We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
This chapter uses music analysis to understand two different strategies for unfolding musical material from initial ideas, one by Debussy and the other by Schoenberg. This approach considers how pieces might be formed from a small fragment of musical ‘DNA’ for a composer to expand, before looking further to understand this process of ‘unfolding’ are shaped by different aesthetic, cultural and historical conditions.
In requiring artificial light, the early modern indoor theatre had to interrupt the action so that the candles could be attended to, if necessary. The origin of the five-act, four-interval play was not classical drama but candle technology. This Element explores the implications of this aspect of playmaking. Drawing on evidence in surviving texts it explores how the interval affected composition and stagecraft, how it provided opportunities for stage-sitters, and how amphitheatre plays were converted for indoor performance (and vice versa). Recovering the interval yields new insights into familiar texts and brings into the foreground interesting examples of how the interval functioned in lesser-known plays. This Element concludes with a discussion of how this aspect of theatre might feed into the debate over the King's Men's repertory management in its Globe-Blackfriars years and sets out the wider implications for both the modern theatre and the academy.
We prove that for any non-degenerate dendrite D, there exist topologically mixing maps $F : D \to D$ and $f : [0, 1] \to [0, 1]$ such that the natural extensions (as known as shift homeomorphisms) $\sigma _F$ and $\sigma _f$ are conjugate, and consequently the corresponding inverse limits are homeomorphic. Moreover, the map f does not depend on the dendrite D and can be selected so that the inverse limit $\underleftarrow {\lim } (D,F)$ is homeomorphic to the pseudo-arc. The result extends to any finite number of dendrites. Our work is motivated by, but independent of, the recent result of the first and third author on conjugation of Lozi and Hénon maps to natural extensions of dendrite maps.
Lithium is viewed as the first-line long-term treatment for prevention of relapse in people with bipolar disorder.
Aims
This study examined factors associated with the likelihood of maintaining serum lithium levels within the recommended range and explored whether the monitoring interval could be extended in some cases.
Method
We included 46 555 lithium rest requests in 3371 individuals over 7 years from three UK centres. Using lithium results in four categories (<0.4 mmol/L; 0.40–0.79 mmol/L; 0.80–0.99 mmol/L; ≥1.0 mmol/L), we determined the proportion of instances where lithium results remained stable or switched category on subsequent testing, considering the effects of age, duration of lithium therapy and testing history.
Results
For tests within the recommended range (0.40–0.99 mmol/L categories), 84.5% of subsequent tests remained within this range. Overall, 3 monthly testing was associated with 90% of lithium results remaining within range, compared with 85% at 6 monthly intervals. In cases where the lithium level in the previous 12 months was on target (0.40–0.79 mmol/L; British National Formulary/National Institute for Health and Care Excellence criteria), 90% remained within the target range at 6 months. Neither age nor duration of lithium therapy had any significant effect on lithium level stability. Levels within the 0.80–0.99 mmol/L category were linked to a higher probability of moving to the ≥1.0 mmol/L category (10%) compared with those in the 0.4–0.79 mmol/L group (2%), irrespective of testing frequency.
Conclusion
We propose that for those who achieve 12 months of lithium tests within the 0.40–0.79 mmol/L range, the interval between tests could increase to 6 months, irrespective of age. Where lithium levels are 0.80–0.99 mmol/L, the test interval should remain at 3 months. This could reduce lithium test numbers by 15% and costs by ~$0.4 m p.a.
Sets out the book’s critical framework and methodology. Outlines the current scholarly consensus regarding the Posthomerica and its place within imperial Greek epic. Emphasises the strong relationship between these readings and the ‘supplementary’ poetics attached to Roman, and particularly silver Latin, poetry.It then demonstrates the ways in which this book will depart from these readings. Introduces the concept of the ‘poetics of the interval’ as the key aspect of this departure: Quintus’ new formative poetics. Sets this poetics within and against various relevant traditions: pseudoepigraphia, the epic cycle, Latin literature. And sets up the political and cultural implications of this new framework: shows Quintus’ politically engaged interaction with imperial Greek performance culture,declamation and rhetoric, and other imperial Greek epic. Ends by establishing the ‘terms of engagement’: the book’s approach to key concepts such as intertextuality, allusion, postmodernism and ‘metapoetics’.
This book offers a radically new reading of Quintus' Posthomerica, the first account to combine a literary and cultural-historical understanding of what is the most important Greek epic written at the height of the Roman Empire. In Emma Greensmith's ground-breaking analysis, Quintus emerges as a key poet in the history of epic and of Homeric reception. Writing as if he is Homer himself, and occupying the space between the Iliad and the Odyssey, Quintus constructs a new 'poetics of the interval'. At all levels, from its philology to its plotting, the Posthomerica manipulates the language of affiliation, succession and repetition not just to articulate its own position within the inherited epic tradition but also to contribute to the literary and identity politics of imperial society. This book changes how we understand the role of epic and Homer in Greco-Roman culture - and completely re-evaluates Quintus' status as a poet.
In neuroleptic long-term medication, only part of the patients accept regular intake of neuroleptic drugs. The question is whether an interval medication regimen as opposed to continuous medication can help to reduce drop outs in patients with critical attitudes towards long-term medication. In a 2-year prospective study, 122 patients were randomised to an interval and 164 to a continuous neuroleptic medication regimen. The drop out rates were 62.5% in the interval and 53.7% in the continuous medication group. Drop outs generally show more negative attitudes towards treatment. Patients with negative attitudes do not do better under interval medication. Moreover, this regimen even requires more cooperation and trust in terms of the necessity of medication on the part of the patient compared to the continuous medication regimen. Interval medication therefore is a strategy which can only be successful in highly cooperative, but not in treatment-reluctant patients.
We consider a one-parameter family of dynamical systems $W:[0,1]\rightarrow [0,1]$ constructed from a pair of monotone increasing diffeomorphisms $W_{i}$ such that $W_{i}^{-1}:$$[0,1]\rightarrow [0,1]$$(i=0,1)$. We characterise the set of symbolic itineraries of $W$ using an attractor $\overline{\unicode[STIX]{x1D6FA}}$ of an iterated closed relation, in the terminology of McGehee, and prove that there is a member of the family for which $\overline{\unicode[STIX]{x1D6FA}}$ is symmetrical.
Let $P$ be a finite $\text{N}$-free poset. We consider the hypergraph $H\left( P \right)$ whose vertices are the elements of $P$ and whose edges are the maximal intervals of $P$. We study the dual König property of $H\left( P \right)$ in two subclasses of $\text{N}$-free class.
The hot water tail-flick test is widely used to measure the degree of nociception experienced by laboratory animals. This study was carried out to optimise interval times for the hot water immersion tail-flick tests in rats.
Method
Ten different intervals from 10 s to 1 h were tested in 60 Sprague–Dawley male rats. At least eight rats were tested for each interval in three consecutive hot water tail-flick tests. Dixon's up-and-down method was also used to find the optimal intervals. The same rats were then divided into two groups. In Group N, naloxone was injected to reverse the prolonged latency times, whereas saline was used in the control Group S.
Results
Intervals of 10 s, 20 s, 30 min and 1 h did not significantly impact latencies, yielding similar results in three consecutive tests (p > 0.05). However, interval times of between 30 s and 20 min, inclusively, caused significantly prolonged latencies in the second and third tests (p < 0.001). Dixon's up-and-down method showed that 95% of the rats had prolonged latencies in hot water tail-flick tests at intervals longer than 32 s. Naloxone reversed prolonged latencies in Group N, whereas the latencies in Group S were further prolonged in 5 min interval tests.
Conclusion
The optimal intervals for hot water tail-flick tests are either shorter than 20 s or longer than 20 min. The prolonged latencies after repetitive tests were attributable to an endocrine opioid.
Completely regular semigroups CR are regarded here as algebras with multiplication and the unary operation of inversion. Their lattice of varieties is denoted by L(CR). Let B denote the variety of bands and L(B) the lattice of its subvarieties. The mapping V → V ∩ B is a complete homomorphism of L(CR) onto L(B). The congruence induced by it has classes that are intervals, say VB = [VB, VB] for V ∈ L(CR). Here VB = V ∩ B. We characterize VB in several ways, the principal one being an inductive way of constructing bases for v-irreducible band varieties. We term the latter canonical. We perform a similar analysis for the intersection of these varieties with the varieties BG, OBG and B.
In this note we characterize the abelian groups G which have two different proper subgroups N and M such that the subgroup lattice L(G)=[0, M]∪ [N, G] is the union of these intervals.
The joint distributions of the exit time and exit value of a spectrally positive process, from semi-infinite and finite intervals, are derived in the form of Fourier-Laplace transforms. Also the probability that such a process makes its first exit from a finite interval via the lower end point is obtained explicitly.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.