Renaissance Quarterly: Volume 72 - Issue 4

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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

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Volume 72 - Issue 4 - Winter 2019

Renaissance Quarterly Volume 72 - Issue 4 -

Contents

Page 2 of 6

Reviews

Drawing and the Senses: An Early Modern History. Caroline Fowler. Harvey Miller Studies in Baroque Art. Turnhout: Brepols, 2016. vi + 178 pp. €70.
Veronica White
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20 January 2020, pp. 1444-1445
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The Italian Renaissance Nude. Jill Burke. New Haven, CT: Yale University Press, 2018. 240 pp. $60.
Julie Beckers
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20 January 2020, pp. 1445-1446
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Collecting Art in the Italian Renaissance Court: Objects and Exchanges. Leah R. Clark. Cambridge: Cambridge University Press, 2018. xiv + 326 pp.+ 10 color pls. $99.99.
Gail Feigenbaum
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20 January 2020, pp. 1447-1448
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The Realism of Piero della Francesca. Joost Keizer. Visual Culture in Early Modernity. London: Routledge, 2018. xii + 146 pp. $150.
John Hendrix
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20 January 2020, pp. 1448-1449
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Exporting Caravaggio: The Crucifixion of Saint Andrew. Erin E. Benay. Cleveland Masterwork Series 4. Cleveland: Cleveland Museum of Art, 2017. xiv + 170 pp. $28.95.
Sally Hickson
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20 January 2020, pp. 1450-1451
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Artemisia Gentileschi in a Changing Light. Sheila Barker, ed. The Medici Archive Project Series 4. Turnhout: Harvey Miller, 2017. 248 pp. €125.
Jacqueline Marie Musacchio
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20 January 2020, pp. 1451-1453
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Art and Violence in Early Renaissance Florence. Scott Nethersole. New Haven, CT: Yale University Press, 2018. 320 pp. $70.
John Paoletti
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20 January 2020, pp. 1453-1454
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Divine and Demonic Imagery at Tor de'Specchi, 1400–1500: Religious Women and Art in 15th-Century Rome. Suzanne M. Scanlan. Visual and Material Culture, 1300–1700. Amsterdam: Amsterdam University Press, 2018. 220 pp. + 25 color pls. $115.
Kirsten Lee Bierbaum
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20 January 2020, pp. 1454-1456
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Architectural Invention in Renaissance Rome: Artists, Humanists, and the Planning of Raphael's Villa Madama. Yvonne Elet. Cambridge: Cambridge University Press, 2017. xxvi + 338 pp. + 16 color pls. $120.
Jessica Maier
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20 January 2020, pp. 1456-1457
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Venice Illuminated: Power and Painting in Renaissance Manuscripts. Helena Katalin Szépe. New Haven, CT: Yale University Press, 2018. 400 pp. $70.
Lisa Kaborycha
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20 January 2020, pp. 1458-1459
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The Henri IV Series. Alexis Merle du Bourg. Ed. Bert Schepers, Brecht Vanoppen, and Isabelle Van Tichelen. Trans. Jane MacAvock and Abigail D. Newman. Corpus Rubenianum Ludwig Burchard 14.2. Turnhout: Harvey Miller, 2017. 484 pp. + 105 color pls. €175.
Jacquelyn N. Coutré
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20 January 2020, pp. 1459-1460
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The “Small Landscape” Prints in Early Modern Netherlands. Alexandra Onuf. Visual Culture in Early Modernity. London: Routledge, 2018. xxii + 240 pp. $150.
Nina E. Serebrennikov
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20 January 2020, pp. 1461-1462
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Niklaus Manuel: Catalogue raisonné. Michael Egli and Hans Christoph von Tavel. With Petra Barton Sigrist. 2 vols. Œuvrekataloge Schweizer Künstler und Künstlerinnen 29. Basel: Schwabe Verlag, 2017. 934 pp. €640.
Miriam Hall Kirch
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20 January 2020, pp. 1462-1463
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Carpet Studies, 1300–1600. Marco Sapallanzani. Textile Studies 3. Genova: Sagep Editori, 2016. 236 pp. $130.28.
Walter B. Denny
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20 January 2020, pp. 1464-1465
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Maria Sibylla Merian zwischen Malerei und Naturforschung: Pflanzen- und Schmetterlingsbilder neu entdeckt. Carin Grabowski. Berlin: Reimer, 2017. 480 pp. €79.
John Roger Paas
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20 January 2020, pp. 1465-1466
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Matematica e immaginazione nel Rinascimento. Annarita Angelini. Storie della Scienza. Milan: Editrice Bibliografica, 2017. 200 pp. €18.50.
Eileen Reeves
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20 January 2020, pp. 1467-1468
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Penser les mathématiques au XVIe siècle. Shin Higashi. Histoire et philosophie des sciences 17. Paris: Classiques Garnier, 2018. 490 pp. €49.
Edith Dudley Sylla
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20 January 2020, pp. 1468-1469
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The Astronomer and the Witch: Johannes Kepler's Fight for His Mother. Ulinka Rublack. Oxford: Oxford University Press, 2015. xxxii + 360 pp. $29.95.
Sheila J. Rabin
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20 January 2020, pp. 1469-1471
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A Tale of Three Thirsty Cities: The Innovative Water Supply Systems of Toledo, London and Paris in the Second Half of the Sixteenth Century. Jaime-Chaim Shulman. Technology and Change in History 14. Leiden: Brill, 2018. xiv + 398 pp. $159.
G. Geltner
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20 January 2020, pp. 1471-1472
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Dealing with the Dead: Mortality and Community in Medieval and Early Modern Europe. Thea Tomaini, ed. Explorations in Medieval Culture 5. Leiden: Brill, 2018. xii + 450 pp. $172.
Albrecht Classen
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20 January 2020, pp. 1473-1474
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Page 2 of 6

Renaissance Quarterly

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Volume 72 - Issue 4 - Winter 2019

Reviews

Drawing and the Senses: An Early Modern History. Caroline Fowler. Harvey Miller Studies in Baroque Art. Turnhout: Brepols, 2016. vi + 178 pp. €70.

The Italian Renaissance Nude. Jill Burke. New Haven, CT: Yale University Press, 2018. 240 pp. $60.

Collecting Art in the Italian Renaissance Court: Objects and Exchanges. Leah R. Clark. Cambridge: Cambridge University Press, 2018. xiv + 326 pp.+ 10 color pls. $99.99.

The Realism of Piero della Francesca. Joost Keizer. Visual Culture in Early Modernity. London: Routledge, 2018. xii + 146 pp. $150.

Exporting Caravaggio: The Crucifixion of Saint Andrew. Erin E. Benay. Cleveland Masterwork Series 4. Cleveland: Cleveland Museum of Art, 2017. xiv + 170 pp. $28.95.

Artemisia Gentileschi in a Changing Light. Sheila Barker, ed. The Medici Archive Project Series 4. Turnhout: Harvey Miller, 2017. 248 pp. €125.

Art and Violence in Early Renaissance Florence. Scott Nethersole. New Haven, CT: Yale University Press, 2018. 320 pp. $70.

Divine and Demonic Imagery at Tor de'Specchi, 1400–1500: Religious Women and Art in 15th-Century Rome. Suzanne M. Scanlan. Visual and Material Culture, 1300–1700. Amsterdam: Amsterdam University Press, 2018. 220 pp. + 25 color pls. $115.

Architectural Invention in Renaissance Rome: Artists, Humanists, and the Planning of Raphael's Villa Madama. Yvonne Elet. Cambridge: Cambridge University Press, 2017. xxvi + 338 pp. + 16 color pls. $120.

Venice Illuminated: Power and Painting in Renaissance Manuscripts. Helena Katalin Szépe. New Haven, CT: Yale University Press, 2018. 400 pp. $70.

The Henri IV Series. Alexis Merle du Bourg. Ed. Bert Schepers, Brecht Vanoppen, and Isabelle Van Tichelen. Trans. Jane MacAvock and Abigail D. Newman. Corpus Rubenianum Ludwig Burchard 14.2. Turnhout: Harvey Miller, 2017. 484 pp. + 105 color pls. €175.

The “Small Landscape” Prints in Early Modern Netherlands. Alexandra Onuf. Visual Culture in Early Modernity. London: Routledge, 2018. xxii + 240 pp. $150.

Niklaus Manuel: Catalogue raisonné. Michael Egli and Hans Christoph von Tavel. With Petra Barton Sigrist. 2 vols. Œuvrekataloge Schweizer Künstler und Künstlerinnen 29. Basel: Schwabe Verlag, 2017. 934 pp. €640.

Carpet Studies, 1300–1600. Marco Sapallanzani. Textile Studies 3. Genova: Sagep Editori, 2016. 236 pp. $130.28.

Maria Sibylla Merian zwischen Malerei und Naturforschung: Pflanzen- und Schmetterlingsbilder neu entdeckt. Carin Grabowski. Berlin: Reimer, 2017. 480 pp. €79.

Matematica e immaginazione nel Rinascimento. Annarita Angelini. Storie della Scienza. Milan: Editrice Bibliografica, 2017. 200 pp. €18.50.

Penser les mathématiques au XVIe siècle. Shin Higashi. Histoire et philosophie des sciences 17. Paris: Classiques Garnier, 2018. 490 pp. €49.

The Astronomer and the Witch: Johannes Kepler's Fight for His Mother. Ulinka Rublack. Oxford: Oxford University Press, 2015. xxxii + 360 pp. $29.95.

A Tale of Three Thirsty Cities: The Innovative Water Supply Systems of Toledo, London and Paris in the Second Half of the Sixteenth Century. Jaime-Chaim Shulman. Technology and Change in History 14. Leiden: Brill, 2018. xiv + 398 pp. $159.

Dealing with the Dead: Mortality and Community in Medieval and Early Modern Europe. Thea Tomaini, ed. Explorations in Medieval Culture 5. Leiden: Brill, 2018. xii + 450 pp. $172.

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Volume 72 - Issue 4 - Winter 2019

Reviews