Popular Music: Volume 23 -

Infrastructure for the Celestial Jukebox
PATRICK BURKART, TOM McCOURT
Published online by Cambridge University Press:

19 October 2004, pp. 349-362
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The vision of a dynamic and intelligent Celestial Jukebox, in which any cultural artifact is available to dedicated appliances or home computers via wired or wireless channels, animates many predictions for the future of media delivery. The chief proponents of this vision are transnational media firms selling hardware, software and content. Despite a prolonged downturn in the global economy for media and software, the technical and legal design of the Celestial Jukebox nears completion. We examine the development and implications of the Jukebox as it is manifested in several online music services available to US consumers (which we term Music Service Providers, or MSPs), in which the ‘Big Five’ record companies (Universal, Sony, Warner, BMG and EMI) provide content and/or hold equity stakes. First, we identify and describe the Celestial Jukebox's key technical components – Customer Relationship Management (‘eCRM’ or ‘CRM’) and Digital Rights Management (‘DRM’) software – and their intermeshing characteristics. We then discuss the implementation of CRM/DRM in MSPs and list the primary stakeholders in the leading MSP systems. We conclude with a discussion of the MSPs' role in advancing what Vincent Mosco terms a ‘pay-per’ society, in which cultural goods are purchased on a transitory, rather than permanent, basis.

Who Needs Classical Music? Cultural Choice and Musical Value. By Julian Johnson. Oxford University Press, 2002. 140 pp. ISBN 0-19-514681-6
Nicola Dibben
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23 July 2004, pp. 227-229
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Shake Rattle and Rain: Popular Music Making in Manchester 1955–1995. By C. P. Lee. Hardinge Simpole, 2002. 316 pp.
Martin Cloonan
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28 January 2004, pp. 93-94
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Rock Over the Edge. Transformations in Popular Music Culture. Edited by Roger Beebe, Denise Fulbrook and Ben Saunders. Durham, NC and London: Duke University Press, 2002. 392 pp. ISBN 0–8223–2915–8 (paperback), 0–8223–2900–X (cloth)
Simon Frith
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19 October 2004, pp. 363-372
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Continuum Encyclopedia of Popular Music of the World. Volume I: Media, Industry and Society. Edited by John Shepherd, David Horn, Dave Laing, Paul Oliver and Peter Wicke. Continuum, 2003. xxxi+800 pp. ISBN 0–8264–6321–5
Juan Pablo Gonzalez
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19 October 2004, pp. 373-377
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Guide to Andalusian Flamenco. Junta de Andalucia, 2003 [flamenco@ andalucia.org, www.andaluciaflamenco.org]. 233 pp. Duende, a Journey in Search of Flamenco. By Jason Webster. Doubleday, 2003. 292 pp.
Jan Fairley
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28 January 2004, pp. 95-97
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Bossa Nova: The Story of the Brazilian Music that Seduced the World. By Ruy Castro, trans. Lysa Salsbury. Chicago: A Cappella, 2000. 372 pp., discography, glossary, index, photos Tropical Truth: A Story of Music & Revolution in Brazil. By Caetano Veloso, trans. Isabel de Sena. New York: Knopf, 2002. 354 pp., glossary, index, photos
Jesse Samba Wheeler
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23 July 2004, pp. 229-231
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Karaoke Nights: An Ethnographic Rhapsody. By Rob Drew. Atamira Press, 2001. 160 pp. ISBN 0759100470.
Adam Behr
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28 January 2004, pp. 97-98
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Continuum Encyclopedia of Popular Music of the World. Volume II: Performance and Production. Edited by John Shepherd, David Horn, Dave Laing, Paul Oliver and Peter Wicke. London: Continuum, 2003. xxx+682 pp. ISBN 0–8264–6322–3
Helmi Järviluoma
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19 October 2004, pp. 378-380
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The Cambridge Companion to Singing. Edited by John Potter. Cambridge: Cambridge University Press, 2000. 286 pp. ISBN 0-521-62709-5
Rosalía Rodríguez-Vázquez
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23 July 2004, pp. 232-235
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Jazz and Death: Medical Profiles of Jazz Greats. By Fredrick J. Spencer. University Press of Mississippi, 2002. 311 pp.
Raymond MacDonald
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23 July 2004, pp. 235-237
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I Sing the Difference: Identity and Commitment in Latin American Song. A Symposium in Honour of Robert Pring-Mill. IPM: Institute of Popular Music, University of Liverpool. ISBN 1–898806–06–3. Copies from the IPM, University of Liverpool; Roxby Building, Chatham Street, Liverpool L69 7ZT
Sue Monk
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19 October 2004, pp. 380-382
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Louis Prima. By Garry Boulard. University of Illinois Press, 2002. 192 pp. ISBN 0-252-07090-9.
Bill Sweeney
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28 January 2004, pp. 99-100
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Popular Music in Contemporary France: Authenticity, Politics, Debate. By David L. Looseley. Berg, 2003. 256 pp. ISBN 1 85973 636 (paperback), ISBN 1 85973 631 9 (hardback)
Motti Regev
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19 October 2004, pp. 382-384
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How Popular Musicians Learn. By Lucy Green. Aldershot and Burlington: Ashgate, 2001. 238 pp. ISBN 0-7546-0338-5
Stephanie Pitts
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23 July 2004, pp. 237-239
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Up From The Underground: The Culture of Rock Music in Postsocialist Hungary. By Anna Szemere. Pennsylvania State University Press, 2001. 246 pp.
Peter Mills
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28 January 2004, pp. 100-101
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Echoes from Dharamsala: Music in the Life of a Tibetan Refugee Community. By Keila Diehl. Berkeley, Los Angeles, London: University of California Press, 2002. 340 pp. ISBN 0–520–23043–4 (hardcover) ISBN 0–520–23044–2 (paperback)
Carole Pegg
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19 October 2004, pp. 384-387
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Living the Jazz Life. By W. Royal Stokes. Oxford University Press, 2002. 278 pp. £12.99 (pbk). ISBN 0-19-508108-0 (cloth) 0-19-515249-2 (pbk).
Bill Sweeney
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28 January 2004, pp. 102-103
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Analyzing Popular Music. Edited by Allan Moore. Cambridge: Cambridge University Press, 2003. 280 pp. ISBN 0–521–77120–X
Kenneth Gloag
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19 October 2004, pp. 387-389
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The Cambridge Companion to the Guitar. Edited by Victor Anand Coelho. Cambridge: Cambridge University Press, 2003. 278 pp. ISBN 0–521–00040–8
Adam Behr
Published online by Cambridge University Press:

19 October 2004, pp. 389-391
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Popular Music

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Volume 23 - October 2004

Articles

Infrastructure for the Celestial Jukebox

Reviews

Who Needs Classical Music? Cultural Choice and Musical Value. By Julian Johnson. Oxford University Press, 2002. 140 pp. ISBN 0-19-514681-6

Book Review

Shake Rattle and Rain: Popular Music Making in Manchester 1955–1995. By C. P. Lee. Hardinge Simpole, 2002. 316 pp.

Reviews

Rock Over the Edge. Transformations in Popular Music Culture. Edited by Roger Beebe, Denise Fulbrook and Ben Saunders. Durham, NC and London: Duke University Press, 2002. 392 pp. ISBN 0–8223–2915–8 (paperback), 0–8223–2900–X (cloth)

Continuum Encyclopedia of Popular Music of the World. Volume I: Media, Industry and Society. Edited by John Shepherd, David Horn, Dave Laing, Paul Oliver and Peter Wicke. Continuum, 2003. xxxi+800 pp. ISBN 0–8264–6321–5

Book Review

Guide to Andalusian Flamenco. Junta de Andalucia, 2003 [flamenco@ andalucia.org, www.andaluciaflamenco.org]. 233 pp. Duende, a Journey in Search of Flamenco. By Jason Webster. Doubleday, 2003. 292 pp.

Reviews

Book Review

Karaoke Nights: An Ethnographic Rhapsody. By Rob Drew. Atamira Press, 2001. 160 pp. ISBN 0759100470.

Reviews

Continuum Encyclopedia of Popular Music of the World. Volume II: Performance and Production. Edited by John Shepherd, David Horn, Dave Laing, Paul Oliver and Peter Wicke. London: Continuum, 2003. xxx+682 pp. ISBN 0–8264–6322–3

The Cambridge Companion to Singing. Edited by John Potter. Cambridge: Cambridge University Press, 2000. 286 pp. ISBN 0-521-62709-5

Jazz and Death: Medical Profiles of Jazz Greats. By Fredrick J. Spencer. University Press of Mississippi, 2002. 311 pp.

I Sing the Difference: Identity and Commitment in Latin American Song. A Symposium in Honour of Robert Pring-Mill. IPM: Institute of Popular Music, University of Liverpool. ISBN 1–898806–06–3. Copies from the IPM, University of Liverpool; Roxby Building, Chatham Street, Liverpool L69 7ZT

Book Review

Louis Prima. By Garry Boulard. University of Illinois Press, 2002. 192 pp. ISBN 0-252-07090-9.

Reviews

Popular Music in Contemporary France: Authenticity, Politics, Debate. By David L. Looseley. Berg, 2003. 256 pp. ISBN 1 85973 636 (paperback), ISBN 1 85973 631 9 (hardback)

How Popular Musicians Learn. By Lucy Green. Aldershot and Burlington: Ashgate, 2001. 238 pp. ISBN 0-7546-0338-5

Book Review

Up From The Underground: The Culture of Rock Music in Postsocialist Hungary. By Anna Szemere. Pennsylvania State University Press, 2001. 246 pp.

Reviews

Echoes from Dharamsala: Music in the Life of a Tibetan Refugee Community. By Keila Diehl. Berkeley, Los Angeles, London: University of California Press, 2002. 340 pp. ISBN 0–520–23043–4 (hardcover) ISBN 0–520–23044–2 (paperback)

Book Review

Living the Jazz Life. By W. Royal Stokes. Oxford University Press, 2002. 278 pp. £12.99 (pbk). ISBN 0-19-508108-0 (cloth) 0-19-515249-2 (pbk).

Reviews

Analyzing Popular Music. Edited by Allan Moore. Cambridge: Cambridge University Press, 2003. 280 pp. ISBN 0–521–77120–X

The Cambridge Companion to the Guitar. Edited by Victor Anand Coelho. Cambridge: Cambridge University Press, 2003. 278 pp. ISBN 0–521–00040–8

Popular Music

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Volume 23 - October 2004

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