Book contents
- The Cambridge Companion to Shakespeare and Race
- The Cambridge Companion to Shakespeare and Race
- Copyright page
- Contents
- Figures
- Contributors
- Note on Shakespeare Editions
- Chapter 1 Did the Concept of Race Exist for Shakespeare and His Contemporaries?
- Chapter 2 The Materials of Race
- Chapter 3 Barbarian Moors
- Chapter 4 Racist Humor and Shakespearean Comedy
- Chapter 5 Race in Shakespeare’s Histories
- Chapter 6 Race in Shakespeare’s Tragedies
- Chapter 7 Experimental Othello
- Chapter 8 Flesh and Blood
- Chapter 9 Was Sexuality Racialized for Shakespeare?
- Chapter 10 The Tempest and Early Modern Conceptions of Race
- Chapter 11 Shakespeare, Race, and Globalization
- Chapter 12 How to Think Like Ira Aldridge
- Chapter 13 What Is the History of Actors of Color Performing in Shakespeare in the UK?
- Chapter 14 Actresses of Color and Shakespearean Performance
- Chapter 15 Othello
- Chapter 16 Are Shakespeare’s Plays Racially Progressive?
- Chapter 17 How Have Post-Colonial Approaches Enriched Shakespeare’s Works?
- Chapter 18 Is It Possible to Read Shakespeare through Critical White Studies?
- Further Reading
- Index
Chapter 4 - Racist Humor and Shakespearean Comedy
Published online by Cambridge University Press: 09 February 2021
- The Cambridge Companion to Shakespeare and Race
- The Cambridge Companion to Shakespeare and Race
- Copyright page
- Contents
- Figures
- Contributors
- Note on Shakespeare Editions
- Chapter 1 Did the Concept of Race Exist for Shakespeare and His Contemporaries?
- Chapter 2 The Materials of Race
- Chapter 3 Barbarian Moors
- Chapter 4 Racist Humor and Shakespearean Comedy
- Chapter 5 Race in Shakespeare’s Histories
- Chapter 6 Race in Shakespeare’s Tragedies
- Chapter 7 Experimental Othello
- Chapter 8 Flesh and Blood
- Chapter 9 Was Sexuality Racialized for Shakespeare?
- Chapter 10 The Tempest and Early Modern Conceptions of Race
- Chapter 11 Shakespeare, Race, and Globalization
- Chapter 12 How to Think Like Ira Aldridge
- Chapter 13 What Is the History of Actors of Color Performing in Shakespeare in the UK?
- Chapter 14 Actresses of Color and Shakespearean Performance
- Chapter 15 Othello
- Chapter 16 Are Shakespeare’s Plays Racially Progressive?
- Chapter 17 How Have Post-Colonial Approaches Enriched Shakespeare’s Works?
- Chapter 18 Is It Possible to Read Shakespeare through Critical White Studies?
- Further Reading
- Index
Summary
This essay examines the pervasive use of racist humor in Shakespeare’s comedies through stereotypical characters, exoticism, scapegoating, and ethnic slurs. While we may consider the ways in which Shakespeare’s comedies at times question or critique racist attitudes, ultimately the essay encourages readers to acknowledge and to wrestle with the racist language of the plays. The essay offers readers tools with which to identify and analyze racist humor in Shakespeare’s comedies, and to understand the role of racist humor in the social construction of race and the production of stigmatized groups.
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- The Cambridge Companion to Shakespeare and Race , pp. 47 - 61Publisher: Cambridge University PressPrint publication year: 2021
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