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This conversation draws on an online discussion involving Brazilian Indigenous hip-hop artists Bruno Veron and Kelvin Peixoto, of the Brô MC’s duo, and Kunumi MC (a.k.a. Owerá). The Brazilian rap movement began in São Paulo in late 1980s, led by Black performers and activists, among them DJ Thaide and Racionais MC’s. As in other countries, Brazilian rap and hip-hop are mostly urban. Racionais MC’s focus on youth life in the peripheral areas of urban São Paulo, featuring topics such as racism, social inequality and drug violence. These themes held clear appeal for Indigenous peoples confronting racism, displacement and violence in Brazil. Performing in a combination of Guarani and Portuguese, Brô MC’s emerged in 2009 as the first Indigenous rap and hip-hop group, speaking to the violence and racism against Indigenous peoples that are particularly intense in the region they come from, Mato Grosso do Sul.
This chapter explores the theoretical themes of the book: art, politics and anti-racism; emotion and affect in art and politics; Latin American racial formations. It outlines the research project on which the book is based: Cultures of Anti-Racism in Latin America (CARLA).
A conversation curated from an online event, Decolonising the Arts in Latin America: Anti-Racist Irruptions in the Art World. Artists from different parts of Latin America talk about their work from a decolonial and anti-racist perspective. Participants include Miriam Álvarez, director of the Mapuche theatre company El Katango; Alejandra Ejido, director of the Afro-Argentine company Teatro en Sepia; Ashanti Dinah Orozco, Afro-Colombian poet and Afro-feminist activist; Rafael Palacios, founder and director of the Afro-contemporary dance company Sankofa Danzafro; and Arissana Pataxó and Denilson Baniwa, Brazilian Indigenous visual artists.
Contemporary Brazilian Indigenous art is rising both in production by and public recognition of artists such as Denilson Baniwa, Jaider Esbell, Naine Terena and Daiara Tukano. Indigenous literature is also becoming increasingly visible with writers such as Daniel Munduruku, Ailton Krenak, Davi Kopenawa, Eliane Potiguara and Julie Dorrico. These trends have opened new spaces for a ‘contest of imaginaries’, expanding possibilities for Indigenous rights. For Brazil’s Indigenous peoples, racism is often connected to land and resource control. So anti-racism often takes the form of a struggle to defend ancestral territories and livelihoods, often associated with the ‘multiplication of differences’, opposing monocultures of all kinds and promoting the creation of spaces for the similarities in life and struggle that connect people across differences. First we give an overview of Brazilian Indigenous movements since the 1970s, introducing recurring themes that have concerned writers and artists. Then we describe the development of contemporary Indigenous literature and visual art in Brazil and their relation to anti-racism, with extended case studies from the Brazilian Amazon and the northeast region.
This section present some final reflections from three artists and groups of artists who offer some thoughts on art and anti-racism and on their experiences with the CARLA project. There are contributions from Arissana Pataxó, an Indigenous Brazilian artist; Miriam Álvarez, Lorena Cañuqueo and Alejandra Egido, Mapuche and Afro-Cuban actors and directors behind the Argentine theatre companies Grupo de Teatro ‘El Katango’ and Teatro en Sepia; and Wilson Borja, an Afro-Colombian graphic artist.
Using the case of the exhibition Véxoa: Nós Sabemos, the first Indigenous-only arts exhibition at the Pinacoteca de São Paulo (2020–2021), we explore the deconstruction of the coloniality of a visual culture based on stereotypes of Indigenous peoples; self-representation as a strategy to combat the invisibilisation of Indigenous authorship in Brazil; and Indigenous arts as affective interventions that amplify the struggle for Indigenous rights. We show how contemporary Indigenous arts in Brazil are unsettling categories persistently associated with native aesthetics, and enacting anti-racism by challenging the dominant culture’s appropriation and exploitation of Indigenous cultures. In Véxoa, objects perceived as artifacts or crafts by hegemonic visual cultures are recontextualised as works of art, empowering Indigenous artists in symbolic, political and economic terms. Indigenous artists can disrupt the power dynamics that perpetuate racism, demonstrating that, in order to confront colonial and extractive practices that have historically marginalised Indigenous peoples, it is important for museums to establish collaborative relationships with Indigenous artists and community members in the curatorial process.
This chapter examines how narratives of corruption are mobilized by two very different political actors in Latin America: marginalized rural farmers and free-market think tank elites. We show that, for each group, corruption is both a central element of political discourse and a tool for shaping state–society relations and advancing particular interests. Their narratives serve to define the boundaries of corruption, interpret the state, and drive and justify political action within changing historical contexts – for Colombian farmers, a state that has become newly consequential to their lives; and for right-wing think tank elites, a left turn in regional politics. The comparison demonstrates that while each group uses similar narratives, their different social positions and networks shape the actions they take in response: Farmers rely on clientelist networks to access the few state resources left to them by elite corruption, while elites engage in a hegemonic struggle against leftist populism. Paradoxically, even while sharing a strikingly similar understanding of corruption, each group condemns the practices of the other as corrupt. This analysis underscores the ubiquity of corruption as a strategic and moralizing tool in Latin American politics.
Start-ups are newly established companies often focused on technology and with the aim of creating innovative products or services. As they often begin with limited resources and a lean team, one of the biggest challenges for them is scalability. Untangling the triggers that help turn a start-up into a company valued at over US$ 1 billion is a pending task. In this chapter, we study three Brazilian unicorns and their scalability triggers by looking at the interaction between the start-up’s distinctive competencies and market opportunities as revealed by the Canvas business model tool.
In recent years, social entrepreneurs in the third sector have played an increasingly important role in addressing societal problems. Despite their growing presence in civic society, little is known about how social entrepreneurs obtain the necessary skills, knowledge, and motivation to take on this role. This exploratory study empirically addresses this gap through 27 in-depth case studies of social entrepreneurial leaders of third-sector initiatives in Brazil. Findings show that the social entrepreneurs relied on a convergence of experiences including: direct experience with inequality, interaction with target populations, volunteer work, religious institutions, social activism, formal education, professional experience, reading, and intercultural interactions. The study also presents a nuanced understanding of how the interplay among life experiences and learning processes informed these third-sector leaders. Results are relevant to scholars and practitioners committed to fostering social entrepreneurship in the third sector.
The relationship between social innovation venture and poor communities has received little attention from studies in the area of social innovation. In order to clarify this relationship, our study seeks to answer: What strategies would help to bring social innovation ventures closer to poor communities? We developed an empirical and qualitative research in a social innovation venture and two poor beneficiary communities in Brazil. The results indicate that the proximity between those agents was based on five main items: (a) reputation of the social venture; (b) appropriate prices according to the community’s reality; (c) close relations with the community; (d) structure proximity; and (e) winning the community leadership’s trust. Thus, our study contributes to the literature by exploring the beneficiary communities and their relationship with social innovation ventures. In addition, we suggest the use of the term “social innovation venture” to designate a wide range of types of organizations willing to generate social innovation in the practical field.
What are the local characteristics influencing where new nonprofits will be established? How important are community needs, available resources, or the existence of similar organizations for nonprofits’ location? This paper analyzes how the characteristics of 5562 Brazilian municipalities in the year 2000 help explain the location of nonprofits formed between 2001 and 2010. Based on geographically weighted regressions, results indicate that neither access to resources nor poor socioeconomic indicators are powerful influences on nonprofit location in Brazilian municipalities. The main predictor of nonprofit entry is a high pre-existing density of nonprofits in that area. These findings, however, vary across regions and nonprofit fields of activity. By mapping the effect of key explanatory variables, this paper helps understand nonprofit location. The methodology and findings on nonprofit location presented here are novel and may contribute to research in other countries.
Social accountability institutions are at the forefront of democratic reformers’ efforts to improve well‐being by harnessing the power of citizen participation. This article builds on recent research identifying a positive relationship between participatory budgeting (PB) and well‐being. The article is the first large‐N study to identify relationships between specific rules of PB programme design and well‐being. A unique dataset of 114 Brazilian municipalities with PB programmes from 2009 to 2016 is constructed to evaluate whether internal mechanisms within PB explain variation in local infant mortality rates – an outcome associated with wellbeing. Hypotheses are tested that correspond to citizen participation, the scope of deliberation and embeddedness within local institutions. It is found that PB programmes are associated with lower infant mortality rates when they broaden participation, expand deliberation and embed the new institutions in ongoing policy‐making venues. The results offer a framework for designing PB programmes and other social accountability institutions to maximise impact.
From the study of sign languages we know that the visual modality robustly supports the encoding of conventionalized linguistic elements, yet while the same possibility exists for the visual bodily behavior of speakers of spoken languages, such practices are often referred to as ‘gestural’ and are not usually described in linguistic terms. This article describes a practice of speakers of the Brazilian indigenous language Nheengatú of pointing to positions along the east-west axis of the sun’s arc for time-of-day reference, and illustrates how it satisfies any of the common criteria for linguistic elements, as a system of standardized and productive form-meaning pairings whose contributions to propositional meaning remain stable across contexts. First, examples from a video corpus of natural speech demonstrate these conventionalized properties of Nheengatú time reference across multiple speakers. Second, a series of video-based elicitation stimuli test several dimensions of its conventionalization for nine participants. The results illustrate why modality is not an a priori reason that linguistic properties cannot develop in the visual practices that accompany spoken language. The conclusion discusses different possible morphosyntactic and pragmatic analyses for such conventionalized visual elements and asks whether they might be more crosslinguistically common than we presently know.
By definition, interest groups are seen as self-interested, that is, organizations established to pursue the self-interest of their members. As such, this plethora of self-interested actors has been seen largely as a negative thing, cluttering the policy process, creating unmanageable demands, and leading to “iron triangles” of interest group/legislative/bureaucratic networks geared toward funneling benefits to narrow groups. In contrast, social movements, nongovernmental organizations, and the like typically are seen as positive, democratizing players in public policy. This paper seeks to muddy both sides of this neat distinction by bringing the Brazilian third-sector literature and field research on scientific and professional associations in the states of Sergipe and Santa Catarina to bear on the question of the self- versus public-interested stance of third-sector groups. On the one hand, social movements can be just as self-interested as the more traditional interest groups. On the other, interest groups often act wholly in the public interest.
In this collection, artists and researchers collaborate to explore the anti-racist effects of diverse artistic practices, specifically theatre, dance, visual art and music. By integrating the experiences of Black, Indigenous and mestizo ('mixed-race') artists from Argentina, Brazil, and Colombia, the text interrogates how art with anti-racist intent works in the world and brings special attention to its affective dimensions. Latin America's particular racial formations encourage us to move beyond the pigeon-holes of identity politics and embrace inclusive models of anti-racism, spurred by the creative potential of artistic innovation. The collection features overview chapters on art and anti-racism, co-authored chapters focusing on specific art practices, and five 'curated conversations' giving voice to additional artists who participated in the project. This title is also available as Open Access on Cambridge Core.
The bush dog Speothos venaticus, a short-legged, medium-sized Neotropical canid, remains elusive despite its wide geographical range. We present the first documented occurrence of this species within Rio Doce State Park, Minas Gerais state, Brazil. This Park is a unique, well-preserved area with a diverse array of mammal species, a rarity in the fragmented Atlantic Forest. We recorded the bush dog after 7,744 camera-trap days near Lagoa dos Patos, one of the Park’s lakes. This new record is a significant range extension for the species within the Atlantic Forest of Minas Gerais state, as the nearest known record is c. 420 km to the south. The new record is the northernmost documented occurrence of the bush dog in the Brazilian Atlantic Forest. This finding is a significant addition to the Park’s mammalian carnivore community, and underscores its importance as high-quality habitat for rare species such as the bush dog, and its value for scientific research and biodiversity conservation.
This article examines why, beginning in 1946, the Brazilian government under President Eurico Dutra supplied arms to Dominican dictator Rafael Trujillo, fuelling a regional arms race and reshaping Caribbean Basin dynamics at the onset of the Cold War. It argues that these transfers bypassed conventional diplomatic channels, reflected radical anti-communist currents within Dutra’s inner circle and undercut US non-proliferation efforts. Far from a passive ally, Brazil emerged as a pivotal, if under-recognised, actor in the continental polarisation that led to democratic collapse in Venezuela (1948), Cuba (1952) and Guatemala (1954). The article challenges assumptions of Brazil’s limited Latin American engagement and repositions Dutra’s foreign policy within broader continental strategies of ideological alignment and regional influence. Drawing on Brazilian diplomatic and press sources, as well as archival and printed materials from across Latin America, Europe and the United States, it addresses historiographical gaps around Dutra’s agency and reveals the material underpinnings of Trujillo’s aggression, contributing to a revised understanding of Brazil’s Cold War trajectory.
This paper proposes constructing a new series of Brazilian sugar imports to Portugal between 1761 and 1807. The new customs data collected provides quantities, Brazilian origin, quality and taxes of the sugar. Based on the results of the empirical research, we demonstrate and corroborate the Brazilian sugar renaissance in the second half of the eighteenth century, a period of crisis in the colony’s mining industry and in the Portuguese trade balance. The growth of the sugar economy in the colony contributed to the adjustment of Portugal’s external accounts. The new information has allowed us to verify the increase in Brazilian sugar exports, especially after the early 1770s, despite the stagnation of the Portuguese economy.
Brazil partnered with China to foster industrial and technological progress, and to increase autonomy and prestige. The outcome, however, has been de-industrialisation and increased dependency. Nevertheless, the perception persists that Brazil is rising alongside China towards a post-hegemonic, multipolar world. We argue this can be understood through the deep-rooted embedded-autonomy narrative that shapes Brazil’s approach to the world. This positions the United States as the primary obstacle to national goals and China as part of the solution. Brazil reached out in solidarity to China, expecting outsized material and ontological security gains. This outsourcing of anti-dependency played a key role in Brazil’s accommodation of China’s preferences, locking in path dependency. By seriously considering the ideas guiding Brazil’s foreign policy, we examine how the trajectory of Sino-Brazilian relations was sustained despite the apparent mismatch between goals and outcomes.