Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- Introduction
- 1 Interior and Exterior: G. E. Lessing's Laocoon as a Prelude to Romanticism
- 2 Image and Phantasm: Wackenroder's Herzensergießungen eines kunstliebenden Klosterbruders, Tieck's Franz Sternbalds Wanderungen, and the Emergence of the Romantic Paradigm
- 3 Symbol and Allegory: Clemens Brentano's Godwi
- 4 Sublimity and Beauty: Caspar David Friedrich and Joseph Anton Koch
- 5 Light and Dark: The Paintings of Philipp Otto Runge
- 6 Absolution and Contradiction: Confrontations with Art in Heinrich von Kleist's “Die heilige Cäcilie oder Die Gewalt der Musik” and “Der Findling”
- 7 Self and Other: Joseph von Eichendorff's Das Marmorbild
- Conclusion
- Notes
- Works Cited
- Index
Frontmatter
Published online by Cambridge University Press: 13 April 2017
Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- Introduction
- 1 Interior and Exterior: G. E. Lessing's Laocoon as a Prelude to Romanticism
- 2 Image and Phantasm: Wackenroder's Herzensergießungen eines kunstliebenden Klosterbruders, Tieck's Franz Sternbalds Wanderungen, and the Emergence of the Romantic Paradigm
- 3 Symbol and Allegory: Clemens Brentano's Godwi
- 4 Sublimity and Beauty: Caspar David Friedrich and Joseph Anton Koch
- 5 Light and Dark: The Paintings of Philipp Otto Runge
- 6 Absolution and Contradiction: Confrontations with Art in Heinrich von Kleist's “Die heilige Cäcilie oder Die Gewalt der Musik” and “Der Findling”
- 7 Self and Other: Joseph von Eichendorff's Das Marmorbild
- Conclusion
- Notes
- Works Cited
- Index
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- Information
- Aesthetic Vision and German RomanticismWriting Images, pp. i - ivPublisher: Boydell & BrewerPrint publication year: 2007