Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-4rdpn Total loading time: 0 Render date: 2024-11-15T20:12:37.962Z Has data issue: false hasContentIssue false

“Altes wird Aufgerollt”: Paul Dessau’s Posthumous Collaborations with Brecht

Published online by Cambridge University Press:  09 April 2021

Get access

Summary

Die … Technik der Übernahme … ist auch von Brecht. Er hat einmal zu mir gesagt: “Weißt du, wenn man etwas Gutes gemacht hat, soll man es wieder aufnehmen und in anderem Rahmen nochmal verwenden.”

[The … technique of borrowing … is also from Brecht. He once said to me: “You know, if you’ve done something good you should take it up again and use it once more in a different context.”]

Collaboration

From the beginning of their collaboration in 1943 through to 1956, Paul Dessau was Brecht's most innovative and experimental musical collaborator. During Brecht's lifetime he provided the music for productions of Mutter Courage und ihre Kinder (Mother Courage and Her Children), Der kaukasische Kreidekreis (The Caucasian Chalk Circle), Der gute Mensch von Sezuan (The Good Person of Szechwan), Mann ist Mann (Man Equals Man), Herrnburger Bericht (Report from Herrnburg), Die Erziehung der Hirse (The Cultivation of the Millet), for the opera Die Verurteilung des Lukullus (The Condemnation of Lukullus), alongside dozens of songs and occasional pieces including what is purportedly the most-sung political song of the German Democratic Republic, the “Aufbaulied der FDJ” (Reconstruction Song for the Free German Youth). Dessau was also, through to his death in 1979, the most important avant-garde composer of the GDR; its leading practitioner of serialism; a noted composer of film music (not least for four documentary films of Andrew and Annelie Thorndike); and a mediator between East and West, bringing Luigi Nono, Hans Werner Henze, and others to East Berlin and arranging performances of their works. Some of his own compositions were suppressed or censored; he was a tireless supporter and protector of younger, experimental composers (including Friedrich Goldmann and Reiner Bredemeyer); and a longterm collaborator with Brechtian writers including Heiner Müller, Volker Braun, and Karl Mickel. Müller wrote in his obituary for the composer:

Er hielt für lernbar, was gebraucht wird… . Ich habe viel von ihm gelernt. Das Beispiel seiner Arbeitshaltung. Sie hatte den Ernst des Kinderspiels. Das die avancierteste Weise der Produktion ist, Arbeit auf höchstem Niveau, ein Vorgriff in das Reich der Freiheit.

Type
Chapter
Information
The Brecht Yearbook / Das Brecht-Jahrbuch 42
Recycling Brecht
, pp. 85 - 102
Publisher: Boydell & Brewer
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×