Book contents
- The Art of the Reprint
- Cambridge Studies in Nineteenth-Century Literature and Culture
- The Art of the Reprint
- Copyright page
- Dedication
- Contents
- Figures
- Acknowledgments
- Introduction
- Chapter 1 Clare Leighton & Thomas Hardy’s The Return of the Native
- Chapter 2 Rockwell Kent & Herman Melville’s Moby Dick
- Chapter 3 Fritz Eichenberg & Charlotte Brontë’s Jane Eyre
- Chapter 4 Joan Hassall & The Complete Novels of Jane Austen
- Coda
- Notes
- Bibliography
- Index
- Cambridge Studies in Nineteenth-Century Literature and Culture
Book contents
- The Art of the Reprint
- Cambridge Studies in Nineteenth-Century Literature and Culture
- The Art of the Reprint
- Copyright page
- Dedication
- Contents
- Figures
- Acknowledgments
- Introduction
- Chapter 1 Clare Leighton & Thomas Hardy’s The Return of the Native
- Chapter 2 Rockwell Kent & Herman Melville’s Moby Dick
- Chapter 3 Fritz Eichenberg & Charlotte Brontë’s Jane Eyre
- Chapter 4 Joan Hassall & The Complete Novels of Jane Austen
- Coda
- Notes
- Bibliography
- Index
- Cambridge Studies in Nineteenth-Century Literature and Culture
Summary
The coda traces the ways that the reprints featured in this book have continued to reverberate in the culture at large. It asks what to make of the reprinted book and the home library in our current age which is, on the one hand, increasingly online, and, on the other, increasingly preoccupied with the aesthetics of books and bookshelves.
Keywords
- Type
- Chapter
- Information
- The Art of the ReprintNineteenth-Century Novels in Twentieth-Century Editions, pp. 154 - 165Publisher: Cambridge University PressPrint publication year: 2023