Book contents
- The Cambridge Companion to African American Theatre
- Cambridge Companions to Theatre and Performance
- The Cambridge Companion to African American Theatre
- Copyright page
- Dedication
- Contents
- Figures
- Notes on Contributors
- Acknowledgments
- Chronology
- Introduction
- Chapter 1 Slavery, Performance, and the Design of African American Theatre
- Chapter 2 Slave Rebellions on the National Stage
- Chapter 3 Early Black Americans on Broadway
- Chapter 4 Drama in the Harlem Renaissance
- Chapter 5 The Negro Little Theatre Movement
- Chapter 6 Black Women Dramatists, 1930–1960
- Chapter 7 Amiri Baraka and the Black Arts Movement
- Chapter 8 Fragmented Musicals and 1970s Soul Aesthetic
- Chapter 9 Spectacles of Whiteness from Adrienne Kennedy to Suzan-Lori Parks
- Chapter 10 African American Performance and Community Engagement
- Chapter 11 Women Playwrights Who Cross Cultural Borders
- Chapter 12 African Diaspora Drama
- Chapter 13 Black Theatre in the Age of Obama
- Chapter 14 Staging Black Lives Matter
- Chapter 15 Contemporary Black Queer Drama
- Chapter 16 African American Dance Theatre
- Index
Chapter 15 - Contemporary Black Queer Drama
Published online by Cambridge University Press: 08 June 2023
- The Cambridge Companion to African American Theatre
- Cambridge Companions to Theatre and Performance
- The Cambridge Companion to African American Theatre
- Copyright page
- Dedication
- Contents
- Figures
- Notes on Contributors
- Acknowledgments
- Chronology
- Introduction
- Chapter 1 Slavery, Performance, and the Design of African American Theatre
- Chapter 2 Slave Rebellions on the National Stage
- Chapter 3 Early Black Americans on Broadway
- Chapter 4 Drama in the Harlem Renaissance
- Chapter 5 The Negro Little Theatre Movement
- Chapter 6 Black Women Dramatists, 1930–1960
- Chapter 7 Amiri Baraka and the Black Arts Movement
- Chapter 8 Fragmented Musicals and 1970s Soul Aesthetic
- Chapter 9 Spectacles of Whiteness from Adrienne Kennedy to Suzan-Lori Parks
- Chapter 10 African American Performance and Community Engagement
- Chapter 11 Women Playwrights Who Cross Cultural Borders
- Chapter 12 African Diaspora Drama
- Chapter 13 Black Theatre in the Age of Obama
- Chapter 14 Staging Black Lives Matter
- Chapter 15 Contemporary Black Queer Drama
- Chapter 16 African American Dance Theatre
- Index
Summary
Leticia Ridley centers on Black Queer drama. After briefly discussing the influential legacies of Lorraine Hansberry and James Baldwin, she proceeds to offer a close analysis of select works of Tarell Alvin McCraney (Choir Boy), Robert O’Hara (Bootycandy), Aziza Barnes (BLKS), and Christina Anderson (How to Catch Creation). She reminds the reader of the importance of attending to intersectional experiences as she addresses plays set variably in a private school, church, and nightclub featuring characters of differing social classes.
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- Information
- The Cambridge Companion to African American Theatre , pp. 300 - 316Publisher: Cambridge University PressPrint publication year: 2023