Rebecca Harding Davis, Booker T. Washington, W. E. B. Du Bois, Ralph Ellison and Toni Morrison grapple with the pervasive view that slaves are akin to machines.

Mark Twain and the Novel
  • The Double-Cross of Authority
  • Lawrence Howe
  • Published online:
    05 September 2012
    Print publication:
    13 October 1998
  • Mark Twain was an author both drawn to and suspicious of authority, and his novels reflect this tension. Marked by disruptions, repetitions and contradictions, they exemplify the ideological stand-off between the American ideal of individual freedom and the reality of social control. This book provides a fresh look at Twain's major novels such as Life on the Mississippi, Huckleberry Finn and A Connecticut Yankee in King Arthur's Court. The difficulties in these works are shown to be neither flaws nor failures, but rather intrinsic to both the structure of the American novel and the texture of American culture.

Conspiracy and Romance
  • Studies in Brockden Brown, Cooper, Hawthorne, and Melville
  • Robert S. Levine
  • Published online:
    05 June 2012
    Print publication:
    29 September 1989
  • Robert Levine has examined the American romance in a historical context. His book offers a fresh reading of the genre, establishing its importance to American culture between the founding of the republic and the Civil war. With convincing historical and literary detail, Levine shows that anxieties about various subversive elements - French revolutionaries, secret societies, Catholic immigrants, African slaves - are central to the fictional worlds of Brockden Brown, Cooper, Hawthorne and Melville. Ormond, The Bravo, The Blithedale Romance, and Benito Cereno are persuasively explicated by Levine to demonstrate that the romance addressed many of the same conflicts and ideals that gave rise to the American republic. Americans conceived of America as a romance, and their romances dramatised the historical conditions of the culture, The fear that conspiracies would subvert the order and integrity of the new nation were recurrent and widespread; Levine makes us see that these fears informed the works of our major romance writers from the turn of the century until the Civil War.

T. S. Eliot and Ideology
  • Kenneth Asher
  • Published online:
    05 June 2012
    Print publication:
    28 April 1995
  • Setting out to demonstrate the effect of politics on the work of T. S. Eliot, T. S. Eliot and Ideology charts first of all the influence of French reactionary thinking on Eliot's prose and poetry, and further argues that this political inheritance provided the intellectual framework he employed throughout his career. Asher's concentration on the specifically ideological separates this book from previous works on Eliot, and sheds light on Eliot's celebrated mid-career conversion to Catholicism. What results is a re-estimation of Eliot's view of literary history and literary theory, and new appraisals of several major poems and plays. Finally, the book discusses at length how Eliot's ideology profoundly influenced the study of literature in the English-speaking world for several decades.

William Carlos Williams and Alterity
  • The Early Poetry
  • Barry Ahearn
  • Published online:
    05 January 2012
    Print publication:
    25 February 1994
  • Many critics have noticed the paradoxes and contradictions in the work of William Carlos Williams, but few have analysed them in detail. Professor Ahearn argues that Williams criticism has not gone far enough in recognizing the uses Williams saw for contradiction. He contends that Williams began to acquire his own voice as a poet when he recognized that he could be a vehicle for contending voices. His reading departs from previous examinations of the early poetry in the emphasis it places on the poems as expressions of Williams's personal struggles with himself, his parents, his domestic role and his social position. We find a Williams whose contribution to modernism came not through a radical break with tradition or a rejection of inherited poetic norms alone, but rather in a cultivation of tension, conflict, and a kind of poetic 'crisis' that could be held forth as the metier of the modernist writer. The reconciliation of things as old as civilization itself with the newest form of poetry, Ahearn argues is the principal theme of Williams early poetic practice.

Representative Words
  • Politics, Literature, and the American Language, 1776–1865
  • Thomas Gustafson
  • Published online:
    05 January 2012
    Print publication:
    29 January 1993
  • Ralph Waldo Emerson's dictum - 'The corruption of man is followed by the corruption of language' - belongs to a long tradition of writing connecting political disorders and the corruption of language that stretches back in Western culture. Representative Words, which gives an account of the tradition from its classical and Christian origins through the Enlightenment, is primarily a study of how and why Americans renewed and developed it between the ages of the Revolutionary and the Civil Wars. It is the first comprehensive treatment of the background to and the appearance of the wealth of theories about language in the early era of American political and cultural discourse. Professor Gustafson's argument demonstrates the interconnectedness of the state of language and the state of society and turns on the question of representation and misrepresentation - whether and how words represent or misrepresent nature, social reality, truth, and value in the new American experiment in representative republican government.

Reimagining Thoreau
  • Robert Milder
  • Published online:
    05 November 2011
    Print publication:
    31 March 1995
  • Reimagining Thoreau synthesises the interests of the intellectual and psychological biographer and the literary critic in a reconsideration of Thoreau's career from his graduation from Harvard in 1837 to his death in 1862. The purposes of the book are threefold: to situate Thoreau's aims and achievements as a writer within the context of his troubled relationship to a microcosm of ante-bellum Concord; to reinterpret Walden as a temporally layered text in light of the successive drafts of the book and the evidence of Thoreau's journals and contemporaneous writings; and, to overturn traditional views of Thoreau's 'decline' by offering a new estimate of the post-Walden writing and its place within Thoreau's development.

The American Abraham
  • James Fenimore Cooper and the Frontier Patriarch
  • Warren Motley
  • Published online:
    07 October 2011
    Print publication:
    29 January 1988
  • In this book Warren Motley offers an original interpretation of James Fenimore Cooper's career. Whereas most studies of Cooper have centered on the figure of the Leatherstocking - that solitary model of the self-sufficient American hero untrammeled by civilization - this book examines Cooper's interest in the pioneer patriarchs who built new societies in the wilderness. Throughout his career Cooper explored an essential American problem: how to achieve the right balance between freedom and authority. He did this by retelling the story of the frontier settlement and thereby assessing its successes and failures. Like other writers in the decades before the Civil War, Cooper struggled with the legacy of the Revolutionary fathers - a legacy made more personal in Cooper's case by his father's role as a frontier land developer, judge, and Federalist politician. This book breaks new ground by relating Cooper's artistic development, and his ideas about authority in society, to his efforts to become independent of his father.

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