Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Introduction
- 89 Theater and Religion
- 90 Selfhood and Sanctification
- 91 The Liturgical Year
- 92 Judaism and Jews
- 93 Witchcraft
- 94 Atheism
- 95 Islam
- 96 Rome, Catholicism, and Italy
- 97 Forms of Religious Expression
- 98 Heresies
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
90 - Selfhood and Sanctification
from Part X - Religion
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Introduction
- 89 Theater and Religion
- 90 Selfhood and Sanctification
- 91 The Liturgical Year
- 92 Judaism and Jews
- 93 Witchcraft
- 94 Atheism
- 95 Islam
- 96 Rome, Catholicism, and Italy
- 97 Forms of Religious Expression
- 98 Heresies
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 697 - 703Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
Matchinske, Megan. Writing, Gender, and State in Early Modern England: Identity Formation and the Female Subject. Cambridge: Cambridge University Press, 1998.CrossRefGoogle Scholar
Morgan, Edmund S. Visible Saints: The History of a Puritan Idea. New York: New York UP, 1963.Google Scholar
Suzuki, Mihoko. Subordinate Subjects: Gender, the Political Nation, and Literary Form in England, 1588–1688. Aldershot: Ashgate, 2003.Google Scholar