The Cambridge Companion to Bob Dylan

doi:10.1017/CCOL9780521886949

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This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

Williams, Jean 2014. ‘One time he could-‘a’ been, the champion of the world’: Bob Dylan's ‘Hurricane’ as protest song. Sport in Society, Vol. 17, Issue. 3, p. 371.

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Gearon, Liam 2020. “No Direction Home”: The Life and Literature of Bob Dylan–From “Desolation Row” to the Nobel Prize. Text Matters: A Journal of Literature, Theory and Culture, p. 166.

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Chen, Xi 2020. When the classic speaks for children. Babel. Revue internationale de la traduction / International Journal of Translation, Vol. 66, Issue. 4-5, p. 780.

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O’Hagan, Lauren 2021. The Irish Rover: Phil Lynott and the Search for Identity. Popular Music and Society, Vol. 44, Issue. 1, p. 26.

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Antosz-Rekucki, Jakub 2023. The Wind Knows the Answer. Ideological Transformations of Bob Dylan’s “Blowin’ in the Wind” in Polish. Acta Neophilologica, Vol. 2, Issue. XXV, p. 55.

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Steen, Gerard 2025. Style as Motivated Choice. Vol. 44, Issue. , p. 159.

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Edited by Kevin J. H. Dettmar, Pomona College, California

Publisher:: Cambridge University Press
Online publication date:: May 2009
Print publication year:: 2009
Online ISBN:: 9781139002417
DOI:: https://doi.org/10.1017/CCOL9780521886949

Subjects:: Literature, Area Studies, American Literature, American Studies, Music, Philosophy, Music: General Interest
Series:: Cambridge Companions to American Studies
Collection:: The Cambridge Companions to Philosophy and Religion

24.00 (GBP)

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A towering figure in American culture and a global twentieth-century icon, Bob Dylan has been at the centre of American life for over forty years. The Cambridge Companion to Bob Dylan brings fresh insights into the imposing range of Dylan's creative output. The first Part approaches Dylan's output thematically, tracing the evolution of Dylan's writing and his engagement with American popular music, religion, politics, fame, and his work as a songwriter and performer. Essays in Part II analyse his landmark albums to examine the consummate artistry of Dylan's most accomplished studio releases. As a writer Dylan has courageously chronicled and interpreted many of the cultural upheavals in America since World War II. This book will be invaluable both as a guide for students of Dylan and twentieth-century culture, and for his fans, providing a set of new perspectives on a much-loved writer and composer.

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The Cambridge Companion to Bob Dylan

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

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Contents

Frontmatter
pp i-xviii

Introduction
pp 1-12

Part I - Perspectives

1 - Bob Dylan and the Anglo-American tradition
pp 15-27

2 - Bob Dylan and Rolling Thunder
pp 28-41

3 - Bob Dylan as songwriter
pp 42-54

4 - Bob Dylan as performer
pp 55-68

5 - Bob Dylan and collaboration
pp 69-79

6 - Bob Dylan and gender politics
pp 80-86

7 - Bob Dylan and religion
pp 87-99

8 - Bob Dylan and the Academy
pp 100-109

9 - Bob Dylan as cultural icon
pp 110-122

Part II - Landmark Albums

10 - The Freewheelin’ Bob Dylan (1963)
pp 125-130

11 - Bringing It All Back Home (1965)
pp 131-136

12 - Highway 61 Revisited (1965)
pp 137-142

13 - Blonde on Blonde (1966)
pp 143-149

14 - The Basement Tapes (1967; 1975)
pp 150-154

15 - Blood on the Tracks (1975)
pp 155-159

16 - Infidels (1983)
pp 160-166

17 - “Love and Theft” (2001)
pp 167-173

Works cited
pp 174-179

Index
pp 180-185

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The Cambridge Companion to Bob Dylan

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