We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
This essay uses concepts drawn from the field of New Materialism, which posits that material objects possess forms of agency that shape human culture rather than just being passively acted upon, to move the history of the book beyond common assumptions that “the book” is a physically coherent and obviously identifiable entity. Looking closely at how the transportation infrastructure of the nineteenth-century print market determined and complicated American understandings of what a book was, it uses the legal and aesthetic debates triggered by evolving distinctions between bound and unbound texts to explore the historically malleable nature of “the book.” Concentrating particularly on the US postal system, which constantly struggled to define and regulate the printed matter passing through it during the nineteenth century as publishers sought to access cheaper circulation rates by presenting book-like material in periodical formats, this study of quasi-books ranges from Washington Irving’s Sketch Book (1819–1820) through the “mammoth weeklies” of the 1840s to the “Library” series of the 1870s.
The materialist turn in contemporary literary theory – comprising of multiple discourses such as new materialism, posthumanism, ecocriticism, speculative realism, affect theory, and others – has been deeply influential in the field of nineteenth-century American literature. However, one key tension within these materialist theories is the question of its politics: how does a turn to materialism, which privileges the actual physical matter of bodies and things over the ideological and linguistic categories of ideas, advance any political or ethical imperatives? Is a world of matter a world without human meaning? This chapter outlines both optimistic and pessimistic perspectives on this question in recent nineteenth-century American literary study. It then seeks to redraw the political impasse between them as one of scale. To that end, I examine two mid-century texts – the anonymously authored “The Ultra-Moral Reformer” (1842) and Edgar Allan Poe’s “The Sphinx” (1846) – as depictions of the challenges (and opportunities) of scalar distortion. These texts suggest that the political and ethical impasse within materialism can be described within materialist terms itself, and that doing so offers a way of understanding the value judgments inherent in materialist methodological commitments as scale dependent.
This chapter bridges environmental humanities and Black humanities by examining a figure largely, if curiously, excluded from the “ecocritical” canon: Charles Chesnutt, the first African American writer of commercially successful fiction. Reading literary environmentalism beyond the lenses of Romanticism or transcendentalism, Forbes finds in Chesnutt’s late nineteenth-century conjure tales a richly imagined Black environmental heritage that connected race and nature. Chesnutt’s short fiction featuring metamorphoses of humans into plants and animals represents a key node in an alternate, and nonlinear, Black environmentalist timeline. In contrast to environmentalisms that pit nature’s interests against humans’, the insights we see at flashpoints across this tradition, and crucially in Chesnutt’s conjure tales, belie narratives of human/nature separation that underpin most “white” environmentalisms. Moreover, his marshaling of racialized nonhuman agencies also helps us address persistent difficulties associated with new materialist theorizing. Fusing human/plant/animal agencies to frameworks of care and nurturance, characters in Chesnutt’s conjure tales weaponize “waste” against enslavement’s inhuman valuation systems.
The New Nineteenth-Century American Literary Studies takes stock of critical developments over the past twenty years, offering a fresh examination of key interpretative issues in this field. In eclectic fashion, it presents a wide range of new approaches in such areas as print and material culture, Black studies, Latinx studies, disability studies, gender and sexuality studies, postsecular studies, and Indigenous studies. This volume also maps out new directions for the future of the field. The evidence and examples discussed by the contributors are compelling, grounded in case studies of key literary texts, both familiar and understudied, that help to bring critical debate into focus and model fresh interpretive perspectives. Essays provide new readings and framings of such figures as Herman Melville, Harriet Wilson, Charles Chesnutt, Edgar Allan Poe, Washington Irving, and Zitkála-Šá.
In this article, we discuss our investigation of children’s imaginative sense-making and its materiality in climate change education. Drawing on a new materialist approach, our research contributes to knowledge about the material significance in children’s sense-making related to climate change. During a project called Riddle of the Spirit in a Finnish primary school, we invited children to explore the concepts of global warming and carbon dioxide through narrative, playful and multimodal activities. Inspired by postqualitative methods, our relational analysis, based on video materials, maps and examines two episodes of children’s small group inquiry. Our findings unfold the material–discursive intra-actions, through which a prop turned into a whale’s head, the Titanic film appeared, and water and carbon dioxide became important to children’s bodies. With these specific events, the study illustrates how various materials conjoined and came to matter in the children’s sense-making of the concepts.
This paper explores the potential for extending relational ontologies to include a specific focus on human-plant relations. We theorise the emergence of a vegetal ontology, as a novel way of working and remaking theories around human-plant relations that can be applied to the field of environmental education. A vegetal ontological approach, as applied in the environmental education research project that informs this article, abandons hierarchical comparisons of plants, which are often historically positioned as “lesser species,” mere “objects” and “resources” even. We start our paper with a modest review of key theoretical approaches informing past and recent environmental education studies on child-plant relations. We then return to the discussion started within the introduction to the paper on how we have theorised a vegetal ontology as a mode of a relational ontology focussing particularly on human-plant relations and drawing on posthumanist, new materialist and Indigenous approaches. To conclude the paper, we then put this newly named vegetal ontology to work. We apply it to a recent study on childhood-plant encounters where researchers engaged with young children and their families in a botanical garden setting and a group of environmental education elders reflected on the significance of plant relations in their childhoods.
More-than-human refusal, as an expression of agency, plays an active role in constructing boundaries. In this article, I address what kind of environmental education is made possible by the productive constraints of respecting more-than-human boundaries and refusal. This is intertwined with how humans can practice being attentive to the intra-actions of more-than-humans when they are not physically present, are only speculated to be present or are present through artifacts. I rhizomatically analyse my relationship with a leafcutter bee (Megachile spp.) nest as a situated example of practicing a relational ethic of care. Through queering the boundary between myself and the leafcutter bee, nature becomes not something that I (human) experience, but as something we (bougainvillea-leafcutter bee-nest-human assemblage) produce through our human-and-more-than-human relationality. Rather than seeing limited proximity as prohibitive, environmental education can use this productive constraint to know-with more-than-human others in a way that disrupts the nature/culture binary — to blur the boundaries between humans and more-than-humans without violating the agency asserted by more-than-humans.
Although biblical scholars are increasingly turning their attention to the question of God’s body, few clarify how precisely this “body” complicates the long-held claim that God is immaterial. The present article addresses this oversight by attending to the ways in which biblical accounts of God’s body intersect with wider tradents of thought on materiality and immateriality, including, above all, the recent cross-disciplinary “turn” known as new materialism. The article begins by discussing what biblical scholars mean when they say “God’s body” and how biblical theophanies in particular complicate the belief that God is immaterial. It then discusses new materialism and how key emphases in this scholarly shift similarly complicate the belief in God’s immateriality. Third and finally, the article returns to biblical theophanies by reading these accounts through a new materialist lens, focusing in particular on God’s manifestations in material, nonhuman forms. In the end, I suggest not only that biblical theophanies problematize traditional ways of conceiving God within the history of biblical interpretation but also that new materialism can better enable us to see how these accounts portray the relationship between God and embodied materialities.
Sexgender has become politicized by neo-conservative and populist movements in Europe and elsewhere. This article explores how the sexgender binary is foundational to the social and material construction of the non-heterosexual legal subject and unveils binary hierarchies embedded therein. Furthermore, it develops a new materialist methodology called BinaryTech, which exposes the binary formulas of inequality and difference in the Court’s jurisprudence. This new materialist approach, based on Karen Barad’s agential realism, is used to critically examine how differences are produced as stable features of subjects and objects. The human of the Convention being heterosexual is thereby the result, constructed on material-discursive differentiation of non-heterosexuals. The article concludes by describing how new materialist interventions and Nordic feminist perspectives on law can offer valuable insights within the emerging material turn.
The introduction takes the reader into the history of oil in the Ecuadorean Amazon in the twentieth century. Zooming out from the testimony of a former oil worker, a historical overview sheds light on the dynamics of oil extraction in the region by national and international companies. This history is analyzed from the interdisciplinary perspective of the Environmental Humanities, combining archival and oral sources, sociological and anthropological concepts, and a mixed-methods approach. From this vantage point, the changes in the rainforest brought by the oil industry can be narrated as a fundamental metamorphosis of the landscape, its ecology, and its inhabitants. Drawing from Amazonian and European notions of metamorphosis, four dimensions of this process are particularly relevant for the historical analysis: conceptual, material, toxic, and social. The metamorphosis as metaphor offers a perspective on historical change in the Amazon as a process driven by the conflictive interaction between the rainforest ecosystem and the narrative and material manifestations of the oil industry.
Infrastructure has been the focus of geopolitically significant regional strategies, including the Belt and Road Initiative and the Asian Highway. Mega-infrastructure projects are thought to offer crucial stimulus to support economic recovery and “infrastructure diplomacy” efforts. Transportation projects, like roads, are material objects that offer complex questions for international law, most obviously when projects or their impacts cross borders. They are long-term and long-distance, with varying impacts upon closer and further populations and environments across the construction and life of the asset. This article draws on insights from new materialism to analyse what infrastructure's entanglements might suggest about international law. The relationship between international law and transportation infrastructure is contingent. However, there is a pattern to this contingency that foregrounds funding “gaps”, investment protections, and risk assessments, which minimizes intersecting impacts and human/non-human relationships.
In a single serving of boba tea, the non-human actors of the tall plastic cups, plastic dome lids, and the giant plastic straws dominate, but receive little attention. This article uses recent theories and discussions of new materialism to bring together cultural analysis of the boba tea consumption phenomenon that could be relevant for reflecting on a sustainable future. The article contributes to social research of waste by focusing on the mediating functions of plastic before it becomes waste. My central argument is that plastic is not merely a physical and impartial container in the contemporary food and beverage industry. It plays an indispensable role in the visualization, mass mediation, and consumption of the boba tea beverage. While current waste research often focuses on the “afterlife” of plastic waste as it relates to underclass waste workers, recycling economy and global waste trade, this article highlights the performative function of plastic as it changes the way we imagine time, gender, and waste. I show it is the plastic cup that enables boba tea to be so visually and gastronomically satisfying in an age when the photogenicity and “Instagrammability” of food and beverage have become more relevant to taste and distinctions.
Excavated over two centuries ago, the Upton Lovell G2a ‘Wessex Culture’ burial has held a prominent place in research on Bronze Age Britain. In particular, was it the grave of a ‘shaman’ or a metalworker? We take a new approach to the grave goods, employing microwear analysis and scanning electron microscopy to map a history of interactions between people and materials, identifying evidence for the presence of Bronze Age gold on five artefacts, four for the first time. Advancing a new materialist approach, we identify a goldworking toolkit, linking gold, stone and copper objects within a chaîne opératoire, concluding that modern categorisations of these materials miss much of their complexity.
Nineteenth-century Cherokee printers were media theorists who made political arguments through the materiality of Christian tracts. This article turns to the tract Poor Sarah as an illuminating example, especially because Cherokees published it in two editions in 1833 and 1843, affording a comparative analysis from before and after the tribe's forced removal from Cherokee Nation to Indian Territory. The material qualities of the two editions were strikingly different. Before removal, Cherokee printers emulated Anglo-Protestant prototypes in terms of dimensions, layout, and typography. The goal was to increase the likelihood of staying on their lands by winning white patrons and nudging Cherokee readers to see themselves as acculturated reading subjects. After removal, Cherokee printers rethought acculturation as a strategy. They redesigned Poor Sarah to turn away from white audiences and instead address the Cherokee community and its needs. Attention to the evolving materialities of Poor Sarah reveals Cherokee Christian printing as a key site of Indigenous media theory and part of Cherokee Nation's repertory of political action in response to US imperialism and settler colonialism.
The recent surge in materialist thought, namely New Materialism, has significant implications for political theory. They challenge the fundamental dichotomy upheld in the modern West between human agency and inert nature by revealing the affective quality of nature and granting it the status of the agency. However, does the non-West face risks if it attempts to overcome the modern Western notion of inert nature? If so, is there any way to avoid these risks? To pursue these questions, I take up the writings of political thinker Maruyama Masao (丸山眞男) and literary critic Kobayashi Hideo (小林秀雄) on the political implications of materiality. Maruyama ascribes Kobayashi's alleged collaboration with Japan's World War II policy to his passive acceptance of the felt reality. Regarding such passive acceptance as endemic to Japanese thought, Maruyama traces it back to the notion of an early-modern Kokugaku thinker Motoori Norinaga, “the way to things.” Against Maruyama's criticism, I argue (1) that Kobayashi's interpretation of Motoori's “way to things” resonates with the current New Materialism, and (2) that Kobayashi's materialism does not necessarily lead to passive acceptance of the external world, but rather can be pursued in a more productive way.
A vast literature on the legislative alignment between environmental and human rights concerns has flourished since the 1960s. This literature has mostly been occupied with the negative impacts that environmental harms and pollution have on human rights. The scholarly engagement with environmental and human rights protection gave rise to new fields of literature commonly referred to as ‘human rights approaches to environmental protection’ or ‘environmental human rights law’, thereby instantiating the normative quasi subsumption of environmental and human rights protection. This contributed to advancing both the agenda of environmental and human rights protection as well as their ever-closer intertwinement, and reinforced the mainstream anthropocentric and synergistic framing of their relationship. Yet, these two characteristics have also been contested. While much ink has been spilled on critiquing the lingering anthropocentrism that underpins a human rights law-based approach to environmental protection, less attention has been paid to the problematic emphasis on synergies that take the mutually beneficial linkages between environmental and human rights protection for granted. The analysis maps these different strands of inquiry and critique against human exceptionalism and the ideal of frictionless compatibility between environmental protection and human rights, and identifies how the book contributes to these debates.
In “Lucretian Materialism,” Brent Dawson examines how Lucretius’ first-century BCE epic poem The Nature of Things, which was lost and then rediscovered in the fifteenth century by Poggio Bracciolini, influenced the development literature and philosophy in the early modern period and beyond. Dawson contends that the poem supplies a model for thinking about plurality and universality, two of modern nature’s essential features. The chapter includes detailed definitions of key concepts from Lucretius’ poem including matter, void, swerve, image, and soul, and examines how these concepts influenced subsequent authors and philosophers like Milton, Hobbes, and Bacon. Dawson ends the chapter with a Lucretian interpretation of one of nature’s most important appearances in early modern English literature: Edmund Spenser’s Mutabilitie Cantos. He argues that the most Lucretian feature of Spenser’s deity Nature is her indeterminate character – she is universal insofar as she persists in mutability.
This chapter explores cultural practices of reenacting the past in the present. How have understandings of reenactment, embodiment, and lived experience shaped, constrained, and misdirected interpretations of people’s actions in the present that purposefully reference the past? What is the state of this scholarship? What are the principal critiques and new directions?
This chapter introduces the handbook and outlines the volume’s organization, topics, themes, and intended audience. It clarifies the handbook’s goals of including both past and contemporary theory and practice as well as looking toward future trends in material culture studies. The authors discuss disciplinary contributions to material culture and provide the foundation for redefining the field’s relationship to disciplinarity. The guiding questions posed to contributing authors, what is material culture, and what are the implications of material culture scholarship, are presented. The chapter also introduces the geographic scope of the project, addressing and acknowledging differences and similarities that exist between the understanding of, framing of, and study of material culture in an international context.
This chapter introduces readers to conceptions of matter and materiality that shape current conversations in material culture studies, sensitive to the rise of object biographies, commodity histories, fetishism, the new materialism, and the “multispecies” or “ontological” turn in anthropology.