Sexuality in Indigenous societies of the Americas, prior to colonization by European powers, was characterized by an interplay between heterosexual reproductive sexuality (especially valued in hierarchical states) and forms of desire that extended beyond heterosexuality. Visual representations of sexual bodies from pre-colonial societies demonstrate that sexuality was emergent with age, with sexual difference most marked in young adulthood. Some representations suggest sexual relations between people occupying the same sexual status, or with people who may have been recognized as non-binary, third genders comparable to contemporary two-spirits. Diversity in sexual practices was rooted in ontologies that in well-studied cases converge on understandings of sexuality as non-binary, fluid, and emergent in practice. Previous understanding of visual sources that illustrate sex acts initially characterized as non-reproductive, such as anal penetration and oral sex, have changed as a result. Now scholars suggest a division between reproductive and non-reproductive sex ignores ontologies in which intergenerational reproduction was promoted by the circulation of bodily substances through sexuality not limited to heterosexual penetration. Critique of early colonial texts which imposed gender normativity on these societies and condemned actions that scholars can now see were acceptable has resulted from such new analyses.

This chapter discusses the teachings of the rabbinic sages in Late Antiquity who worked in fundamental ways with the biblical traditions transmitted to and by them. The Hebrew Bible, whose precise shape was still under discussion in the first century CE, provided the rabbinic sages with ancient normative and legal traditions that they reinterpreted and expanded. The large archive of rabbinic traditions provides us with a tremendous wealth of representations of sexual practices, desires, and discourses, often in tension with each other, that reverberate throughout Jewish history. It further provides a framework and language for contemporary Jewish discourses of sexuality, including newly emerging identities, individual and communal, specifically for Jewish LGBTQ+ people. Three topics out of many possible have been selected for this chapter: obligations of marriage, reproduction, and same-sex and queer sexualities. They represent three topics of perennial debate in Jewish traditions around the world. For each, rabbinic texts and especially the Talmud have played a pre-eminent role in shaping the debates over the centuries.

Florence in the fifteenth century was in transition from the medieval to the modern world, and sexual attitudes and practices were very much in flux. The most distinctive feature of Florentine sexuality was the city’s international reputation as a hotbed of ‘sodomy’. Traditional structures of marriage and the family coexisted with a widespread culture of male homoeroticism. Female prostitution was sanctioned by the state, in the hope that it would reduce both male homoeroticism and adulterous relations. At the same time the new ideal of romantic love was spreading to all social classes, bringing changes to the ways people thought about marital and intimate relations. This chapter focuses both on the idealization of male homoeroticism in humanist culture and on the repression of male homosexual activity by the Office of the Night, the judicial branch that policed sodomy. It contrasts the celebration of physical beauty in Florentine visual arts with the preaching of the Dominican reformer Savonarola, who harshly condemned worldly luxuries. Savonarola’s public execution by burning in 1498 provides an ironic contrast to his own bonfires of the vanities, in which luxury goods were burned, but it also mirrors the public burning that was the traditional punishment for sodomy.

This chapter begins with a discussion of the terminology and conceptual frameworks that are useful for contextualizing pre-modern Chinese sources about sex and sexuality. It then surveys several well-studied institutions and practices, including sex manuals, concubinage, female chastity, illicit sex, and literary representations of homoeroticism. The second half of the chapter reflects on three phenomena in works on the history of sexuality in pre-modern China, namely retrospective sexology, the censorship hypothesis, and the assumption of sex as a given. The author argues that while historians now no longer characterize sex culture in ancient China as either ‘liberated’ or ‘repressed’, as old sexologists did, we still tend to assume that the history of sexuality should primarily be about sexual practice and behaviour, despite the acknowledged lack of sources. The lack of sources, in turn, is often assumed to be the result of political and ideological censorship. More attention is needed to questioning scholars’ definition of the very subject matter, sex. The chapter concludes with a short review of scholarly approaches to comparing China with other cultures and a proposal of the ways in which a comparative history of sexuality can be productive.

This chapter traces the inflection of various religio-cultural traditions and customs of erotic love and sex and ordering of sexual acts in sixteenth-century Istanbul as defined by literary and documentary sources. With its diverse population and as the seat of the Ottoman dynasty, Istanbul was one of the most crowded and diverse cities of the sixteenth century. It witnessed the formation of an elite class that distinguished itself from the majority of the urban population through ideological othering strategies and the establishment of law codes to order and rule the diverse communities in the city. Literary works that focused on the city and documents, including law codes and court records, reflect conflicting views on sexual relations: while chaste love among members of the elite was idealized in romances and sexual acts were criticized in satirical works, documents reflected the ways sexual acts and desires were regulated, controlled, and punished.

“Erotics” engages questions of homoeroticism and bawdy poetry, two interconnected themes that appear throughout the Persianate literary heritage and the tazkirah tradition but pose problems for modern literary historiographers. While pre-nineteenth-century Persianate writing abounds in frank, unabashed depictions of homoerotic sexuality -- the dominant literary convention for depicting love -- modernizers of Persianate literature adopt a Victorian-influenced approach that emphasized bashful silence about sexuality, particularly homoeroticism. As Persian literary historians were faced with making sense of the ribald erotic poetry at the heart of the tradition they wrote about, homoerotic conventions coalesced as objects of scorn and relics of the premodern world against which modernizing historiographers positioned themselves

In the devotional works of Aelred of Rievaulx, a rhetorical trope that properly characterizes the oblique indictment of vice functions instead to draw the reader toward awareness of unfulfilled and quite literally unspeakable possibilities of men dwelling together in a blessedness of charity that welcomes embodied desire as a resource of the spirit. Aelred’s gestures toward the unspoken, throughout the corpus of his devotional writings, open up a space where ointment, mingled with unabashedly shed tears, drips over the feet of the enfleshed Christ, where the devotee licks the dust from his feet, where the companions of the twelve-year old Jesus swoon over his beauty, and where men united in the common life of a monastic community long in their imaginations for physical embrace, in imitation of the Beloved Disciple.

This chapter focuses on the ways in which topics and methodological approaches from LGBTI/Queer Studies have influenced LGBTI/Queer biblical interpretation.

Patrick Mullen returns to familiar textual moments to discover new forms of Joyce’s subversion of dominant discourses. He detects in moments in “The Dead” such as Lily’s exchange with Gabriel, Molly Ivors’ discussion with Gabriel, and Gabriel’s thoughts on Michael Furey a kind of queerness he associates with “heteronormative failure”: the refusal to marry, the rejection of conventional gender roles, and the experience of homoerotic desire. Adapting Eve Kosofsky Sedgwick’s notion of the sexual closet, he writes of the pantry as the emblem and at times the literal location in Joyce’s story of these alternative behaviors. He traces the subtle presence of these non-normative behaviors in the story’s free indirect discourse; in contrast to the unfettered access to an individual’s thoughts purportedly offered by the stream of consciousness, “The Dead” contains in its conventional third-person narrative voice marginalized perspectives that form unexpected alliances across the globe.

This chapter is a close reading of Julie Taymor’s 1999 Titus and Ralph Fiennes’s 2010 Coriolanus.Both films challenge the stock image of historical Rome in Taymor’s case by extensive allusion to other iconic films, costumes and settings; in Fiennes’s case by updating the film’s action to the Balkan conflicts of the 1990s.In these differing ways, both films insist on the omnipresence of violence. The chapter concludes that this apparent rejection of a stereotypical or immediately recognisable Roman setting is actually closer to the ambiguous sense of the classical seat of empire that Shakespeare’s first audiences may have harboured.Rome is less a physical place and more of an idea but it is an idea riddled with contradictions.Neither film attempts to erase these contradictions; indeed, their stress on anachrony causes both to recapitulate the uncertainties, regarding Rome, of the plays’ early audiences.

Sources for children in early Egyptian monasteries are primarily textual. This chapter discusses the terms used to refer to children in monastic documents from Egypt written in Greek and Coptic. The language is often ambiguous, with terms that can refer to child or enslaved person in Greek, and terms in Coptic that may refer to familial relationships (sons and daughters) or monastic status or rank (new monks) or age (minor children). A methodology is established for assessing the presence of minor children and adolescents based on the language of the written sources.

This chapter examines the construction of male sexuality in early Egyptian monasticism, focusing on the Sayings of the Desert Fathers (Apophthegmata Patrum) and the rules from various monasteries. The masculine ascetic ideal builds upon certain classical ideals of masculinity, especially the control of the passions, but purports to eschew classical models of eroticism in which the adolescent male represents the ideal sexual partner. These sources are designed to be recited or retold as edifying texts; despite their overt disavowal of sexual contact between men and boys, their retelling and rereading keeps homoeroticism and the representation of boys as sexually desirable objects alive in the ascetic imagination.