This study identifies and interprets dominant developments in the Taiwanese literary field by examining data included in publication catalogs of literary journals and supplements from 1940 to 1953. Utilizing social network analysis, it focuses on both ruptures caused by crucial political events and continuities that spanned these ruptures. The study revisits central tenets of Taiwanese literary history and, by seeking to articulate structuring principles, also unveils new perspectives on how to map and interpret the dynamics of literary systems and the ways in which they mesh with society. It thereby exemplifies how digital humanities can guide researchers toward new historical insights.

The solidarity between socially marginalized groups in India is often compromised, directly or indirectly, by their own internecine complicity with structures and histories of systematic social violence. We look at this problem through a close analysis of the graphic novel Bhimayana, which brings together key events from the life of B. R. Ambedkar—the architect of the Indian Constitution who was born into the “untouchable” Mahar caste—and the artwork of the Gond tribal artists Durgabai and Subhash Vyam. While there is considerable affinity in terms of socioeconomic disadvantages between the tribes and the lower castes of India, these affinities are strained by contradictions that problematize the principle of solidarity. We argue that the intrusion of complicity and guilt into performances of solidarity finally serves to strengthen the political empowerment of these groups by making it possible to acknowledge their implication in the history of social harm.

The collapse of the Japanese empire unleashed in the streets of Seoul new everyday epistemologies and affects closely tied to evolving relationships across media. This article analyzes how reportage, photography, and literature in post-liberation and post-Korean War South Korea synergistically addressed pressing postcolonial and neocolonial questions, the weight of which could be felt in the realm of daily life: What does liberation look like in the marketplace? How should we make sense of the foreign military presence in Seoul after the Korean War? What are the effects of foreign consumer goods on the minds and bodies of the people and the nation's sovereignty? The article shows how South Korean cultural actors responded to the increasing commodification of everyday life by bringing critical attention to the uneasy relationship between the body, foreign commodity-signs, and artifacts of mass visuality. These intermedial accounts succeeded in linking the granular experiences of everyday life to larger historical and geopolitical forces and making visible how the encroachment of mass media products and commodity-signs were transforming the very means by which the everyday could be represented.

Writers in the Han dynasty (206 BCE–220 CE) apparently experienced writing in weaving terms. Such an imaginaire of writing as weaving was probably fully manifested in the first or second century BCE and crystallized in the coining of literary terminologies such as classics (jing), weft-writings (weishu), and literature/texts (wen). Situating the Huainanzi and its intertextual writing practice within this imaginaire enables us to reassess both the Huainanzi's widespread dismissal as a miscellaneous, encyclopedic behemoth in the first half of the twentieth century and its reappreciation over the last few decades. According to the Huainanzi's self-depictions, Liu An and his erudite courtiers apparently created the scripture in such an intertextual way in order to textually mimic the process of weaving. Since the Huainanzi commonly associates weaving with the Way's connective powers, the text's extraordinary design might be the result of a literary attempt to create an efficacious, textual artifact that embodies the Way by incorporating the act of weaving in its textual design.

This article examines the thought and career of Nabeyama Sadachika (1901–79) from communist militant in 1920s Japan to his conversion to the emperor system in the 1930s and, finally, to his role in shaping the postwar anti-communist movement. Using Nabeyama's recently released private papers, the article shows how he brokered his anti-communist expertise to a range of postwar actors and institutions—the police, the Self-Defense Forces, business circles, politicians—as well as to foreign states, especially the Republic of China (Taiwan). These networks indicate that important sections of Japan's postwar establishment rallied behind anti-communism in the face of reforms that threatened their power at home and their vision for Japan in the world order after 1945. As a transwar history, this article adds to our understanding of Japan's transition from the age of empire to that of liberal democracy by qualifying narratives about the “progressive” nature of postwar Japanese politics. It argues that the vitality of anti-communism is symptomatic of the durability of particular political traditions, and reveals that, despite the significant reforms that Japan underwent after 1945, the Right was able to claim a space in the country's political culture that has been neglected by historians.

This article examines the zoological gardens established by Japanese imperialists in colonial Seoul (1908) and Taipei (1914). Drawing on multilingual sources, it argues that zoos explicitly exposed the unequal interethnic and interspecies hierarchies that undergirded the colonial project. The colonial zoo was an ambivalent “dreamscape”: a carefully constructed landscape of iron cages and manicured pathways wherein colonizers’ dreams of ordering the natural world and colonized populations existed in uneasy tension with the actual experiences of zoo visitors and encaged zoo animals. Intellectuals sometimes criticized zoo excesses or identified the bondage of caged animals with the colonized experience. Yet these zoos also enjoyed immense popularity as Japanese, Korean, and Taiwanese visitors alike participated in the physical and discursive subjugation of zoo animals. Sensitivity to these contradictions, this essay contends, is essential for understanding both the broader significance of these institutions and their contested legacies today.