The Kecak and Cultural Tourism on Bali

Kendra Stepputat

doi:10.1017/9781800103092

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Kendra Stepputat, University of Music and Performing Arts Graz, Austria

Publisher:: Boydell & Brewer
Online publication date:: October 2022
Print publication year:: 2021
Online ISBN:: 9781800103092
DOI:: https://doi.org/10.1017/9781800103092

Series:: Eastman/Rochester Studies in Ethnomusicology
Subjects:: Music, Music Criticism

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Examines the history of one of the best known dramatic dance performance practices on Bali and its connection with cultural tourism.

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The Kecak and Cultural Tourism on Bali

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Frontmatter
pp i-iv

Contents
pp v-vi

Acknowledgments
pp vii-viii

Note to the Reader
pp ix-x

Introduction
pp 1-10

Part 1 - The Present
pp 11-12

1 - Kecak: The Music
pp 13-43

2 - Kecak: The Dance
pp 44-85

3 - Kecak: The Drama
pp 86-124

4 - The Social Organization of Kecak
pp 125-147

5 - Kecak: The Tourist Performance
pp 148-192

Part 2 - The History
pp 193-194

6 - From Sanghyang Dedari to Kecak
pp 195-236

7 - The First Kecak
pp 237-285

8 - Almost a Century of Kecak
pp 286-330

Appendix 1 - Kecak dan Wisata Budaya di Bali (Indonesian Summary)
pp 331-334

Appendix 2 - Kecak Groups of Bali in 2000–2001 (Badung and Gianyar)
pp 335-342

Appendix 3 - Facsimile of a Letter from Walter Spies to Leo Spies, 1932
pp 343-350

Glossary
pp 351-358

Bibliography
pp 359-370

Index
pp 371-379

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The Kecak and Cultural Tourism on Bali

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