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  1. Home
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  3. Boccaccio and the Invention of Italian Literature
  • Cited by 28
Publisher:
Cambridge University Press
Online publication date:
October 2013
Print publication year:
2013
Online ISBN:
9781107300484
DOI:
https://doi.org/10.1017/CBO9781107300484
Subjects:
Literature, Area Studies, European Literature, Anglo Saxon and Medieval Literature, European Studies
Series:
Cambridge Studies in Medieval Literature (87)
Information

Book description

Giovanni Boccaccio played a pivotal role in the extraordinary emergence of the Italian literary tradition in the fourteenth century, not only as author of the Decameron, but also as scribe of Dante, Petrarch and Cavalcanti. Using a single codex written entirely in Boccaccio's hand, Martin Eisner brings together material philology and literary history to reveal the multiple ways Boccaccio authorizes this vernacular literary tradition. Each chapter offers a novel interpretation of Boccaccio as a biographer, storyteller, editor and scribe, who constructs arguments, composes narratives, compiles texts and manipulates material forms to legitimize and advance a vernacular literary canon. Situating these philological activities in the context of Boccaccio's broader reflections on poetry in the Decameron and the Genealogy of the Gentile Gods, the book produces a new portrait of Boccaccio that integrates his vernacular and Latin works, while also providing a new context for understanding his fictions.

Reviews

'Eisner’s book is a welcome addition to studies on the self‐authorizing project of the Italian poets at a key moment in the rise of European vernaculars. It is also a particularly fine specimen of the 'material' turn in medieval literary studies. A reliable guide to this intricate web of interconnectedness, Eisner shows how productive the combination of philology and interpretation can be, tracing convincingly the impact of paleographical features on reception, the significance of making a book, the significance of page layout, of juxtaposition, of inclusion and exclusion, of editorial choices, of contamination in transcription - and Boccaccio’s unique role in all of this.'

Alison Cornish Source: Modern Philology

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