Book contents
- The Cambridge Companion to K-Pop
- Cambridge Companions to Music
- The Cambridge Companion to K-Pop
- Copyright page
- Contents
- Figures
- Tables
- Contributors
- Acknowledgments
- Notes to Readers
- Introduction
- Part I Genealogies
- Part II Sounding Out K-Pop
- Part III Dancing to K-Pop
- Part IV The Making of Idols
- Part V The Band That Surprised the World
- Part VI Circuits of K-Pop Flow
- 12 K-Pop and the Participatory Condition
- 13 Idol Shipping Culture
- 14 Following the Footsteps of BTS
- Index
- References
13 - Idol Shipping Culture
Exploring Queer Sexuality among Fans of K-Pop
from Part VI - Circuits of K-Pop Flow
Published online by Cambridge University Press: 02 March 2023
- The Cambridge Companion to K-Pop
- Cambridge Companions to Music
- The Cambridge Companion to K-Pop
- Copyright page
- Contents
- Figures
- Tables
- Contributors
- Acknowledgments
- Notes to Readers
- Introduction
- Part I Genealogies
- Part II Sounding Out K-Pop
- Part III Dancing to K-Pop
- Part IV The Making of Idols
- Part V The Band That Surprised the World
- Part VI Circuits of K-Pop Flow
- 12 K-Pop and the Participatory Condition
- 13 Idol Shipping Culture
- 14 Following the Footsteps of BTS
- Index
- References
Summary
The practice of imagining idols within romantic and sexual relationships, known as “shipping,” is central to the global fandom of K-pop, allowing fans to develop affective relationships with celebrities through practices such as writing fan fiction. In particular, shipping that reimagines boy groups such as BTS within romantic or homoerotic relationships is especially common as a method of articulating fandom and exploring sexual agency, thus producing spaces within Korea’s patriarchal society where women’s sexual desires can be safely explored. International aspects of BTS shipping, particularly within Japanese and Anglophone fandom spaces (in Australian and the Philippines), is then analyzed. While BTS shipping in Japan tends to conceptualize homoerotic relationships between men via sexual practices and behaviors divorced from identity, Anglophone shipping tends to instead overtly deploy LGBTQ identity politics. Nevertheless, both practices possess queer potentials that allow fans to affectively explore their sexuality. The chapter concludes with a discussion of the role of shipping in affirming the presence of queer fans within global K-pop culture.
- Type
- Chapter
- Information
- The Cambridge Companion to K-Pop , pp. 249 - 264Publisher: Cambridge University PressPrint publication year: 2023
References
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