Renaissance Quarterly: Volume 68 - Issue 3

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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

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Volume 68 - Issue 3 - Fall 2015

Contents

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Reviews

Nymph: Motif, Phantom, Affect: A Contribution to the Study of Aby Warburg (1866–1929). Barbara Baert. Studies in Iconology 1. Leuven: Peeters, 2014. 134 pp. €34.
Jacqueline Thibault Schaefer
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20 November 2018, pp. 991-992
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Meditations on a Heritage: Papers on the Work and Legacy of Sir Ernst Gombrich. Paul Taylor, ed. London: Paul Holberton Publishing, 2014. 172 pp. £20.
Christopher P. Heuer
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20 November 2018, pp. 992-994
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Imago Exegetica: Visual Images as Exegetical Instruments, 1400–1700. Walter S. Melion, James Clifton, and Michel Weemans, eds. Intersections: Interdisciplinary Studies in Early Modern Culture 33. Leiden: Brill, 2014. lv + 1,008 pp. + 24 color pls. $329.
Bonnie J. Noble
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20 November 2018, pp. 994-995
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Multiples in Pre-Modern Art. Walter Cupperi, ed. Bilder Diskurs. Zurich: Diaphanes, 2014. 304 pp. €44.95.
Shira Brisman
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20 November 2018, pp. 996-997
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Stairway to Heaven: The Functions of Medieval Upper Spaces. Toby Huitson. Oxford: Oxbow Books, 2014. xv + 264 pp. £35.
Nicola Coldstream
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20 November 2018, pp. 997-998
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The Making of Assisi: The Pope, the Franciscans and the Painting of the Basilica. Donal Cooper and Janet Robson. New Haven: Yale University Press, 2013. xi + 296 pp. $75.
Jay M. Hammond
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20 November 2018, pp. 998-1000
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Gendered Perceptions of Florentine Last Supper Frescoes, c. 1350–1490. Diana Hiller. Visual Culture in Early Modernity. Farnham: Ashgate Publishing Limited, 2014. xv + 232 pp. $109.95.
Andrée Hayum
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20 November 2018, pp. 1000-1001
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Apostolic Iconography and Florentine Confraternities in the Age of Reform. Douglas N. Dow. Visual Culture in Early Modernity. Farnham: Ashgate Publishing Limited, 2014. xvi + 220 pp. + 4 color pls. $104.95.
Barbara Wisch
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20 November 2018, pp. 1001-1003
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Painting under Pressure: Fame, Reputation and Demand in Renaissance Florence. Michelle O’Malley. Cambridge: Cambridge University Press, 2013. ix + 266 pp. $60.
Fabrizio Nevola
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20 November 2018, pp. 1003-1004
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Leonardo, Michelangelo, and the Art of the Figure. Michael W. Cole. New Haven: Yale University Press, 2014. xiv + 192 pp. $45.
Paul Barolsky
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20 November 2018, pp. 1005-1006
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Art in Sixteenth-Century Venice: Context, Practices, Developments. Józef Grabski, ed. Artibus et Historiae 68. Cracow: IRSA, 2013. 340 pp. €90.
Daniel Wallace Maze
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20 November 2018, pp. 1006-1007
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The Image of Venice: Fialetti’s View and Sir Henry Wotton. Deborah Howard and Henrietta McBurney, eds. London: Paul Holberton Publishing, 2014. 172 pp. £30.
Richard J. Goy
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20 November 2018, pp. 1008-1009
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Caravaggio: Reflections and Refractions. Lorenzo Pericolo and David M. Stone, eds. Visual Culture in Early Modernity. Farnham: Ashgate Publishing Limited, 2014. xxi + 358 pp. $129.95.
John Varriano
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20 November 2018, pp. 1009-1011
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L’età barocca: Le fonti per la storia dell’arte, 1600–1750. Tomaso Montanari. Frecce 153. Rome: Carocci editore, 2013. 810 pp. €51.
Jennifer Pendergrass-Adams
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20 November 2018, pp. 1011-1012
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Critical Perspectives on Roman Baroque Sculpture. Anthony Colantuono and Steven F. Ostrow, eds. University Park: Pennsylvania State University Press, 2014. xv + 272 pp. $84.95.
Bruce Boucher
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20 November 2018, pp. 1012-1013
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Niederländische Kunstexporte nach Nord- und Ostmitteleuropa vom 14. bis 16. Jahrhundert: Forschungen zu ihren Anfängen, zur Rolle höfischer Auftraggeber, der Künstler und ihrer Werkstattbetriebe. Jiří Fajt and Markus Hörsch, eds. Studia Jagellonica Lipsiensia 15. Ostfildern: Jan Thorbecke Verlag, 2014. 352 pp. €49.95.
Mikael Bøgh Rasmussen
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20 November 2018, pp. 1014-1015
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Communicating Observations in Early Modern Letters (1500–1675): Epistolography and Epistemology in the Age of the Scientific Revolution. Dirk van Miert, ed. Warburg Institute Colloquia 23. London: The Warburg Institute, 2013. ix + 268 pp. £50.
Karen Reeds
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20 November 2018, pp. 1015-1016
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Evening News: Optics, Astronomy, and Journalism in Early Modern Europe. Eileen Reeves. Material Texts. Philadelphia: University of Pennsylvania Press, 2014. 308 pp. $69.95.
Aviva Rothman
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20 November 2018, pp. 1017-1018
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Les nouvelles théories des rapports mathématiques du XIVe au XVIe siècle. Sabine Rommevaux. De diversis artibus 95 NS 55. Turnhout: Brepols, 2014. 302 pp. €70.
Edith D. Sylla
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20 November 2018, pp. 1018-1019
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A New History of the Humanities: The Search for Principles and Patterns from Antiquity to the Present. Rens Bod. Oxford: Oxford University Press, 2013. xv + 384 pp. $74.
Dustin Mengelkoch
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20 November 2018, pp. 1019-1021
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Page 2 of 7

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Renaissance Quarterly

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Volume 68 - Issue 3 - Fall 2015

Reviews

Nymph: Motif, Phantom, Affect: A Contribution to the Study of Aby Warburg (1866–1929). Barbara Baert. Studies in Iconology 1. Leuven: Peeters, 2014. 134 pp. €34.

Meditations on a Heritage: Papers on the Work and Legacy of Sir Ernst Gombrich. Paul Taylor, ed. London: Paul Holberton Publishing, 2014. 172 pp. £20.

Imago Exegetica: Visual Images as Exegetical Instruments, 1400–1700. Walter S. Melion, James Clifton, and Michel Weemans, eds. Intersections: Interdisciplinary Studies in Early Modern Culture 33. Leiden: Brill, 2014. lv + 1,008 pp. + 24 color pls. $329.

Multiples in Pre-Modern Art. Walter Cupperi, ed. Bilder Diskurs. Zurich: Diaphanes, 2014. 304 pp. €44.95.

Stairway to Heaven: The Functions of Medieval Upper Spaces. Toby Huitson. Oxford: Oxbow Books, 2014. xv + 264 pp. £35.

The Making of Assisi: The Pope, the Franciscans and the Painting of the Basilica. Donal Cooper and Janet Robson. New Haven: Yale University Press, 2013. xi + 296 pp. $75.

Gendered Perceptions of Florentine Last Supper Frescoes, c. 1350–1490. Diana Hiller. Visual Culture in Early Modernity. Farnham: Ashgate Publishing Limited, 2014. xv + 232 pp. $109.95.

Apostolic Iconography and Florentine Confraternities in the Age of Reform. Douglas N. Dow. Visual Culture in Early Modernity. Farnham: Ashgate Publishing Limited, 2014. xvi + 220 pp. + 4 color pls. $104.95.

Painting under Pressure: Fame, Reputation and Demand in Renaissance Florence. Michelle O’Malley. Cambridge: Cambridge University Press, 2013. ix + 266 pp. $60.

Leonardo, Michelangelo, and the Art of the Figure. Michael W. Cole. New Haven: Yale University Press, 2014. xiv + 192 pp. $45.

Art in Sixteenth-Century Venice: Context, Practices, Developments. Józef Grabski, ed. Artibus et Historiae 68. Cracow: IRSA, 2013. 340 pp. €90.

The Image of Venice: Fialetti’s View and Sir Henry Wotton. Deborah Howard and Henrietta McBurney, eds. London: Paul Holberton Publishing, 2014. 172 pp. £30.

Caravaggio: Reflections and Refractions. Lorenzo Pericolo and David M. Stone, eds. Visual Culture in Early Modernity. Farnham: Ashgate Publishing Limited, 2014. xxi + 358 pp. $129.95.

L’età barocca: Le fonti per la storia dell’arte, 1600–1750. Tomaso Montanari. Frecce 153. Rome: Carocci editore, 2013. 810 pp. €51.

Critical Perspectives on Roman Baroque Sculpture. Anthony Colantuono and Steven F. Ostrow, eds. University Park: Pennsylvania State University Press, 2014. xv + 272 pp. $84.95.

Communicating Observations in Early Modern Letters (1500–1675): Epistolography and Epistemology in the Age of the Scientific Revolution. Dirk van Miert, ed. Warburg Institute Colloquia 23. London: The Warburg Institute, 2013. ix + 268 pp. £50.

Evening News: Optics, Astronomy, and Journalism in Early Modern Europe. Eileen Reeves. Material Texts. Philadelphia: University of Pennsylvania Press, 2014. 308 pp. $69.95.

Les nouvelles théories des rapports mathématiques du XIVe au XVIe siècle. Sabine Rommevaux. De diversis artibus 95 NS 55. Turnhout: Brepols, 2014. 302 pp. €70.

A New History of the Humanities: The Search for Principles and Patterns from Antiquity to the Present. Rens Bod. Oxford: Oxford University Press, 2013. xv + 384 pp. $74.

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Volume 68 - Issue 3 - Fall 2015

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