Renaissance Quarterly: Volume 70 - Issue 4

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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

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Volume 70 - Issue 4 - Winter 2017

Contents

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Reviews

Book Review

St. Anne in Renaissance Music: Devotion and Politics. Michael Alan Anderson. Cambridge: Cambridge University Press, 2014. xvii + 346 pp. $99.
Geneviève B. Bazinet
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20 November 2018, pp. 1612-1613
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“Amorosa fenice”: La vita, le rime e la fortuna in musica di Girolamo Casone da Oderzo (c. 1528–1592). Elio Durante and Anna Martellotti. Biblioteca dell’“Archivum Romanicum,” Serie 1: Storia, Letteratura, Paleografia 433. Florence: Olschki, 2015. 480 pp. €52.
Seth Coluzzi
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20 November 2018, pp. 1614-1615
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Musiklehre im Studium der Artes: Die “Musica” (Köln 1507) des Johannes Cochlaeus. Klaus-Jürgen Sachs. 2 vols. Studien zur Geschichte der Musiktheorie 11. Hildesheim: Olms Verlag, 2015. xxviii + 466 pp. €88.
Benjamin Dobbs
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20 November 2018, pp. 1615-1617
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Staging Harmony: Music and Religious Change in Late Medieval and Early Modern English Drama. Katherine Steele Brokaw. Ithaca: Cornell University Press, 2016. xviii + 274 pp. $65.
Jonathan Baldo
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20 November 2018, pp. 1618-1619
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Materialities: Books, Readers, and the Chanson in Sixteenth-Century Europe. Kate van Orden. The New Cultural History of Music. Oxford: Oxford University Press, 2015. xxii + 320 pp. $55.
Susan Forscher Weiss
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20 November 2018, pp. 1619-1620
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The Poetics of Ruins in Renaissance Literature. Andrew Hui. Verbal Arts: Studies in Poetics. New York: Fordham University Press, 2016. x + 282 pp. + 8 color pls. $28.
Margaret E. Owens
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20 November 2018, pp. 1621-1622
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Politics and Aesthetics in European Baroque and Classicist Tragedy. Jan Bloemendal and Nigel Smith, eds. Drama and Theatre in Early Modern Europe 5. Leiden: Brill, 2016. xii + 442 pp. $215.
Annette Tomarken
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20 November 2018, pp. 1622-1624
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Realismo barocco. Roberto Gigliucci.Biblioteca dell’Arcadia: Studi e testi 2. Rome: Edizioni di Storia e Letteratura, 2016. 286 pp. + 8 color pls. €28.
Paola Ugolini
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20 November 2018, pp. 1624-1625
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Reading as the Angels Read: Speculation and Politics in Dante’s Banquet. Maria Luisa Ardizzone. Toronto: University of Toronto Press, 2016. xii + 454 pp. $95.
Jason Aleksander
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20 November 2018, pp. 1625-1627
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The Task of the Cleric: Cartography, Translation, and Economics in Thirteenth-Century Iberia. Simone Pinet. Toronto: University of Toronto Press, 2016. xl + 192 pp. $65.
Michael Harney
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20 November 2018, pp. 1627-1629
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Imperial Tapestries: Narrative Form and the Question of Spanish Habsburg Power, 1530–1647. Julia L. Farmer. Lewisburg: Bucknell University Press, 2016. xvi + 192 pp. $80.
Elizabeth R. Wright
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20 November 2018, pp. 1629-1630
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Neo-Stoicism and Skepticism in Part One of “Don Quijote”: Removing the Authority of a Genre. Daniel Lorca. Lanham: Lexington Books, 2016. ix + 158 pp. $80.
Damian Bacich
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20 November 2018, pp. 1630-1631
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Cervantes, Felipe II y la España del Siglo de Oro. Jesús Botello López-Canti. Biblioteca Áurea Hispánica 111. Madrid: Iberoamericana, 2016. 212 pp. €28.
Oriol Miró Martí
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20 November 2018, p. 1632
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La Guerra dels Segadors en comedias y en panfletos ibericos: Una historia contada a dos voces (1640–1652). Conxita Domènech. Teatro del Siglo de Oro: Estudios de Literatura 126. Kassel: Edition Reichenberger, 2016. 246 pp. €58.
Ariadna García-Bryce
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20 November 2018, pp. 1633-1634
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Beyond Spain’s Borders: Women Players in Early Modern National Theaters. Anne J. Cruz and María Cristina Quintero, eds. Transculturalisms, 1400–1700. London: Routledge, 2017. xiii + 220 pp. $140.
Rina Walthaus
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20 November 2018, pp. 1634-1636
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Segunda parte de comedias, V: “No puede ser,” “Santa Rosa del Perú,” “La fuerza del natural.” Agustín Moreto. Ed. María-Luisa Lobato, María Ortega, Miguel Zugasti, and Alejandro García Reidy. Comedias de Agustín Moreto; Teatro del Siglo de Oro, Ediciones críticas 207. Kassel: Edition Reichenberger, 2016. 666 pp. €88.
Barbara Mujica
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20 November 2018, pp. 1636-1637
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The Boke of the Cyte of Ladyes. Christine de Pizan. Ed. Hope Johnston. Trans. Brian Anslay. Medieval and Renaissance Texts and Studies 457. Tempe: Arizona Center for Medieval and Renaissance Studies, 2014. lxvi + 622 pp. $90.
Lyse Roy
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20 November 2018, pp. 1637-1639
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La Poétique des Œuvres complètes d’Eustache Deschamps (ms. BnF fr. 840): Composition et variation formelle. Clotilde Dauphant. Nouvelle Bibliothèque du Moyen Âge 114. Paris: Honoré Champion, 2015. 568 pp. €85.
Deborah M. Sinnreich-Levi
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20 November 2018, pp. 1639-1640
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Forgetting Differences: Tragedy, Historiography, and the French Wars of Religion. Andrea Frisch. Edinburgh Critical Studies in Renaissance Culture. Edinburgh: Edinburgh University Press, 2015. x + 176 pp. £70.
Marc Bizer
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20 November 2018, pp. 1640-1642
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Le Roman au temps d’Henri IV et de Marie de Médicis. Frank Greiner, ed. Lire le XVIIe siècle 40; Romans, contes et nouvelles 4. Paris: Classiques Garnier, 2016. 354 pp. €27.
Margaret Harp
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20 November 2018, pp. 1642-1644
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Page 6 of 7

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Renaissance Quarterly

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Volume 70 - Issue 4 - Winter 2017

Reviews

Book Review

St. Anne in Renaissance Music: Devotion and Politics. Michael Alan Anderson. Cambridge: Cambridge University Press, 2014. xvii + 346 pp. $99.

“Amorosa fenice”: La vita, le rime e la fortuna in musica di Girolamo Casone da Oderzo (c. 1528–1592). Elio Durante and Anna Martellotti. Biblioteca dell’“Archivum Romanicum,” Serie 1: Storia, Letteratura, Paleografia 433. Florence: Olschki, 2015. 480 pp. €52.

Musiklehre im Studium der Artes: Die “Musica” (Köln 1507) des Johannes Cochlaeus. Klaus-Jürgen Sachs. 2 vols. Studien zur Geschichte der Musiktheorie 11. Hildesheim: Olms Verlag, 2015. xxviii + 466 pp. €88.

Staging Harmony: Music and Religious Change in Late Medieval and Early Modern English Drama. Katherine Steele Brokaw. Ithaca: Cornell University Press, 2016. xviii + 274 pp. $65.

Materialities: Books, Readers, and the Chanson in Sixteenth-Century Europe. Kate van Orden. The New Cultural History of Music. Oxford: Oxford University Press, 2015. xxii + 320 pp. $55.

The Poetics of Ruins in Renaissance Literature. Andrew Hui. Verbal Arts: Studies in Poetics. New York: Fordham University Press, 2016. x + 282 pp. + 8 color pls. $28.

Politics and Aesthetics in European Baroque and Classicist Tragedy. Jan Bloemendal and Nigel Smith, eds. Drama and Theatre in Early Modern Europe 5. Leiden: Brill, 2016. xii + 442 pp. $215.

Realismo barocco. Roberto Gigliucci.Biblioteca dell’Arcadia: Studi e testi 2. Rome: Edizioni di Storia e Letteratura, 2016. 286 pp. + 8 color pls. €28.

Reading as the Angels Read: Speculation and Politics in Dante’s Banquet. Maria Luisa Ardizzone. Toronto: University of Toronto Press, 2016. xii + 454 pp. $95.

The Task of the Cleric: Cartography, Translation, and Economics in Thirteenth-Century Iberia. Simone Pinet. Toronto: University of Toronto Press, 2016. xl + 192 pp. $65.

Imperial Tapestries: Narrative Form and the Question of Spanish Habsburg Power, 1530–1647. Julia L. Farmer. Lewisburg: Bucknell University Press, 2016. xvi + 192 pp. $80.

Neo-Stoicism and Skepticism in Part One of “Don Quijote”: Removing the Authority of a Genre. Daniel Lorca. Lanham: Lexington Books, 2016. ix + 158 pp. $80.

Cervantes, Felipe II y la España del Siglo de Oro. Jesús Botello López-Canti. Biblioteca Áurea Hispánica 111. Madrid: Iberoamericana, 2016. 212 pp. €28.

La Guerra dels Segadors en comedias y en panfletos ibericos: Una historia contada a dos voces (1640–1652). Conxita Domènech. Teatro del Siglo de Oro: Estudios de Literatura 126. Kassel: Edition Reichenberger, 2016. 246 pp. €58.

Beyond Spain’s Borders: Women Players in Early Modern National Theaters. Anne J. Cruz and María Cristina Quintero, eds. Transculturalisms, 1400–1700. London: Routledge, 2017. xiii + 220 pp. $140.

The Boke of the Cyte of Ladyes. Christine de Pizan. Ed. Hope Johnston. Trans. Brian Anslay. Medieval and Renaissance Texts and Studies 457. Tempe: Arizona Center for Medieval and Renaissance Studies, 2014. lxvi + 622 pp. $90.

La Poétique des Œuvres complètes d’Eustache Deschamps (ms. BnF fr. 840): Composition et variation formelle. Clotilde Dauphant. Nouvelle Bibliothèque du Moyen Âge 114. Paris: Honoré Champion, 2015. 568 pp. €85.

Forgetting Differences: Tragedy, Historiography, and the French Wars of Religion. Andrea Frisch. Edinburgh Critical Studies in Renaissance Culture. Edinburgh: Edinburgh University Press, 2015. x + 176 pp. £70.

Le Roman au temps d’Henri IV et de Marie de Médicis. Frank Greiner, ed. Lire le XVIIe siècle 40; Romans, contes et nouvelles 4. Paris: Classiques Garnier, 2016. 354 pp. €27.

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Volume 70 - Issue 4 - Winter 2017

Reviews

Book Review