Renaissance Quarterly: Volume 69 -

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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

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Volume 69 - Fall 2016

Contents

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Still Lives: Death, Desire, and the Portrait of the Old Master. Maria H. Loh. Princeton: Princeton University Press, 2015. xxii + 304 pp. $49.95.
William E. Wallace
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20 November 2018, pp. 650-652
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Aktual- und Realpräsenz: Das eucharistische Christusbild von der Spätantike bis ins Mittelalter. Tobias Frese. Neue Frankfurter Forschungen zur Kunst 13. Berlin: Gebr. Mann Verlag, 2013. 290 pp. €59.
Hubertus Lutterbach
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20 November 2018, pp. 236-237
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Lire, choisir, écrire: La vulgarisation des savoirs du Moyen Âge à la Renaissance. Violaine Giacomotto-Charra and Christine Silvi, eds. Études et Rencontres 43. Paris: École des chartes, 2014. 276 pp. €24.
Gianluca Briguglia
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20 November 2018, pp. 1034-1036
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From Giotto to Botticelli: The Artistic Patronage of the Humiliati in Florence. Julia Isabel Miller and Laurie Taylor-Mitchell. University Park: Pennsylvania State University Press, 2015. xiii + 244 pp. $74.95.
Anne Leader
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20 November 2018, pp. 1433-1434
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Antiquarian Voices: The Roman Academy and the Commentary Tradition on Ovid’s Fasti. Angela Fritsen. Text and Context. Columbus: The Ohio State University Press, 2015. xvi + 240 pp. $69.95.
Giancarlo Abbamonte
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20 November 2018, pp. 1036-1037
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Picturing the “Pregnant” Magdalene in Northern Art, 1430–1550: Addressing and Undressing the Sinner-Saint. Penny Howell Jolly. Women and Gender in the Early Modern World. Farnham: Ashgate Publishing Limited, 2014. xvi + 258 pp. $114.95.
Martha Easton
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20 November 2018, pp. 237-238
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The Botticelli Renaissance. Stefan Weppelmann and Mark Evans, eds. Exh. Cat. Berlin: Gemäldegalerie; London: Victoria and Albert Museum. Munich: Hirmer Verlag, 2015. 360 pp. €45.
Barbara J. Watts
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20 November 2018, pp. 1435-1436
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Piero della Francesca: Artist and Man. James R. Banker. Oxford: Oxford University Press, 2014. xxvi + 276 pp. $39.95.
Renzo Baldasso
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20 November 2018, pp. 652-653
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After Civic Humanism: Learning and Politics in Renaissance Italy. Nicholas Scott Baker and Brian Maxson, eds. Essays and Studies 35. Toronto: Centre for Reformation and Renaissance Studies, 2015. 298 pp. $34.95.
Anthony Molho
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20 November 2018, pp. 1037-1039
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Die Sixtinische Decke: Warum Michelangelo malen durfte, was er wollte. Volker Herzner. Studien zur Kunstgeschichte 205. Hildesheim: Georg Olms Verlag, 2015. 354 pp. €58.
Edna Carter Southard
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20 November 2018, pp. 1436-1437
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In a New Light: Giovanni Bellini’s St. Francis in the Desert. Susannah Rutherglen and Charlotte Hale. London: D Giles Limited, 2015, in association with The Frick Collection. 232 pp. $55.
Paul Barolsky
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20 November 2018, pp. 238-240
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Piero di Cosimo: The Poetry of Painting in Renaissance Florence. Gretchen A. Hirschauer and Dennis Geronimus, eds. Washington, DC: National Gallery of Art, 2015. xii + 248 pp. $40.
James M. Saslow
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20 November 2018, pp. 653-655
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Carlo Dolci: Complete Catalogue of the Paintings. Francesca Baldassari. Florence: Centro Di, 2015. 392 pp. €150.
Morten Steen Hansen
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20 November 2018, pp. 655-656
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Das Selbst im Anderen: Sprachen der Freundschaft und die Kunst des Porträts 1370–1520. Hannah Baader. Paderborn: Wilhelm Fink, 2015. 342 pp. €39.90.
Jeanette Kohl
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20 November 2018, pp. 1438-1439
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The Traveling Artist in the Italian Renaissance: Geography, Mobility, and Style. David Young Kim. New Haven: Yale University Press, 2014. x + 294 pp. $75.
Katrin Seyler
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20 November 2018, pp. 240-241
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Les Devoirs du prince: L’éducation princière à la Renaissance. Sylvène Édouard. Bibliothèque d’histoire de la Renaissance 5. Paris: Classiques Garnier, 2014. 494 pp. €36.
Michaël Green
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20 November 2018, pp. 1039-1040
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Old Women and Art in the Early Modern Italian Domestic Interior. Erin J. Campbell. Visual Culture in Early Modernity. Farnham: Ashgate, 2015. xii + 188 pp. $104.95.
Barbara Bettoni
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20 November 2018, pp. 1439-1440
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The Court Artist in Seventeenth-Century Italy. Elena Fumagalli and Raffaella Morselli, eds. Kent State University European Studies 1. Rome: Viella, 2014. 246 pp. €29.
Barbara Furlotti
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20 November 2018, pp. 241-242
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Daum’s Boys: Schools and the Republic of Letters in Early Modern Germany. Alan S. Ross. Studies in Early Modern European History. Manchester: Manchester University Press, 2015. xiv + 236 pp. £70.
Paul F. Grendler
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20 November 2018, pp. 1041-1042
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A Feast for the Eyes: Art, Performance, and the Late Medieval Banquet. Christina Normore. Chicago: University of Chicago Press, 2015. viii + 262 pp. $55.
Ken Albala
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20 November 2018, pp. 656-657
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Page 5 of 28

First
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Next »
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Renaissance Quarterly

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Volume 69 - Fall 2016

Reviews

Still Lives: Death, Desire, and the Portrait of the Old Master. Maria H. Loh. Princeton: Princeton University Press, 2015. xxii + 304 pp. $49.95.

Aktual- und Realpräsenz: Das eucharistische Christusbild von der Spätantike bis ins Mittelalter. Tobias Frese. Neue Frankfurter Forschungen zur Kunst 13. Berlin: Gebr. Mann Verlag, 2013. 290 pp. €59.

Lire, choisir, écrire: La vulgarisation des savoirs du Moyen Âge à la Renaissance. Violaine Giacomotto-Charra and Christine Silvi, eds. Études et Rencontres 43. Paris: École des chartes, 2014. 276 pp. €24.

From Giotto to Botticelli: The Artistic Patronage of the Humiliati in Florence. Julia Isabel Miller and Laurie Taylor-Mitchell. University Park: Pennsylvania State University Press, 2015. xiii + 244 pp. $74.95.

Antiquarian Voices: The Roman Academy and the Commentary Tradition on Ovid’s Fasti. Angela Fritsen. Text and Context. Columbus: The Ohio State University Press, 2015. xvi + 240 pp. $69.95.

Picturing the “Pregnant” Magdalene in Northern Art, 1430–1550: Addressing and Undressing the Sinner-Saint. Penny Howell Jolly. Women and Gender in the Early Modern World. Farnham: Ashgate Publishing Limited, 2014. xvi + 258 pp. $114.95.

The Botticelli Renaissance. Stefan Weppelmann and Mark Evans, eds. Exh. Cat. Berlin: Gemäldegalerie; London: Victoria and Albert Museum. Munich: Hirmer Verlag, 2015. 360 pp. €45.

Piero della Francesca: Artist and Man. James R. Banker. Oxford: Oxford University Press, 2014. xxvi + 276 pp. $39.95.

After Civic Humanism: Learning and Politics in Renaissance Italy. Nicholas Scott Baker and Brian Maxson, eds. Essays and Studies 35. Toronto: Centre for Reformation and Renaissance Studies, 2015. 298 pp. $34.95.

Die Sixtinische Decke: Warum Michelangelo malen durfte, was er wollte. Volker Herzner. Studien zur Kunstgeschichte 205. Hildesheim: Georg Olms Verlag, 2015. 354 pp. €58.

In a New Light: Giovanni Bellini’s St. Francis in the Desert. Susannah Rutherglen and Charlotte Hale. London: D Giles Limited, 2015, in association with The Frick Collection. 232 pp. $55.

Piero di Cosimo: The Poetry of Painting in Renaissance Florence. Gretchen A. Hirschauer and Dennis Geronimus, eds. Washington, DC: National Gallery of Art, 2015. xii + 248 pp. $40.

Carlo Dolci: Complete Catalogue of the Paintings. Francesca Baldassari. Florence: Centro Di, 2015. 392 pp. €150.

Das Selbst im Anderen: Sprachen der Freundschaft und die Kunst des Porträts 1370–1520. Hannah Baader. Paderborn: Wilhelm Fink, 2015. 342 pp. €39.90.

The Traveling Artist in the Italian Renaissance: Geography, Mobility, and Style. David Young Kim. New Haven: Yale University Press, 2014. x + 294 pp. $75.

Les Devoirs du prince: L’éducation princière à la Renaissance. Sylvène Édouard. Bibliothèque d’histoire de la Renaissance 5. Paris: Classiques Garnier, 2014. 494 pp. €36.

Old Women and Art in the Early Modern Italian Domestic Interior. Erin J. Campbell. Visual Culture in Early Modernity. Farnham: Ashgate, 2015. xii + 188 pp. $104.95.

The Court Artist in Seventeenth-Century Italy. Elena Fumagalli and Raffaella Morselli, eds. Kent State University European Studies 1. Rome: Viella, 2014. 246 pp. €29.

Daum’s Boys: Schools and the Republic of Letters in Early Modern Germany. Alan S. Ross. Studies in Early Modern European History. Manchester: Manchester University Press, 2015. xiv + 236 pp. £70.

A Feast for the Eyes: Art, Performance, and the Late Medieval Banquet. Christina Normore. Chicago: University of Chicago Press, 2015. viii + 262 pp. $55.

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Volume 69 - Fall 2016

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