Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-g7gxr Total loading time: 0 Render date: 2024-11-10T13:51:37.433Z Has data issue: false hasContentIssue false

Part III - Representation

Published online by Cambridge University Press:  02 June 2020

Siobhan B. Somerville
Affiliation:
University of Illinois, Urbana-Champaign
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Further Reading

Amin, Kadji, Musser, Amber Jamilla, and Pérez, Roy. “Queer Form: Aesthetics, Race, and the Violences of the Social.ASAP/Journal 2, no. 2 (2017): 227–39.CrossRefGoogle Scholar
Cole, Henri. Blackbird and Wolf. New York: Farrar, Straus, and Giroux, 2007.Google Scholar
Doyle, Jennifer. “Capturing Semenya.” The Sport Spectacle, August 16, 2016, https://thesportspectacle.com/2016/08/16/capturing-semenya/.Google Scholar
Edwards, Brent Hayes. “Notes on Poetics Regarding Mackey’s Song.” Callaloo 23, no. 2 (2000): 572–91.CrossRefGoogle Scholar
Hayden, Robert. Collected Poems. Edited by Glaysher, Frederick. New York: Liveright, 2013.Google Scholar
Las Nietas de Nonó. “Las Nietas de Nonó.” Interview by Sofía Gallisá Muriente. Terremoto, 6, May 30, 2016, http://terremoto.mx/article/interview-with-las-nietas-de-nono/.Google Scholar
Salas Rivera, Raquel. lo terciario / the tertiary. Oakland, CA: Timeless, Infinite Light, 2018.Google Scholar
Sharpe, Christina. In The Wake: On Blackness and Being. Durham, NC: Duke University Press, 2016.Google Scholar
Stone-Richards, Michael. Logics of Separation: Exile and Transcendence in Aesthetic Modernity. Berlin, Germany: Peter Lang, 2011.CrossRefGoogle Scholar
Tolbert, TC, and Peterson, Trace, eds. Troubling the Line: Trans and Genderqueer Poetry and Poetics. Callicoon, NY: Nightboat Books, 2013.Google Scholar
Viego, Antonio. Dead Subjects: Towards a Politics of Loss in Latino Studies. Durham, NC: Duke University Press, 2007.Google Scholar
Young Thug. Jeffery. Atlantic Records, 075678663024, 2016. MP3.Google Scholar

Further Reading

Jolly, Margaretta. “Coming Out of the Coming Out Story: Writing Queer Lives.Sexualities 4, no. 4 (2001): 475–97.CrossRefGoogle Scholar
Lanser, Susan S., and Warhol, Robyn, eds. Narrative Theory Unbound: Queer and Feminist Interventions. Columbus: Ohio State University Press, 2015.Google Scholar
Miller, David A. Bringing Out Roland Barthes. Berkeley: University of California Press, 1992.Google Scholar

Further Reading

Bad Object-Choices, ed. How Do I Look: Queer Film and Video. Seattle, WA: Bay Press, 1991.Google Scholar
Brennan, Niall, and Gudelunas, David, eds. RuPaul’s Drag Race and the Shifting Visibility of Drag Culture. Switzerland: Springer International Publishing, 2017.Google Scholar
Creekmur, Corey K., and Doty, Alexander, eds. Out in Culture: Gay, Lesbian, and Queer Essays on Poplar Culture. Durham, NC: Duke University Press, 1995.CrossRefGoogle Scholar
Doty, Alexander. Making Things Perfectly Queer: Interpreting Mass Culture. Minneapolis: University of Minnesota Press, 1993.Google Scholar
Fawaz, Ramzi. The New Mutants: Superheroes and the Radical Imagination of American Comics. New York: New York University Press, 2016.Google Scholar
Gray, Mary L. Out in the Country: Youth, Media, and Queer Visibility in Rural America. New York: New York University Press, 2009.Google Scholar
Keegan, Cáel M.Revisitation: A Trans Phenomenology of the Media Image.” MedieKultur 32, no. 61 (2016): 26–41.Google Scholar
King, Samantha. “Virtually Normal: Mark Bingham, the War on Terror, and The Sexual Politics of Sport.” Journal of Sport and Social Issues 33, no. 1 (February 2009): 5–24.CrossRefGoogle Scholar
Muñoz, José Esteban. “Pedro Zamora’s Real World of Counterpublicity: Performing an Ethics of the Self.” In Disidentifications: Queers of Color and the Performance of Politics, 143–60. Minneapolis: University of Minnesota Press, 1999.Google Scholar
Peele, Thomas. Queer Popular Culture: Literature, Media, Film, and Television. New York: Palgrave Macmillan, 2007.CrossRefGoogle Scholar
Samer, Roxanne, ed. “Transgender Media.” Special Issue, Spectator, 37, no. 2 (Fall 2017): 1–88.Google Scholar
Tongson, Karen. “Karaoke, Queer Theory, Queer Performance: Dedicated to José Esteban Muñoz.” In The Oxford Handbook of Music and Queerness, edited by Maus, Fred Everett and Whiteley, Sheila. Oxford: Oxford University Press, forthcoming. Essay published online March 2018. www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199793525.001.0001/oxfordhb-9780199793525-e-72.Google Scholar

Further Reading

Bryson, Mary. “When Jill Jacks In: Queer Women and the Net.Feminist Media Studies 4, no. 3 (2004): 239–54.Google Scholar
Fleetwood, Nicole R. Troubling Vision: Performance, Visuality, and Blackness. Chicago, IL: University of Chicago Press, 2011.Google Scholar
González, Jennifer. “The Appended Subject: Race and Identity as Digital Assemblage.” In Race in Cyberspace, edited by Kolko, Beth E., Nakamura, Lisa, and Rodman, Gilbert B., 27–50. New York: Routledge, 2000.Google Scholar
Munt, Sally R., Bassett, Elizabeth H., and O’Riordan, Kate. “Virtually Belonging: Risk, Connectivity, and Coming Out On-Line.International Journal of Sexuality and Gender Studies 7, no. 2 (2002): 125–37.CrossRefGoogle Scholar
Rambukkana, Nathan. “Taking the Leather Out of Leathersex: The Internet, Identity, and the Sadomasochistic Public Sphere.” In Queer Online: Media Technology and Sexuality, edited by O’Riordan, Kate and Phillips, David J., 67–80. New York: Peter Lang, 2007.Google Scholar
Raun, Tobias. Out Online: Trans Self-Representation and Community Building on YouTube. New York: Routledge, 2016.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×