This chapter focuses on the Black body in the narrative genre of passing literature, which combines issues of embodiment with those of visuality. It begins by arguing that, whereas recent literary culture habituates us to immediacy, access, and confession, the passing plot operates on different terms. At a moment when many artists and critics are arguing for the importance of opacity to relational frameworks, the passing plot comes into focus as a special testing ground for viewing racialized embodiment and ethical sociality in fresh ways. The chapter goes on to argue that just as the passing plot proves a rich container for considering the ethics of relation, dramatic literature offers a particularly productive platform for considering passing literature today. My case study for these claims is Branden Jacob-Jenkins’s play An Octoroon (2014). A metatheatrical riff on a prominent nineteenth-century melodrama called The Octoroon (1859), the play avoids conveying some intimate truth about racial embodiment – the secret ostensibly kept by the passing figure – in order to offer new opportunities for Jacobs-Jenkins’s audience to become aware of their embodied participation in acts of racialization.

There is a broad consensus that human supervision holds the key to sound automated decision-making: if a decision-making policy uses the predictive outputs of a statistical algorithm, but those outputs form only part of a decision that is made ultimately by a human actor, use of those outputs will not (per se) fall foul of the requirements for due process in public and private decision-making. Thus, the focus in academic and judicial spheres has been on making sure that humans are equipped and willing to wield this ultimate decision-making power. Yet, proprietary software obscures the reasons for any given prediction; this is true both for machine learning and deterministic algorithms. And without these reasons, the decision-maker cannot accord appropriate weight to that prediction in their reasoning process. Thus, a policy of using opaque statistical software to make decisions about how to treat others is unjustified, however involved humans are along the way.

This chapter closes Part 1 by analysing how the opacity surrounding the use of AI and ADM tools by financial corporations is enabled, and even encouraged by the law. As other chapters in the book demonstrate, such opacity brings about significant risks to fundamental rights, consumer rights, and the rule of law. Analysing examples from jurisdictions including the US, UK, EU, and Australia, Bednarz and Przhedetsky unpack how financial entities often rely on rules and market practices protecting corporate secrecy such as complex credit scoring systems, proprietary rights to AI models and data, as well as the carve out of ‘non-personal’ information from data and privacy protection laws. The authors then focus on the rules incentivising the use of AI and ADM tools by financial entities, showing how they provide a shield behind which corporations can hide their consumer scoring and rating practices. The authors also explore potential regulatory solutions that could break the opacity and ensure transparency, introducing direct accountability and scrutiny of ADM and AI tools, and reducing the control of financial corporations over people’s data.

This chapter discusses the reflexive relationship between qualitative researchers and the process of selecting, forming, processing and interpreting data in algorithmic qualitative research. Drawing on Heidegger’s ideas, it argues that such research is necessarily synthetic – even creative – in that these activities inflect, and are in turn inflected by, the data itself. Thus, methodological transparency is key to understanding how different types of meanings become infused in the process of algorithmic qualitative research. While algorithmic research practices provide multiple opportunities for creating transparent meaning, researchers are urged to consider how such practices can also introduce and reinforce human and algorithmic bias in the form of unacknowledged introduction of perspectives into the data. The chapter demonstrates this reflexive dance of meaning and bias using an illustrative case of topic modelling. It closes by offering some recommendations for engaging actively with the domain, considering a multi-disciplinary approach, and adopting complementary methods that could potentially help researchers in fostering transparency and meaning.

Chapter 4 conducts a qualitative assessment of the substantive rules underlying Eurozone economic governance, with the view of testing their actual contribution to trust-generation and uncertainty-reduction. Focused on the Eurozone’s fiscal policy rules, the Chapter shows that the common fiscal discipline of the Eurozone suffers from serious qualitative flaws, pertaining to their complexity, their opacity, their internal inconsistency and the unconstrained discretion that the Commission enjoys as their main enforcer. It argues that the system’s reliance on policy rules has become excessive and counterproductive, as it now works against the objectives of certainty, stability and equality that it was supposed to achieve, instills distrust and facilitates arbitrariness. Hence, the Chapter highlights the pressing need for an overhaul of the existing policy rules and a deeper institutional reflection about the legitimacy of the rules-based approach to economic and fiscal governance.

The primary interest of sandhi in Romance is as a morphological phenomenon. Adaptation of word forms to a variety of sandhi contexts gives rise to allomorphy (paradigmatic variation). Such adaptation reflects natural phonological processes which tend to reduce the markedness of sequences of phonological elements. We illustrate from Catalan and French strategies to avoid hiatus, and from Catalan and Occitan strategies to simplify consonant clusters. Romance also attests subphonemic alternations in sandhi environments, and we draw attention to cases such as intersonorant lenition of initial voiced stops in much of south-western Romance. A striking feature of Romance sandhi alternations is the readiness with which they may become morphologized or lexicalized. This outcome may arise from subsequent sound changes that make the original motivated alternation opaque, or from levelling of allomorphic alternation that makes the distribution of allomorphs opaque. We review an example of such a change in progress: the aspiration/loss of coda /s/ in Andalusian Spanish. Occasionally, a morphologized/lexicalized alternation may be (partly) remotivated, as is famously the case with rafforzamento fonosintattico ‘phonosyntactic strengthening’ in standard Italian. However, the phenomena of elision and liaison in modern French exemplify morphophonemic arbitrariness with very extensive incidence.

Umlaut and ablaut as morphological (rather than phonological) processes, affix order and bracketing paradoxes, subcategorization and stratum ordering, critique of Optimality Theory with respect to its ability to account for major phonological patterns in English, as described in rule terms in the preceding chapters. These include stress, vowel shift, and laxing. Special attention is given to opacity. Opacity presents the same problem to Optimality Theory as it does to pre-Generative structuralist phonology, due to its output orientation. Velar Softening is opaque in medicate (underapplication) and in criticize (overapplication). Various patches proposed to deal with this issue have involved the reintroduction of the intermediate derivational stages that Optimality Theory was designed to eliminate. These patches do not allow for Duke of York derivations such as that which appears in English in the derivation of pressure. The device of stratal Optimality Theory, combining level ordering and constraints differently ranked on different strata, can account for some Duke of York derivations but at the expense of making some postlexical processes lexical.

One characteristic interpretive technique in the discourse of customary international law is the identification of such norms as 'possibly emerging' or possibly in existence. Thus it is frequently asserted that a putative norm 'may' have or 'probably has' customary status. This hypothetical mode of analysis can give rise to the speculative construction of international obligations driven more by preference than by evidence. This speculative rhetorical technique is examined by reference to the account of temporal dimensions of the emergence of customary international law provided in the Chagos Archipelago Advisory Opinion of 2019. Here the International Court of Justice endeavoured to pin down the time of origin and path of evolution of a customary norm requiring territorial integrity in the context of decolonialisation as self-determination. This chapter engages with this ubiquitous characteristic of the interpretation of customary international law and argues that the accompanying opacity in relation to international legal norms – norms that are held to generate obligations – is to be deplored.

Between 1958 and 2016, the French Caribbean novel is resoundingly about the French Caribbean, less invested in dislocation and displacement—a number of novels of the 1960s and 1970s do focus on the alienation of exiled female protagonists in Africa and France—than in grounding, naming, reclaiming, bringing home. This foregrounding of the local acquired particular political urgency in the wake of departmentalisation (1946), which sparked a process of decreolisation that was accelerated through the French education system and media in subsequent decades. The urge to explore and validate home ground, and to preserve and celebrate Creole memory, becomes more explicit from the late 1980s, and reaches its fullest articulation in the Eloge de la créolité (1989). Despite accusations of nostalgia, even very contemporary novels look to the past, often celebrating a waning Creole culture. That such novels are usually set after Abolition (1848), and that so few novels place slavery front and centre of the narrative, does not, however, mean that the story of slavery is ignored, marginalised or irrelevant. The discontinuity between the overwhelming extra-literary presence of slavery (in interviews with novelists, and in their cultural/media work), and its relative diegetic absence, is more apparent than real: almost all Antillean fiction is haunted by this absent-presence, and can only be fully understood through it.