Book contents
- The Art and Archaeology of the Aegean Bronze Age
- The Art and Archaeology of the Aegean Bronze Age
- Copyright page
- Contents
- Figures
- Introduction
- Part I Aegean Neolithic Art
- Part II The Art of the Aegean Early Bronze Age
- Part III Aegean Art in the Cretan First Palace Period
- Part IV Aegean Art in the Second Palace Period
- Part V Aegean Art in the Cretan Second Palace Period
- Part VI Aegean Art in the Final Palatial Period of Knossos
- Chapter 33 Artworks in Context
- Chapter 34 Architecture
- Chapter 35 The Frescoes
- Chapter 36 Metalwork, Jewellery, and Various Ornaments
- Chapter 37 Creto-Mycenaean Glyptic in LM II/LH IIB–IIIA1
- Chapter 38 Other Relief Arts
- Chapter 39 Artworks in the Round
- Chapter 40 LM II/LH IIB–IIIA1 Pottery
- Part VII Aegean Art of the Mainland Mycenaean Palatial Period
- Part VIII Aegean Art at the End of the Bronze Age
- Afterword Aegean Art Through Forgers’ Eyes
- References
- Index
- Plate Section (PDF Only)
- References
Chapter 37 - Creto-Mycenaean Glyptic in LM II/LH IIB–IIIA1
from Part VI - Aegean Art in the Final Palatial Period of Knossos
Published online by Cambridge University Press: 19 May 2022
- The Art and Archaeology of the Aegean Bronze Age
- The Art and Archaeology of the Aegean Bronze Age
- Copyright page
- Contents
- Figures
- Introduction
- Part I Aegean Neolithic Art
- Part II The Art of the Aegean Early Bronze Age
- Part III Aegean Art in the Cretan First Palace Period
- Part IV Aegean Art in the Second Palace Period
- Part V Aegean Art in the Cretan Second Palace Period
- Part VI Aegean Art in the Final Palatial Period of Knossos
- Chapter 33 Artworks in Context
- Chapter 34 Architecture
- Chapter 35 The Frescoes
- Chapter 36 Metalwork, Jewellery, and Various Ornaments
- Chapter 37 Creto-Mycenaean Glyptic in LM II/LH IIB–IIIA1
- Chapter 38 Other Relief Arts
- Chapter 39 Artworks in the Round
- Chapter 40 LM II/LH IIB–IIIA1 Pottery
- Part VII Aegean Art of the Mainland Mycenaean Palatial Period
- Part VIII Aegean Art at the End of the Bronze Age
- Afterword Aegean Art Through Forgers’ Eyes
- References
- Index
- Plate Section (PDF Only)
- References
Summary
Signet rings and seals become, in tholoi and chamber tombs, one of the principal indicators of the status of the deceased. It is sometimes difficult to determine exactly which products belong to this period. Pure Late Minoan (LM) II/Late Helladic (LH) IIB–IIIA1 contexts are rare, and the seals found in them could of course be antiques. Inversely, seals from this period could have been used later, until the end of the Mycenaean palaces, like those used to imprint a number of sealings (Figure 37.6) found in the Pylos palace (Pini 1997, 82–91). Furthermore, it is nearly impossible to distinguish between Minoan seals and Mycenaean ones: the Knossian workshops and those of the main Mycenaean centres use the same techniques and motifs, and the circulation of objects between Crete and mainland Greece prevents us from using provenance as a decisive criterion.
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- Information
- The Art and Archaeology of the Aegean Bronze AgeA History, pp. 364 - 372Publisher: Cambridge University PressPrint publication year: 2022