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10 - The Formes Fixes

from Part III - Fundaments of the Art

Published online by Cambridge University Press:  05 December 2024

Jesse Rodin
Jesse Rodin
Affiliation:
Stanford University, California
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Summary

Up until about 1480 most French songs were cast in one of three fixed poetic and musical forms: the rondeau, virelai, and ballade. Chapter 10 presents new ideas about how each repetition scheme conditions how the music happens in time, taking further an analysis by Christopher Page about the dynamics of the rondeau while offering a fresh interpretation of the virelai’s experiential horizons.

Keywords

historiographychansonmusical formperformance practiceballaderondeauvirelai
Type
Chapter
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The Art of Counterpoint from Du Fay to Josquin , pp. 189 - 200
Publisher: Cambridge University Press
Print publication year: 2024

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  • The Formes Fixes
  • Jesse Rodin, Stanford University, California
  • Book: The Art of Counterpoint from Du Fay to Josquin
  • Online publication: 05 December 2024
  • Chapter DOI: https://doi.org/10.1017/9781316882191.011
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  • The Formes Fixes
  • Jesse Rodin, Stanford University, California
  • Book: The Art of Counterpoint from Du Fay to Josquin
  • Online publication: 05 December 2024
  • Chapter DOI: https://doi.org/10.1017/9781316882191.011
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • The Formes Fixes
  • Jesse Rodin, Stanford University, California
  • Book: The Art of Counterpoint from Du Fay to Josquin
  • Online publication: 05 December 2024
  • Chapter DOI: https://doi.org/10.1017/9781316882191.011
Available formats
×