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Part II - Circus Acts and Aesthetics

Published online by Cambridge University Press:  22 June 2021

Gillian Arrighi
Affiliation:
University of Newcastle, New South Wales
Jim Davis
Affiliation:
University of Warwick
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Publisher: Cambridge University Press
Print publication year: 2021

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References

Further Reading

Baston, Kim. ‘“New” Hippodrama, or “Old” Circus?: Legacy and Innovation in Contemporary Equestrian Performance.’ Popular Entertainment Studies 7, no. 1–2 (2016): 2138.Google Scholar
Baston, KimTransatlantic Journeys: John Bill Ricketts and the Edinburgh Equestrian Circus.’ Popular Entertainment Studies 4, no. 2 (2013): 528.Google Scholar
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Further Reading

Assael, Brenda. Circus and Victorian Society. Charlottesville: University of Virginia Press, 2005.Google Scholar
Astley, Philip. Astley’s System of Equestrian Education, Exhibiting the Beauties and Defects of the Horse; with Serious and Important Observations on His General Excellence, Preserving Him in Health, Grooming etc. 8th ed. Dublin: Thomas Burnside, 1802.Google Scholar
Guest, Kirsten, and Mattfeld, Monica, eds. Equestrian Cultures, Horses, Human Society, and the Discourse of Modernity. Chicago: University of Chicago Press, 2019.CrossRefGoogle Scholar
Russell, Gillian. The Theatres of War: Performance, Politics and Society 1793–1815. Oxford: Oxford University Press, 1995.Google Scholar
St Leon, Mark. ‘Celebrated, Then Implied But Finally Denied: The Erosion of Aboriginal Identity in Circus, 1851–1960.’ In The Routledge Circus Studies Reader, edited by Tait, Peta and Lavers, Katie, 209–33. London: Routledge, 2016.Google Scholar
Tait, Peta. ‘Acrobatic Circus Horses: Military Training to Natural Wildness.’ In Performing Animality: Animals in Performance Practices, edited by Parker-Starbuck, Jennifer and Orozco, Lourdes, 97113. London: Palgrave Macmillan, 2015.Google Scholar
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Further Reading

Adams, Katherine H., and Keene, Michael L.. Women of the American Circus, 1880–1940. Jefferson, NC: McFarland, 2012.Google Scholar
Carlyon, David. The Education of a Clown: Mentors, Audiences, Mistakes. London: Palgrave Macmillan, 2016.CrossRefGoogle Scholar
Davison, Jon. Clown: Readings in Theatre Practice. Basingstoke: Palgrave Macmillan, 2013.CrossRefGoogle Scholar
Jamieson, David. Clowns of the Twentieth Century: Photographs of 100 Years of Circus Clowns. Buntingford, UK: Aardvark Press, 2001.Google Scholar
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Peacock, Louise. ‘Grock: Genius among Clowns.’ In Popular Performance, edited by Ainsworth, A., Double, O., and Peacock, L., 119–35. London: Bloomsbury, 2017.Google Scholar
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Towsen, John. Clowns. New York: Hawthorn Books, 1976.Google Scholar

Further Reading

Brunsdale, Maureen, and Schmitt, Mark. The Bloomington-Normal Circus Legacy: The Golden Age of Aerialists. Charleston, SC: History Press, 2013.Google Scholar
Carter, Katrina. ‘Exposing the Implicit: AD for Aerial Action, Identity, and Storytelling.’ Teaching Artist Journal 16, no. 3–4 (2018): 106–13.CrossRefGoogle Scholar
Day, Helen. ‘Female Daredevils.’ In The New Woman and Her Sisters: Feminism and Theatre 1850–1914, edited by Gardner, Vivien and Rutherford, Susan, 137–57. London: Wheatsheaf, 1999.Google Scholar
Lawrence, Kate. ‘Hanging from Knowledge: Vertical Dance As Spatial Fieldwork.’ Performance Research 15, no. 4 (2010): 4958.Google Scholar
Ritter, Naomi. ‘Art and Androgyny: The Aerialist.’ Studies in 20th Century Literature 13, no. 2 (1989): 173–93.Google Scholar
Russo, Mary. The Female Grotesque: Risk, Excess & Modernity. London: Routledge, 1994.Google Scholar
Sizorn, Magali. ‘Female Circus Performers and Artification: The Passage to Art and Its Implications.’ In Žene & Cirkus, edited by Kralj, Ivan, 7593. Zagreb: Mala performerska scena, 2011.Google Scholar
Tait, Peta. ‘Danger Delights: Texts of Gender and Race in Aerial Performance.’ New Theatre Quarterly 12, no. 45 (1996): 43–9.Google Scholar
Tait, PetaFeminine Free Fall: A Fantasy of Freedom.’ Theatre Journal 48, no. 1 (1996): 2734.CrossRefGoogle Scholar
Tait, PetaFleshed, Muscular Phenomenologies: Across Sexed and Queer Circus Bodies.’ In Body Show/s: Australian Viewings of Live Performance, edited by Tait, Peta, 6078. Amsterdam: Rodopi, 2000.Google Scholar
Tait, PetaRe/membering Muscular Circus Bodies: Triple Somersaults, the Flying Jordans and Clarke Brothers.’ Nineteenth Century Theatre and Film 33, no. 1 (2006): 2638.Google Scholar
Tait, PetaRisk, Danger and Other Paradoxes in Circus and in Circus Oz Parody.’ In The Routledge Circus Studies Reader, edited by Tait, Peta and Lavers, Katie, 528–45. London: Routledge, 2016.Google Scholar

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