R. G. Collingwood has suggested that the basic contrast between the Greek view of nature and what he calls the Renaissance view, springs from the difference between their respective analogical approaches to nature. Whereas, he argues, the Greek view of nature as an intelligent organism was based on an analogy between the world of nature and the individual human being, the Renaissance view conceived the world analogically as a machine. Instead of being regarded as capable of ordering its own movements in a rational manner, and, it might be added, according to its immanent laws, the world, to such a view, is devoid both of intelligence and life, the movements which it exhibits are imposed from without, and “their regularity due to 'laws of nature' likewise imposed from without.” Coiling- wood concludes, therefore, that this view presupposed both the human experience of designing and constructing machines, and the Christian idea of a creative and omnipotent God.