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2 - From Space to Sound

Analysis as a Compositional Tool

from Part I - Creative Processes

Published online by Cambridge University Press:  25 May 2024

By
Robert Saxton
Edited by
Toby Young
Toby Young
Affiliation:
Guildhall School of Music and Drama
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Summary

This chapter uses music analysis to understand two different strategies for unfolding musical material from initial ideas, one by Debussy and the other by Schoenberg. This approach considers how pieces might be formed from a small fragment of musical ‘DNA’ for a composer to expand, before looking further to understand this process of ‘unfolding’ are shaped by different aesthetic, cultural and historical conditions.

Keywords

UnfoldingdevelopmentDebussySchoenberginterval
Type
Chapter
Information
The Cambridge Companion to Composition , pp. 32 - 41
Publisher: Cambridge University Press
Print publication year: 2024

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  • From Space to Sound
  • Edited by Toby Young, Guildhall School of Music and Drama
  • Book: The Cambridge Companion to Composition
  • Online publication: 25 May 2024
  • Chapter DOI: https://doi.org/10.1017/9781108917933.003
Available formats
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  • From Space to Sound
  • Edited by Toby Young, Guildhall School of Music and Drama
  • Book: The Cambridge Companion to Composition
  • Online publication: 25 May 2024
  • Chapter DOI: https://doi.org/10.1017/9781108917933.003
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • From Space to Sound
  • Edited by Toby Young, Guildhall School of Music and Drama
  • Book: The Cambridge Companion to Composition
  • Online publication: 25 May 2024
  • Chapter DOI: https://doi.org/10.1017/9781108917933.003
Available formats
×