Starting from the first ‘Women in Politics’ workshop, Berlin 1977, the article looks at the development of this new research field within the framework of the ECPR. From a young gender blind political science in the 1950–1970s until today's situation, where papers applying a gender perspective are presented in almost every ECPR workshop, and as many as 300 scholars participated in the First European Conference on Gender and Politics’, organised by the ECPR Standing Group on ‘Women/Gender and Politics’. The article scrutinises the discussion about ‘the male oligarchs of the ECPR’ and the accusation of ‘separatism’.

Whereas political science has a long history in the higher-education provision of many countries, it was only in the early 1970s that it became a feature of the provision in Austria. Not only is Austria a latecomer to the political science profession, but it is also home to a rather small political science community with there only being three universities which have established political science departments: Innsbruck, Salzburg and Vienna. Today two university political science departments have mainstreamed gender into their curriculum, with this being the result of the success of feminist entrepreneurs in these departments. The provision at the University of Vienna is typified by one where professors, associates and external lecturers contribute to the curriculum in gender political science. This state of affairs is, however, far from secure as the Bologna process, the transformation toward an entrepreneurial university as well as budget cuts challenge these institutionalizations. This article seeks to explain this mixed picture through an analysis of the recent state of the art of teaching and gender research in Austrian political science before proceeding to point out the favorable factors which fostered the establishment of gender studies in Political Science. Finally, the article builds on the recent challenging conditions which jeopardizes gender studies within the discipline.

The rejection of Mou Tun-fei’s End of Track (late 1960s), an ‘invisible’ film, never distributed, proves to what extent the themes it tackled (homosexuality, class difference, nihilism) were taboo for an entire generation. Banana Paradise (1980s) deals with the way two brothers in arms survive by usurping the identity of deceased comrades and eventually living in a society in exile tainted by the memory of the continent. Finally, Gf/Bf (2000s) develops themes that were once censored (homosexuality, democratization) and which resurface through the lens of a love triangle. Despite their heterogeneity, these films allow us to draw a history of this fraternal relationship in ambiguous and dissonant contexts. Through three films from different periods, I trace the evolution over time of the representation of friendship between men, an evolution that reveals a ‘paradigm shift’ within Taiwanese society itself.

This paper examines the core twin concepts of secularism and pluralism and their location within the Indian constitutional discourse, through a discussion of the hijab ban in the South Indian state of Karnataka. I suggest that attempts at Hindu majoritarian subversion of these core principles face challenges due to the structure of the Indian Constitution, and due to the constitutional agency and mutinies set in motion by women through their legal challenge of state action. I discuss the hijab ban in India and the two judgments on the ban as an example of this attempted subversion but also of its failure, suggesting that these judgments fall short in their reading of this interrelationship between secularism and pluralism. In doing so, I introduce a threefold analytical categorisation, pluralist constitutionalism, constitutional appropriation and constitutional derailment, to help us outline the tensions inherent in constitutional politics in the present.

This article examines how clerical reformers in the late eleventh and early twelfth centuries utilized the Old Testament figure of Deborah to legitimize and encourage the active participation of elite laywomen in ecclesiastical reform. Focusing on key figures such as the countesses Matilda of Tuscany and Adelaide of Turin, the study shows how reformers crafted allegorical and historical links between biblical women and contemporary noblewomen, promoting the latter as agents of reform. Ecclesiastical reformers such as Peter Damian and Bonizo of Sutri made particular use of the Book of Judges’ Deborah to explore concepts of female secular authority defending the Latin Christian Church. The article argues that these reformers newly emphasized Deborah’s militant and authoritative role in the Old Testament rather than promoting existing late antique and early medieval readings of Deborah as a wife, widow, and mother. This shift in exegetical interpretations of Deborah directly supported the roles of elite laywomen in the late eleventh and early twelfth centuries as vital co-participants in the ecclesiastical reform movement.

This article asks what Paul’s claims about cosmology signify in terms of his competitive position on the nature and purpose of the moon. Specifically, in an age in which discourses and demonstrations involving the moon were rife, I argue that Paul is invoking principals shared by writers like Plutarch on the “double death” of the human being (first as soma on the earth, then as psyche/nous in orbit around and on the moon) and that he envisions an afterlife among the stars in pneumatic form that, to the degree it is anthropomorphic, is ideally male. I also posit that this aspect of Paul’s thought has been overlooked, in part due to the idiosyncratic-yet-pervasive translation of doxa in Paul as “glory” rather than in terms related to typologies and judgment, as it is elsewhere in Greek philosophical literature.

This article challenges the prevailing narrative surrounding the Japanese manufacturing industry in the post-World War II era, which predominantly centers on large corporations and male engineers. It sheds light on the vital role played by Japanese housewives in shaping product innovation. It argues that the exclusion of consumers, particularly women, from existing industrial models carries a gendered dimension. By presenting Japanese housewives as active stakeholders who defy stereotypes and enhance their lives by expressing their opinions, we aim to offer a fresh perspective on innovation and product development. The article specifically focuses on the electric appliance industry and draws upon a diverse range of sources, including women’s magazines and corporate archives, to uncover the hidden aspects of gender within the Japanese economic miracle. It shows that housewives have played an active role in product innovation and that women’s magazines have made this possible by acting as intermediaries between women and companies.

This report is about the ASMI Summer School held in Pisa on 22–23 June 2023. The conference focused on twentieth-century history issues: gender studies, cultural studies, resistance studies, fascism studies and mafia studies, with the addition of a round table and two keynote lectures, which discussed the profession of the modern historian and the history of racism in Italy from the Second World War to the present.

This paper critically analyses the hypothesis of the aetiological link between EDCs and trans identities from a scientific point of view, evincing its lack of evidence. It also problematizes the hypothesis by drawing from gender studies scholars who have denounced the transsex panic underlying the scientific literature on the effects of EDC on non-human animals, as well as from philosophical, biological, STG studies’, and neuroscientific elaborations that address sex-gender identities. It finds that the hypothesis that causally links prenatal exposure to EDCs and trans identities, which fuses biological determinism with a toxic and perturbing element, not only obscures the dynamic processual and relational character of trans identities, but also offers a pathologising understanding of them.

A partir de las series fotográficas Padre Patria (2014–2019) y Vírgenes de la Puerta (2014–2016), de Juan José Barboza-Gubo y Andrew Mroczek, este ensayo reflexiona acerca de la identidad de las mujeres trans en el Perú desde la sexualidad, el mestizaje y la colonialidad del poder. Padre Patria ofrece una narrativa visual de los crímenes de odio hacia la comunidad LGBTI en diferentes lugares del país. En Vírgenes de la Puerta se propone un nuevo modelo de feminidad a través de la apropiación de íconos religiosos como la Virgen María. A partir de enfoques decoloniales, feministas, de diversidad sexual y biopoder, este trabajo indaga sobre la reformulación del retrato fotográfico de las mujeres trans a través de la estética mariana y la violencia patriarcal. La dimensión política de este proyecto fotográfico busca visibilizar las experiencias de las mujeres trans en la actualidad.