Book contents
- Frontmatter
- Contents
- Plates
- Prologue: Companion to Latin American Film
- Dedication
- Introduction to Latin American Film
- 1 ¡Qué Viva México! (Long Live Mexico, 1931), Directed by Sergei Eisenstein
- 2 Los Olvidados (The Young and the Damned, 1950), Directed by Luis Buñuel
- 3 Dos Tipos de Cuidado (Two Types of Care, 1952), Directed by Ismael Rodríguez
- 4 Orfeu Negro (Black Orpheus, 1959), Directed by Marcel Camus
- 5 Memorias Del Subdesarrollo (Memories of Underdevelopment, 1968), Directed by Tomás Gutiérrez Alea
- 6 Lucía (1968), Directed by Humberto Solás
- 7 El Chacal de Nahueltoro (The Jackal of Nahueltoro, 1969), Directed by Miguel Littín
- 8 Yawar Mallku: La Sangre Del Cóndor (The Blood of the Condor, 1969), Directed by Jorge Sanjinés
- 9 La Batalla de Chile (The Battle of Chile, 1975–1979), Directed by Patricio Guzmán
- 10 La Última Cena (The Last Supper, 1977), Directed by Tomás Gutiérrez Alea
- 11 Pixote: A Lei Do Mais Fraco (Pixote: The Law of the Weakest, 1980), Directed by Héctor Babenco
- 12 El Norte (The North, 1983), Directed by Gregory Nava
- 13 Camila (1984), Directed by María Luisa Bemberg
- 14 La Historia Oficial (The Official Version, 1984), Directed by Luis Puenzo
- 15 Cartas Del Parque (Letters in the Park, 1989), Co-Directed by Tomás Gutiérrez Alea and Gabriel García Márquez
- 16 La Tarea (Homework, 1989), Directed by Jaime Humberto Hermosillo
- 17 Yo, La Peor de Todas (I, the Worst of all, 1990), Directed by María Luisa Bemberg
- 18 La Frontera (The Frontier, 1991), Directed by Ricardo Larraín
- 19 El Viaje (1991) the Voyage, Directed by Fernando Solanas
- 20 Fresa Y Chocolate (Strawberry and Chocolate, 1993), Directed by Tomás Gutiérrez Alea
- 21 Como Agua Para Chocolate (Like Water for Chocolate, 1993), Directed by Alfonso Arau, Based on the Novel of the Same Name by Laura Esquivel
- 22 Central do Brasil (Central Station, 1998), Directed by Walter Salles
- 23 Amores Perros (Love’s a Bitch, 2000), Directed by Alejandro González Iñárritu
- 24 Y Tu Mamá También (and Your Mother Too, 2001), Directed by Alfonso Cuarón
- 25 Cidade de Deus (City of God, 2002), Directed by Fernando Meirelles
- Guide to Further Reading
- Glossary
- Select Bibliography
- Index
13 - Camila (1984), Directed by María Luisa Bemberg
Published online by Cambridge University Press: 05 May 2023
- Frontmatter
- Contents
- Plates
- Prologue: Companion to Latin American Film
- Dedication
- Introduction to Latin American Film
- 1 ¡Qué Viva México! (Long Live Mexico, 1931), Directed by Sergei Eisenstein
- 2 Los Olvidados (The Young and the Damned, 1950), Directed by Luis Buñuel
- 3 Dos Tipos de Cuidado (Two Types of Care, 1952), Directed by Ismael Rodríguez
- 4 Orfeu Negro (Black Orpheus, 1959), Directed by Marcel Camus
- 5 Memorias Del Subdesarrollo (Memories of Underdevelopment, 1968), Directed by Tomás Gutiérrez Alea
- 6 Lucía (1968), Directed by Humberto Solás
- 7 El Chacal de Nahueltoro (The Jackal of Nahueltoro, 1969), Directed by Miguel Littín
- 8 Yawar Mallku: La Sangre Del Cóndor (The Blood of the Condor, 1969), Directed by Jorge Sanjinés
- 9 La Batalla de Chile (The Battle of Chile, 1975–1979), Directed by Patricio Guzmán
- 10 La Última Cena (The Last Supper, 1977), Directed by Tomás Gutiérrez Alea
- 11 Pixote: A Lei Do Mais Fraco (Pixote: The Law of the Weakest, 1980), Directed by Héctor Babenco
- 12 El Norte (The North, 1983), Directed by Gregory Nava
- 13 Camila (1984), Directed by María Luisa Bemberg
- 14 La Historia Oficial (The Official Version, 1984), Directed by Luis Puenzo
- 15 Cartas Del Parque (Letters in the Park, 1989), Co-Directed by Tomás Gutiérrez Alea and Gabriel García Márquez
- 16 La Tarea (Homework, 1989), Directed by Jaime Humberto Hermosillo
- 17 Yo, La Peor de Todas (I, the Worst of all, 1990), Directed by María Luisa Bemberg
- 18 La Frontera (The Frontier, 1991), Directed by Ricardo Larraín
- 19 El Viaje (1991) the Voyage, Directed by Fernando Solanas
- 20 Fresa Y Chocolate (Strawberry and Chocolate, 1993), Directed by Tomás Gutiérrez Alea
- 21 Como Agua Para Chocolate (Like Water for Chocolate, 1993), Directed by Alfonso Arau, Based on the Novel of the Same Name by Laura Esquivel
- 22 Central do Brasil (Central Station, 1998), Directed by Walter Salles
- 23 Amores Perros (Love’s a Bitch, 2000), Directed by Alejandro González Iñárritu
- 24 Y Tu Mamá También (and Your Mother Too, 2001), Directed by Alfonso Cuarón
- 25 Cidade de Deus (City of God, 2002), Directed by Fernando Meirelles
- Guide to Further Reading
- Glossary
- Select Bibliography
- Index
Summary
Cast
Camila, played by Susú Pecoraro
Ladislao, played by Imanol Arias, and dubbed by Lellio Incrocci
La Perichona (Camila’s grandmother), played by Mona Maris
Adolfo (Camila’s father), played by Héctor Alterio
Also Starring
Elena Tasisto, Carlos Muñoz, Héctor Pellegrini, Juan Leyrado, Cecilio Madanés, Claudio Gallardou, Boris Rubaja
With
Alberto Busaid, Lidia Catalano, Zelmar Gueñol, Jorge Hacker, Carlos Marchi, Roxana Berco, Alejandra Colunga, Alejandro Marcial, Oscar Núñez, Jorge Ochoa, Fernando Iglesias (Tacholas)
Crew
Director: María Luisa Bemberg
Screenplay: María Luisa Bemberg, Beda Docampo Feijoo, and Juan Bautista Stagnaro
Cinematography: Fernando Arribas
Editing: Luis César D’Angiolillo
Art Directors: Miguel Rodríguez and Esmeralda Almonacid
Assistant Director: Alberto Lecchi
Camera: Daniel Karp
Production Delegate: Paco Molero
Wardrobe: Graciela Galán
Make-up: Oscar Malet
Hairdresser: Rodolfo Spinetta
Production Managers: Martha Parga, Clara Zappettini
Sound: Jorge Stavropulos
Music: Luis María Serra
Producer: Lita Santic for Gea Producciones (Argentina) and Impala (Spain)
Awards
Nominee, Best Foreign Film, Academy of Motion Picture Arts and Sciences, Hollywood
Winner, Best Actress (Susú Pecoraro), Karlovy Vary, 1984
Winner, Best Actress (Pecoraro, shared), Havana, 1984
Plot
Film opens with establishing shot of the pampas; panning shots of the O’Gorman estate. Camila’s grandmother, La Perichona, alights from her horsedrawn carriage; is greeted by her son Adolfo, who wishes her well during her house arrest in the tower. Domestic scenes around the estate. In church Camila is seen confessing the contents of a sexual dream; Camila sees the new priest and asks who he is. Camila buys a prohibited book in Mariano’s bookshop. During a party at the O’Gorman household Camila falls in love with the new priest, Ladislao. Mariano is murdered, and Ladislao uses his sermon to criticize the perpetrators. Camila praises his action at dinner, and is asked to leave the table by her father. Camila gives some clothes to the Church. In a highly charged confession she confesses her love to Ladislao. Ladislao and Camila have a secret rendez-vous in the belfry and snatch their first kiss. They elope and settle in Goya City, miles from Buenos Aires, and set up a school. Some strains appear in their relationship. Ladislao is discovered by Padre Gannon in a tavern. They are offered horses to flee, but they remain and the Comandante arrives and arrests them. They are both imprisoned, and sentenced to death because of their sacrilegious actions.
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- Information
- A Companion to Latin American Film , pp. 107 - 115Publisher: Boydell & BrewerPrint publication year: 2004