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This article sets out to explain why Nigeria was unable to prevent the loss of heritage objects in the 1960s and 1970s. Obvious answers to this question would include the limited enforcement capacity of the African state and the complacency of European and North American art dealers. “How Our Heritage Is Looted” argues, however, that a colonial legal category, namely “antiquity,” played a key role in creating an ineffective enforcement regime for cultural property theft. The mismatch between the ordinary meaning of the term “antiquity,” denoting a remnant of an ancient civilization, and the kinds of modern crafts that the state wanted to protect ultimately resulted in the inability of Nigeria’s colonial preservation statute to convey clear rules to customs officers and museum curators about what exporters could take out of the country. Nigeria’s heritage law thus constituted a project of legal meaning-making whose failure facilitated illicit commerce.
The President’s Committee on the Arts and the Humanities (PCAH) has played a significant role in American government since its establishment by President Reagan in 1982. Although not part of the President’s Cabinet, the PCAH serves as an advisory body directly appointed by the president to support and promote arts and humanities across the nation. Despite its non-partisan mission, the PCAH has not been immune to political turmoil. In 2017, following President Trump’s controversial comments on the Charlottesville violence, the PCAH members resigned en masse, leading to the committee’s temporary disbandment. President Biden reinstated the PCAH in 2022, emphasizing its importance in fostering civic engagement, social cohesion, and equity through the arts and humanities. This article features an interview with current PCAH members, including National Endowment for the Humanities Chair Shelly C. Lowe, Oscar- and Tony-award winner and PCAH Co-Chair Bruce Cohen, and PCAH member and interdisciplinary artist Amanda Phingbodhipakkiya. The discussion highlights their personal and professional journeys within the arts and humanities, underscoring the profound impact of cultural experiences on their lives. They advocate for continued government support, citing the arts and humanities as essential for a functioning democracy.
Plastics have benefited society, but their environmental impact has caused concerns since the 1970s. By the year 2050, plastic production is predicted to reach 26,000 million tonnes and generate 13,000 million tonnes of waste. Plastic in the environment impacts living organisms with short to long-term consequences. To address this, governmental policies, advocacy and recycling have been implemented with varying success. Environmental education plays an important role in mitigating some impacts of plastic pollution. Upcycling discarded plastics in artwork supports that endeavour. The art installation “Regulated Exhibition – The Plastic Human”, a collaboration between BACKLIT gallery, Joshua Sofaer and the Environment Agency, brought the artworld and environmental advocacy together, to inspire discussions on the narrative of plastic pollution. To bring the project to life BACKLIT gallery was turned into a factory where audience members could explore and interact with the installation. The exhibition was free, open to all and accessible to diverse demographics within Nottingham. The interactive exhibition provoked visitors’ senses and provided a feedback mechanism. The “Plastic Human” reflected the impacts of plastic pollution in our environment. Addressing plastic pollution is thought to cause a philosophical and/or ethical burden on humans. The measured and qualitative impact of this could impact our daily lives.
In this chapter, the authors write about science, technology, engineering and mathematics (STEM) education and its relationship with ECEfS. They argue that these fields are connected through their common, underpinning inquiry-based approaches to learning and teaching. They illustrate these connections through two stories from the field. They take these connections even further, however, and show how STEM and ECEfS can be enriched by adding an ‘A’ into STEM, to become STEAM. The ‘A’ stands for the ‘arts’, which can broadly include the humanities and social sciences. By expanding STEM into STEAM, richer, fuller learning experiences can be generated that offer stronger interdisciplinary connections to the ways in which the world really works, where empathy, creativity and curiosity are fostered and given multiple opportunities to be expressed. They show how a STEAM approach focusing on the creative arts can be used to reflect on artworks, for example, and how it can enrich a study of frogs and frog habitats. The authors also introduce a practical guide to assist early childhood educators to choose appropriate pedagogies when using inquiry-based learning. This is the IKOPE planning model – interest, knowledge, organisation, practice, empower – a series of iterative steps that build on children’s interests, supporting the creativity, problem-solving and communication of their STEAM learning.
Chapter 5 turns the spotlight on the rather overlooked treatise Exhortation to the Study of Medicine. It argues that in this work Galen constructs or conjures up images of young readers, intending it to act as an educational manual in moral intensification for prospective medical students. It hence demonstrates how Galen’s concern for his reader’s acculturation might explain the appropriation of advice and the selection of relevant material from a long-established protreptic tradition. In discussing Galen’s moralising methods and the pedagogical elements of the essay, this Chapter also draws links between Galenic and Plutarchan moralism, dealt with in detail for the first time, and thereby arguing that Galen’s moral writings need to be construed in the light of Imperial-period practical ethics. That proposition receives further support from the special features of Galen’s protreptic discourse discussed in this Chapter, especially practicability and effectiveness resulting from the author’s philosophical leanings (e.g. his Platonic-Aristotelian background) and medical expertise (the mechanics of the body and his emulation of Hippocrates in the second part of the essay).
This chapter examines the different aspects of enslaved Africans’ humanity that writers of neo-slave narratives felt was limiting, dehumanizing, or incomplete. To do this, this chapter also investigates the changing trends in the study of the sociology and history of enslaved Africans, speeches by Ossie Davis, and the writings of Octavia Butler, Angela Davis, and Toni Morrison – all of which contributed to ideas about black humanity. This chapter turns the kaleidoscope of neo-slave narrative by looking at a narrower, yet significant, angle of political life, form, and style of being Black and human, in the context of trends in mass consumption that gave shape to the landscape of this fiction about slavery.
This section consists of four selections from Plato, Aristotle, Cicero and Quintilian that serve as an introduction to the classical understanding of rhetoric. What is rhetoric? Is it an art or a mode of knowledge? What is its value? What are its elements or parts?
Thinking encompasses a very wide range of phenomena. Chapter 6 first comes back to a study focused on the pleasure of thinking itself. Pleasure is then examined in three modes of thinking: sense-making, reasoning, and daydreaming. Second, as acts of thinking are always situated in specific activities and anchored in various domains of experience, the chapter distinguishes various domains of knowledge: all are complex semiotic systems, culturally mediated, which can be more or less culturally shared and formalised. Third, the chapter examines trajectories of thinking in many systems of knowledge, formal or informal; starting with daily modes of thinking and their pleasures, it examines the pleasures of thinking in professional thinkers before exploring a specific form of sense-making connected to personal experiences. Altogether, this chapter shows that trajectories of thinking are dynamic and that they intermesh elements from a diversity of knowledge systems, moving along various modalities of pleasure.
A comparison of disciplines is helpful for teaching creativity to identify similarities and differences in the creative process. A challenge for all disciplines is to create a balance between teaching higher-level abilities, such as creativity, and the lower-level technical skills required by the discipline. But there are also differences among disciplines. Scientific training emphasizes avoiding mistakes so it is more risk-aversive than training in the arts in which taking risks is often encouraged. Research on science and mathematics learning includes evaluating the effects of exposing preservice elementary teachers to multiple representations, measuring scientific creativity in elementary school students, identifying competencies for scientific reasoning in junior high school, and designing instruction on complex systems at all levels in the curriculum. TRIZ, an acronym for the Russian phrase ‘theory of inventive problem solving’, has influenced the design and evaluation of curricula for engineering students.
Sexual intimacy in couple relationships in the Black community has been under siege since the arrival of enslaved Africans in the United States and has interfered with heterosexual Black men and women creating and preserving healthy sexually intimate bonds. This chapter explores sociopolitical factors, including gender roles, and power dynamics that affect sexual intimacy among heterosexual Black couples. Culturally specific factors that can promote resilience are highlighted with a view toward increasing the understanding of Black heterosexual relationships as emotionally supportive spaces, with an emphasis of intentional intimacy as acts of social justice. Creative interventions for use in clinical practice are offered to assist in expanding sexual intimacy with Black couples.
What would it be like to learn to live in and experience a world of sentient beings rather than inert objects? How can we learn to awarely participate in a world of communication and interaction, in which trees, crows and rivers may grace us with a response to our attention and our call? How do we learn not just to know this intellectually but ‘proved upon our pulses’, as John Keats put it. As artist and writer, we reflect on the contribution our practices can have to the ecological crisis of our times, drawing on living cosmos panpsychism and examples from our practice.
Slow wonder bears witness to the possibilities of the imagination. In a series of letters the authors playfully imagine alternatives to current orthodoxies that privilege technocratic approaches to education that have strangled discussion about what it might mean to make education good and right, or even beautiful. The authors position the imagination as a powerful site of resistance within education and academic life. They unpack their philosophical positionings through vignettes of their teaching practice, poetry written as reflective musings and discursive theoretical pieces, including letters they have written to others. They attempt to marry the poetic and the academic, the rational and the affective, to model a slow approach to wondering about the joy, beauty and possibilities of life. In this spirit, they contemplate new ways to think and live in education.
This chapter explains the purpose of the volume: to provide English-speaking readers with access to the richest and most concentrated venue for Black voices in Latin American history.It offers a brief overview of the evolution of the Black press in the context of racial formation and national politics in Brazil, Uruguay, Argentina, and Cuba. It explores the factors that led to the formation of a Black press in these locations, but not elsewhere in Latin America, situating the Black press as one very particular formation of Black intellectual and textual production in a broader spectrum.The writers and editors who produced the Black press are briefly introduced as is the “anatomy” of these publications – typical content, formats, and design elements.The key themes and organization of the book are introduced, as are some questions of terminology.
Voices of the Race offers English translations of more than one hundred articles published in Black newspapers in Argentina, Brazil, Cuba, and Uruguay from 1870 to 1960. Those publications were as important in Black community and intellectual life in Latin America as African American newspapers were in the United States, yet they are almost completely unknown to English-language readers. Expertly curated, the articles are organized into chapters centered on themes that emerged in the Black press: politics and citizenship, racism and anti-racism, family and education, community life, women, Africa and African culture, diaspora and Black internationalism, and arts and literature. Each chapter includes an introduction explaining how discussions on those topics evolved over time, and a list of questions to provoke further reflection. Each article is carefully edited and annotated; footnotes and a glossary explain names, events, and other references that will be unfamiliar to English-language readers. A unique, fascinating insight into the rich body of Black cultural and intellectual production across Latin America.
Part III comprises views on undergraduate research in a broad disciplinary variety of disciplines. The section is structured within five subject clusters and a list of disciplines that do not match with the clustering. In general, we find examples of undergraduate research in any discipline. In some cases, as in psychology, undergraduate research had always been a (potential) component of the undergraduate curriculum. Therefore, undergraduate research doesn’t look new. In contrast, some university teachers, for instance in mathematics or law, are convinced that their discipline is too complicated to allow for undergraduate research. In the context of our handbook, by far the most common approach to undergraduate research is: just do research. When it comes to the implementation of undergraduate research, best practice arises with pioneering initiatives of engaged teachers or students and often results in organizational solutions, as in changed curricula, new research facilities, or a rethinking of research-based student–staff relationships.
This article explores the impact of Afrocubanismo on the development of Cuba’s arts during the 1940s and 1950s. The article follows the discursive output of artists, intellectuals, and cultural policymakers of different racial backgrounds over the deployment of lo negro to construct cubanidad. It argues that, if the 1920s and 1930s experienced a movement towards the construction of a homogeneous mestizo Cuba, the following decades reveal an effort by some artists to desyncretize lo cubano. While some intellectuals constructed notions of authenticity that circumscribed black art to black artists, many white Cuban artists in turn embraced elite Hispanic heritage as their main creative language while valorizing some Afro-Cuban artists’ recreations of lo negro. The article also demonstrates that the scholarly debates about cultural appropriation in recent decades have a long history within the Afro-Cuban community. It shows how Afro-Cuban artists and intellectuals pioneered arguments about the exploitative use of lo negro to make national art and the central role of culture in shaping racial inequality.
Translation plays a vital role in society – it allows us to share knowledge and enrich our lives through access to other cultures. Translation studies is a rapidly evolving academic discipline, directly impacted by advances in technological aids, and with close connections between theory and practice. Bringing together contributions from internationally-renowned scholars, this Handbook offers an authoritative, up-to-date account of the many facets of this buoyant discipline. It covers different themes, areas of practice and developing trends, and provides an overview of the major sub-fields, and the connections between them. It is organised into six parts covering the nature of translation, its roles in society, its relationships with other disciplines, a selection of its factual genres, a selection of its art-related genres and, finally, its role in history. Comprehensive yet accessible, it is essential reading for students, teachers and scholars of translation studies, modern languages, linguistics, social studies and literary studies.
Ellison spent more time in New York City than in any other place. The half-century Ellison lived in post-World War II New York coincided not only with the city’s ascendance to the global center of arts, letters, and finance, but also with the transformation of the U.S. into a global hegemon. By the 1970s Ellison had become an important figure in several of the city’s institutions. As one of the nation’s foremost writers, and a resident of Harlem, Ellison’s life in New York highlights the artistic center and the cultural margins of the city.