The unmarried female schoolteacher may qualify as the most written about, yet least understood, figure in the history of modern education. She emerged in the late nineteenth and early twentieth century as a literary stereotype defined by the likes of Miss Priscilla Batte, that “shapeless yet majestic” matron of Dinwiddie Academy in Ellen Glasgow's Virginia, the Cabot sisters in Joseph Lincoln's Mary-Gusta, or the ever vigilant Miss Dorothy Gibbs, head of the Female Institute in Thomas Aldrich's Story of a Bad Boy. Stiff, humorless, and punctillious to the end, these grim products of the literary imagination were construed to typify an entire profession that seemed peculiarly vulnerable to caricature. Until World War I, at least, teaching and “spinsterhood” were synonymous in the public mind. And the self-denigration that accompanied acceptance of the “old maid” stereotype presumably blunted the creative urge to write. As several American historians have noted, there is a remarkable paucity of memoirs and autobiographies, through which the subject could speak for herself; thus, we know little about the proverbial lady who stood in front of the chalkboard.