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Part XXIII - Printing and Reception History

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

Alexander, PeterArden Shakespeareauthorshipbad quartoBarthes, RolandBeaumont, FrancesBevington, DavidbibliographyBodleian LibraryBoswell, JamesBowdler, HenriettaCambridge University PressCapell, EdwardClark, WilliamClarke, Mary CowdenCollier, John PaynecopyrightCrane, Ralph“death of the author”Dicks, JohnDowden, EdwardDyce, AlexandereditingeditorsErne, LukasFirst FolioFletcher, JohnFolger Shakespeare LibraryFoucault, MichelFolioGlobe ShakespeareGlobe (playhouse)Greg, W. W.Halliwell-Phillipps, James OrchardHamletHand DHanmer, ThomasHenry IV, Part 2Hinman, CharltonHunter, JohnInternet Shakespeare EditionsIoppolo, GraceJohnson, SamuelJonson, BenJowett, JohnKing LearKing’s MenliteracyLounsbury, T. R.Love’s Labour’s LostMcKerrow, R. B.Malone, EdmondmanuscriptMassai, Soniamemorial reconstructionMethuen, A. M.New Cambridge ShakespeareOctavoOthelloOxford University PressperformancePericlesPollard, A. W.Pope, Alexanderpoststructuralismprintingprovenancepublic domainpublishingquartoreadingReed, IsaacrevisionRichard IIIRiverside ShakespeareRomeo and JulietRowe, Nicholasscientific methodShakespeare Quartos ArchiveShirley, JamesSir Thomas MoreSteevens, GeorgeTate, NahumTaylor, GaryTheobald, LewisTitus AndronicusTonson CartelTrinity College CambridgeTrinity College DublinTroilus and CressidaWarburton, WilliamWells, StanleyWhite, Richard GrantWilson, John DoverWright, William AldisadaptationantimetaboleBlackfriars (playhouse)Capell, EdwardcollaborationcollationcompositorconflationcopyistEarly English Books Online (EEBO)editingeditionfolioformatGlobe (playhouse)HamletHulme, HildaKing LearKing’s Men, Leech, CliffordLove’s Labour’s LostMacbethThe MalcontentMalone, EdmondMarston, JohnMiddleton, Thomasmodernized spellingmultitext playparadoxPeele, GeorgePope, Alexanderprinter’s copypunctuationquartorevisionrewritingRowe, NicholasSisson, C. J.syntaxTheobald, LewisTroilus and CressidaThe Two Noble KinsmenWilliams, Gordondigital textspopular textsprinting historyreception historyscholarly textsauthor, Condell, Henryeditingeditioneditorfacsimileintentionprintprinting housetexttextual criticismtextual theoryauthorshipcanoncomputersconcordancescopyrightdigital textse-bookfull-text searchingopen accesspublishingscholarly editingstylisticstextbookstextual editingvisualizationWorld Wide WebcensorshipdivisionholographintegralinvasionlonghandmonopolyOldcastlepalaeographyparti-eyedpromptbookrevisionsynopticvariantsArden 3 Tempestattenuated quartosBlayney, Peter W. M.Bowden, CharlesBowden, HenriettaCondell, HenryCrane, RalphCruxDavenant, WilliamDryden, JohnemendationexpurgationThe Family ShakespeareFirst Folio–only playsFurness, Horace HowardHeminges, JohnHinman, CharltonHoward-Hill, TrevorJaggard, WilliamJohnson, SamuelKittredge, George LymanKnight, CharlesLindley, DavidMalone, EdmondMowat, Barbara A.multiple-text playsNew BibliographyNew Cambridge TempestNew Folger TempestOrgel, StephenOxford TempestPope, AlexanderQuartosrelineationRoberts, Jeanne AddisonRowe, NicholasSeary, PeterShakespeare’s First Foliosingle-text playsThe TempestThe Tempest: or The Enchanted IsleTheobald, LewisVaughan, AldenVaughan, VirginiaWarburton, WilliamWerstine, Paul
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Publisher: Cambridge University Press
Print publication year: 2016

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Further reading

Blayney, Peter W. M. The First Folio of Shakespeare. Hanover: Folger, 1991.Google Scholar
Brown, Paul. “‘This thing of darkness I acknowledge mine’: The Tempest and the Discourse of Colonialism.” Political Shakespeare. Ed. Dollimore, Jonathan and Sinfield, Alan. Ithaca: Cornell, 1985. 4871.Google Scholar
Massai, Sonia. Shakespeare and the Rise of the Editor. Cambridge: Cambridge University Press, 2007.Google Scholar
Mowat, Barbara A.Editing Shakespeare’s Text(s).” Shakesplorations. Essays in Honour of Professor Marta Gibinska. Ed. Limon, Jerzy, Grzegorzewska, Malgorzata, and Fabiszak, Jacek. Gdansk: U Gdansk P, 2012. 1323.Google Scholar
Mowat, Barbara A.Nicholas Rowe and the Twentieth-Century Shakespeare Text.” Shakespeare and Cultural Traditions. Ed. Kishi, Tetsuo, Pringle, Roger, and Wells, Stanley. U of Delaware P, 1994. 314–22.Google Scholar
Mowat, Barbara A.Prospero, Agrippa, and Hocus Pocus,” English Literary Renaissance 11 (1981): 281303.Google Scholar
Murphy, Andrew. Shakespeare in Print: A History and Chronology of Shakespeare Publication. Cambridge: Cambridge University Press, 2003.Google Scholar
Roberts, Jeanne Addison. “Ralph Crane and the Text of The Tempest.” Shakespeare Studies 13 (1980): 213–33.Google Scholar
Werstine, Paul. “The Science of Editing,” A Concise Companion to Shakespeare and the Text. Ed. Murphy, Andrew. Oxford: John Wiley & Sons, 2007. 109–27.Google Scholar
Werstine, Paul. “Shakespeare.” Scholarly Editing: A Guide to Research. Ed. Greetham, D. C.: MLA, 1995. 253–82.Google Scholar

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