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This chapter argues that antebellum sensationalism, broadly defined, offers a key archive for understanding the emotional life of capitalism. The first half of the chapter examines the period’s two best-selling novels, George Lippard’s The Quaker City (1845) and Harriet Beecher Stowe’s Uncle Tom’s Cabin (1852), and argues that sensationalism adopts and makes use of the affective excesses of melodrama. The chapter shows how, repeatedly, these and other sensational texts stage characters whose postures of emotional distress reflect a desire for spiritual meaning and social connection that transcends the modern, rational world of capitalism – that which Max Weber famously describes in terms of “disenchantment.” The second half of the chapter turns to urban sensationalism. Here, the chapter contends that most of these popular texts revolve around a sentimental logic whereby the tears of the financially distressed act as the markers of middle-class sensibility. Affect thus becomes an alternate currency. The chapter concludes with the most canonical example of urban sensation fiction: Herman Melville’s “Bartleby, the Scrivener” (1853). The argument here is that “Bartleby” turns the emotional registers of sensationalism inside out. For though Bartleby is the melodramatic and sentimental victim of capitalism and disenchantment, he also rejects the emotional gestures of these genres.
The cerebellar cognitive affective syndrome (CCAS) scale has been developed to screen for possible cognitive and affective impairments in cerebellar patients, but previous studies stressed concerns regarding insufficient specificity of the scale. Also, direct comparisons of CCAS scale performance between cerebellar patients with and without CCAS are currently lacking. The aim of this study was to evaluate the validity of the CCAS scale in cerebellar patients.
Method:
In this study, cerebellar patients with CCAS (n = 49), without CCAS (n = 30), and healthy controls (n = 32) were included. The Dutch/Flemish version of the CCAS scale was evaluated in terms of validity and reliability using an extensive neuropsychological assessment as the gold standard for CCAS. Correlations were examined between the CCAS scale and possible confounding factors. Additionally, a correction for dysarthria was applied to timed neuropsychological tests to explore the influence of dysarthria on test outcomes.
Results:
Cerebellar patients with CCAS performed significantly worse on the CCAS scale compared to cerebellar controls. Sensitivity was acceptable, but specificity was insufficient due to high false-positive rates. Correlations were found between outcomes of the scale and both education and age. Although dysarthria did not affect the validity of the CCAS scale, it may influence timed neuropsychological test outcomes.
Conclusions:
Evaluation of the CCAS scale revealed insufficient specificity. Our findings call for age- and education-dependent reference values, which may improve the validity and usability of the scale. Dysarthria might be a confounding factor in timed test items and should be considered to prevent misclassification.
Beckett’s television plays stage a seeming disparity between their often difficult and affectively challenging subject matter, and the deliberate aestheticism and formalism of their representational strategies. This is made even starker by the austere formal qualities of the medium: the limited, rigidly framed TV screen, its flatness, the shades of grey in a black and white broadcast, the stark televisual light, produced by the firing of a cathode tube onto the television screen, the frequently ‘flat’ or ‘indifferent’ tone of their voice-over, and the often ‘staring’ camera eye, as Beckett called it in his manuscript drafts. And yet, the answer to how the plays’ affective content is communicated seems to reside precisely in the peculiarity and precision of their form, in the clinically framed shots and the abstracted, calculatedly affectless sets, in their detailed foregrounding of the artifice of representation, in their late-modernist, minimal, pared-down style, even in the brevity and semantic reticence of the scripts. This chapter will consider the question of affect and the resistance to affect in Ghost Trio, … but the clouds…, Nacht und Träume, and Eh Joe.
Knowledge of our emotional and bodily states helps us to further know our goals, values, interests, cares, and concerns. The authors first lay out a puzzle as to why bodily and emotional self-knowledge is strongly associated with good mental health and well-being. They solve this puzzle by mapping out connections between bodily states, emotional states, and our goals with an account of emotions as embodied appraisals. Emotions being embodied implies that self-knowledge of our bodily states aids in acquiring knowledge of our emotional states. Emotions as appraisals means that situations are appraised relative to our goals, such that self-knowledge of emotional states aids in acquiring knowledge of our goals, which are not always transparent to us. While emotional self-knowledge can be difficult to acquire, through skilled practice we can improve awareness and knowledge of our emotional and bodily states.
This article conceptualises voice as a constellation, examining how objects, images, and sounds (or their absence) speak to the lived experiences of displacement. Drawing from a British Academy-funded project with a Syrian artist collective and a women-led social entrepreneurship initiative in Istanbul, we explore the affective assemblages of loss, belonging, and forced displacement through an ethnographic mode of listening. Bringing together a crocheted life jacket, a painting, and a piece of music that cannot be played, we consider how a politics of listening can offer new ways of understanding forced displacement and agency beyond voice as speech or narrative. We advocate for an approach that foregrounds thick solidarity, collective expression, and intersubjective relations of vocality.
Contemporary human-centered organization and management practices endanger the planet’s health, affecting the life and death of multiple species—including humans. Drawing on insights from multispecies ethnography and feminist new materialism, this article contributes to the business ethics literature by developing a theoretical framework for multispecies organizing as a matter of care. Going beyond existing understandings of human-animal relations, we show how ethico-political dynamics shape multispecies relations in three ways: how we and other species relate to ecologies-in-place (affective relationalities); what we and other species do (vital doings); and, finally, what kinds of worlds we—through our ethical sensibilities—commit to bringing into being (ethical obligations). Using an illustrative example of a rewilding site in England, this article shows how multispecies organizing plays out in a specific ecology-in-place. Our argument has important implications for the conception and contemporary practices of the organizational ethics of life and death.
The main focus of this chapter is on another class of actions (in addition to the habits discussed in Chapter 2) that don’t result from decision-making processes. So in that sense they aren’t intentional and don’t fit the standard belief-desire model. These are actions that are directly caused by affective states (emotions, desires, and so on). Some of these actions are merely expressive, whereas others give the appearance of being instrumental, and are generally (but mistakenly) interpreted as goal-directed. But the chapter begins with a review of some basic findings from affective science and neuroscience. This is to set up the discussion in this and later chapters.
Percy Shelley’s relationship to the so-called ‘Lake School’ Poets (Wordsworth, Coleridge, and Southey) has long been framed as a narrative of the earlier poets’ broken political commitments and the missed personal and emotional encounters of the ‘second-generation’ Romantic at his later post-revolutionary moment. Enriching the interpretive texture of this account, this chapter understands Shelley’s complex, productive relationship with Wordsworth, in particular, not simply through the charge of apostasy (political falling-away) but as an affective and poetic performance of inter-generational grief. I engage reading methods drawn from speech-act theory, affect studies, sociolinguistics, and deconstruction to show the weird temporalities of Shelley’s major poems addressing Lake Poet disconnection: ‘To Wordsworth’, Peter Bell the Third, and The Witch of Atlas. I conclude that Shelley’s generous lateral conception of unbounded agency opens his thinking up to an enlarged remit for receptive disappointments.
The final chapter serves to draw the various strands of the book together, surveying what has been discovered, and expanding on the fundamental arguments of the book. It therefore begins with an analysis of Pinterest, which stands as an emblem of all that literacy means in postdigital times, whether that be sophisticated multimodal practices, durational time, or algorithmic logic. Looking back over the screen lives discussed in the book, including those of the crescent voices and of Samuel Sandor, this chapter crystallizes the personal take on screen lives that the book offers, reiterating the need to ‘undo the digital’ and find the human in, on, with, at, and against screens. It also presents some of the problems scholarship must meet, such as digital inequalities, whether that be in terms of time, awareness, or skill with technology. However, despite the considerable negative forces at work in screen lives which the book has taken care to unravel, this concluding chapter advocates ‘taking the higher ground’ and enacting wonder in interactions with screens.
This chapter introduces the book, laying out its central questions, including what it means to be postdigital, what diverse kinds of life and humanity can be found in screens, and what new technologies such as automation and AI might mean for screen lives. Chapter 1 also describes both the background and aspirations of the book, as well as its structure and a guide on how to approach reading it. Beyond discussing the defining research questions, this chapter also details the ideas underpinning the book, including the notion that there has been a tangible shift between how we related to screens a decade ago and how we do now. In addition, the book is guided by an awareness of the often conflicting and intricate relationships people have with screens, as well as the concept of the ‘smallness of screen lives’, inspired by Deborah Hicks’ notion. The Comfort of Screens is a tapestry which unfolds a story of postdigital life, sewn from the fabric of 17 people’s screen lives, interviews with whom form the backbone of the book. These ‘crescent voices’ are also introduced in this chapter.
Chapter 4 delves deeper into screen life, adopting an even more human-centred focus, in order to uncover the affective aspect of screen lives. Maintaining an embodied approach, this chapter explores how affective experiences with screens are intentionally elicited through how media is designed, how affect on screens might differ from affect outside screens, and how digital affect can inform practices, and practices induce affect. The chapter begins by defining affect, then digital affect more specifically, before turning to interviewees for their perspectives on how they feel and sense on screens, touching on topics such as micro digital affect, algorithms, and the pandemic. Crescent voices in this chapter help illustrate how digital affect is vital to understanding digital literacy practices and screen lives, especially the double-edged aspects of our affective relationships to screens.
Are screens the modern mirrors of the soul? The postdigital condition blurs the line between screens, humans, physical contexts, virtual worlds, analogue texts, and time as linear and lockstep. This book presents a unique study into people and their screen lives, giving readers an original perspective on digital literacies and communication in an ever-changing and capaciously connected world. Seventeen individuals who all live on the same crescent, aged from 23 to 84, share their thoughts, habits, and ruminations on screen lives, illuminating eclectic, complex, and dynamic insights about life in a postdigital age. Their stories are brought to life through theory, interview excerpts, song lyrics, and woodcut illustrations. Breaking free from digital literacy as a separate, discrete skill to one that should be taught as it is lived – especially as automation, AI, and algorithms encroach into our everyday lives – this fascinating book pulls readers into the future of digital education.
Fusing the aesthetics of futurity with the lush beauty of the natural world, planned eco-city developments like Forest City and Penang South Islands, both in Malaysia, promise luxury enclaves against climate change and the environmental stressors of existing cities. This article analyzes CGI architectural renderings used to promote and sell eco-city projects in Southeast Asia. Eco-city renderings, we argue, produce semio-capitalistic value by translating the familiar concepts of “green,” “eco-friendly,” and “sustainable” into something far more inchoate: feelings. They do so through their supersaturation with signs of greenness in a design strategy we label “semiotic overdetermination.” Selling “green” as a feeling, eco-city renderings capitalize on present-day anxieties over urban decay and commodify “the ecological” as a rich resource of pleasurable qualitative experiences. The result, we contend, is to reinforce a neoliberal mode of subjectivity that equates consumption with somatics and reduces climate responsibility to individual consumer decisions.
Having shown how conflict belongs to the goodness of creaturely life and can be generative of human social flourishing, this chapter revisits the question of political community. “Agonistic community,” as I delineate it, incorporates the creative use of conflict in order to forge collectivity across difference, thereby reconceptualizing political community and difference in mutually constitutive terms. I begin the chapter by considering two neglected figures in the history of Christian political thought: the early modern Calvinist Johannes Althusius and the twentieth-century Catholic social philosopher Yves Simon. Both Althusius and Simon, I show, approach politics by theorizing the distinct features of creaturely action and relation, and so center the work of politics on the activities of shared judgment and action. The remainder of the chapter takes up the subject of democratic judgment, showing how agonistic democracy generates shared judgment and action without transcending or effacing conflict and difference. I conclude by examining the community organizing practices of the Industrial Areas Foundation as an instance of agonistic democratic community.
Who is deemed deathworthy, and how is this status produced? What discourses, affects, and histories enable the industrialization of premature Black death while rendering it largely invisible? Rooted in a decolonial queer feminist epistemological framework, this article examines how discursive and affective strategies in U.K. print media and immigration policies during the European “refugee crisis” (2013–2016) justified routine death-making at sea. Conceptualizing Blackness as a relational political and epistemological tool, the article reveals how media and state actors—drawing on racialized mythologies of young single Black men and appeals to imperial nostalgia—constructed these men as objects of panic, disgust, resentment, and fear. Applying collocation analysis and visualization techniques, the article theorizes “affective-racialized networks”—discursive formations that circulate and accumulate affective meanings across space and time, shaping public perception and legitimizing policies of deterrence, externalization, and active abandonment. These networks sustained the routinized deaths of Black migrant men at sea, reinforcing Europe’s imperial border regimes. By foregrounding the mutual constitution of race, affect, and temporality, this study expands migration scholarship’s engagement with race, demonstrating how racial logics operate beyond geopolitical and temporal boundaries through transnational circuits of meaning, power, and governance. The article argues that centering Blackness and affect is essential to understanding how racialization functions and how Black deaths are rendered normative within global bordering practices.
Affective ties encompass a broad family of emotional phenomena, including love, affection, attachment, and devotion. Affective ties may appear deeply personal, and they most certainly are. But they are also important resources for the exercise of political power in international politics – not only as vulnerabilities that can be exploited for coercion but also, and more significantly, as means to mobilise action and sacrifice. Viewed from the vantage point of political agents, affective ties are thus power resources whose distribution in the international system shapes their strategies and choices. Viewed from the perspective of the system, the international realm is not only characterised by struggles over material capabilities or ideas but also competition over affective ties. Correspondingly, nationalism is not simply an identity. It is a collection of techniques and practices for generating and capturing affective ties that has emerged as a highly effective contender in this contest, with crucial implications for how the international system is organised. That being said, other forms of eliciting affective ties also persist.
There is a longstanding belief amongst scholars of psychophysiology that activation is positively associated with attention. However, recent work on news avoidance suggests that activation from negative content is linked to decreased attention. The current study seeks to investigate these different expectations and suggests that both increased and decreased activation can be linked to both attention and avoidance. Using an experiment that employs skin conductance levels and heart rate to evaluate subjects’ media selection choices, the author finds that even as deactivation is most likely to precede the decision to turn away from content, roughly 30% of the time activation precedes turning away. These findings confirm prior conclusions from the psychophysiological communications literature, and in the news avoidance literature, but it also highlights the need for more nuanced expectations where activation and media selection are concerned.
This introduction to the special issue on food charity, religion, and care in Vietnam compares grassroots philanthropy in Vietnam with broader trends toward religious humanitarianism happening across Asia. The co-editors of the special issue examine why food charity has become popular in urban areas like Ho Chi Minh City by exploring how food holds spiritual, moral significance for both donors and recipients. This survey illuminates how grassroots philanthropy in Vietnam can offer a comparative study for spirituality, ethics, and food practices across Asia, as well as religious humanitarianism globally.
Although psychopathic personality traits are widely reported to be related to reduced reactivity to emotion-eliciting situations, findings are not consistent. It has been argued that these differences could be related to variations in the way psychopathy is measured. To examine whether measurement variance resulting from the use of clinical assessment versus self-report assessment could be driving such differences, this systematic review and meta-analysis investigated the comparability of relations between psychopathic traits and responsiveness to emotion-inducing tasks for clinical versus self-report measures. The systematic review resulted in eight studies and 131 effect sizes, which included studies of emotion categorization, emotion regulation, decision-making, and executive functioning tasks. Robust Variance Estimation correlated effects models revealed no significant differences between effect sizes for clinical (PCL-R) versus self-report (PPI, SRP, and LSRP) assessment-based psychopathic traits and emotion tasks. Despite the small number of studies that included both clinical and self-report assessments of psychopathy, these results do not provide any evidence for an assessment-based difference in correlations with emotional responsiveness across tasks. The findings also show no associations between scores on emotional responsiveness and indices of psychopathy. Future research on emotional responsiveness in psychopathy should include both assessment types to be able to increase the research basis for the comparison.
Mass polarization is one of the defining features of politics in the twenty-first century, but efforts to understand its causes and effects are often hindered by empirical challenges related to measurement and data availability. To address these challenges and provide a common standard of analysis for researchers, this Element presents the Polarization in Comparative Attitudes Project (PolarCAP). PolarCAP clearly defines polarization as a property of group relations and uses a Bayesian measurement model to estimate smooth panels of ideological and affective polarization across ninety-two countries and forty-nine years. The author uses these data to provide a descriptive account of mass polarization across time and space. They further show how PolarCAP facilitates substantive inference by applying it to three sets of variables often hypothesized as causes or consequences of polarization: institutional design, economic crisis, and democracy. Open-source software makes PolarCAP easily accessible to scholars and practitioners.