Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Introduction
- 63 Oral Tradition
- 64 Cheap Print
- 65 Popular Fiction
- 66 Traditional Entertainments and Celebrations
- 67 Flytings, Polemics, Charivaris
- 68 News Culture
- 69 Women’s Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
64 - Cheap Print
from Part VII - Popular Culture
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Introduction
- 63 Oral Tradition
- 64 Cheap Print
- 65 Popular Fiction
- 66 Traditional Entertainments and Celebrations
- 67 Flytings, Polemics, Charivaris
- 68 News Culture
- 69 Women’s Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 499 - 503Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Capp, Bernard. English Almanacs, 1500–1800: Astrology and the Popular Press. Ithaca: Cornell UP, 1979.Google Scholar
Carlson, David R. “A Theory of the Early English Printing Firm: Jobbing, Book Publishing, and the Problem of Productive Capacity in Caxton’s Work.” Caxton’s Trace: Studies in the History of English Printing. Ed. Kuskin, William. Notre Dame: U of Notre Dame P, 2006. 35–68.Google Scholar
Cornwallis, William. “Essay 22: ‘Of Alehouses.’” The first part of Essayes. London: 1600.Google Scholar
Ingleby, C. M., Smith, L. Toulmin, and Furnivall, F. J., eds. The Shakspere Allusion-Book; a Collection of Allusions to Shakspere from 1591 to 1700. Re-ed. Munro, John. 2 vols. London: Chatto and Windus, 1909.Google Scholar
Nashe, Thomas. Have With You to Saffron-Walden. The Works of Thomas Nashe. Vol. 3. Ed. McKerrow, R. B.. London: A. H. Bullen, 1904.Google Scholar
Rollins, Hyder. Analytical Index to the Ballad Entries (1557–1709) in the Registers of the Company of Stationers of London. Chapel Hill: U of North Carolina P, 1924.Google Scholar
Further reading
Smith, Bruce R. “Shakespeare’s Residuals: The Circulation of Ballads in Cultural Memory.” Shakespeare and Elizabethan Popular Culture. Ed. Gillespie, Stuart and Rhodes, Neil. Arden Critical Companions. London: Thomson Learning, 2006. 193–217.CrossRefGoogle Scholar
Spufford, Margaret. Small Books and Pleasant Histories: Popular Fiction and Its Readership in Seventeenth-Century England. Cambridge: Cambridge University Press, 1981.Google Scholar
Watt, Tessa. Cheap Print and Popular Piety, 1550–1640. Cambridge: Cambridge University Press, 1991.Google Scholar
Würzbach, Natascha. The Rise of the English Street Ballad, 1550–1650. Trans. Walls, Gayna. Cambridge: Cambridge University Press, 1990.Google Scholar