Book contents
- Frontmatter
- Contents
- Essays
- “Be Ware of the Key”: Anticlerical Critique in the Play of the Sacrament
- “Puse un sobreescripto” [I wrote a new cover]: Manuscript, Print, and the Material Epistolarity of Cárcel de amor
- “A Far Green Country Under a Swift Sunrise” — Tolkien's Eucatastrophe and Malory's Morte Darthur
- The Procession and the Play: Some Light on Fifteenth-Century Drama in Chester
- Une Anthologie de vers du Roman de la rose du XVe siècle (Princeton University Library, ms. 153)
- Scapegoats and Conspirators in the Chronicles of Jean Froissart and Jean le Bel
- The “Fairfax Sequence” Reconsidered: Charles d'Orlèans, William de la Pole, and the Anonymous Poems of Bodleian MS Fairfax 16
- The Quest for Chivalry in the Waning Middle Ages: The Wanderings of Renè d'Anjou and Olivier de la Marche
- The Art of Compiling in Jean de Bueil's Jouvencel (1461–1468)
- Conquering Turk in Carnival Nürnberg: Hans Rosenplüt's Des Turken Vasnachtspil of 1456
The Quest for Chivalry in the Waning Middle Ages: The Wanderings of Renè d'Anjou and Olivier de la Marche
from Essays
Published online by Cambridge University Press: 12 September 2012
- Frontmatter
- Contents
- Essays
- “Be Ware of the Key”: Anticlerical Critique in the Play of the Sacrament
- “Puse un sobreescripto” [I wrote a new cover]: Manuscript, Print, and the Material Epistolarity of Cárcel de amor
- “A Far Green Country Under a Swift Sunrise” — Tolkien's Eucatastrophe and Malory's Morte Darthur
- The Procession and the Play: Some Light on Fifteenth-Century Drama in Chester
- Une Anthologie de vers du Roman de la rose du XVe siècle (Princeton University Library, ms. 153)
- Scapegoats and Conspirators in the Chronicles of Jean Froissart and Jean le Bel
- The “Fairfax Sequence” Reconsidered: Charles d'Orlèans, William de la Pole, and the Anonymous Poems of Bodleian MS Fairfax 16
- The Quest for Chivalry in the Waning Middle Ages: The Wanderings of Renè d'Anjou and Olivier de la Marche
- The Art of Compiling in Jean de Bueil's Jouvencel (1461–1468)
- Conquering Turk in Carnival Nürnberg: Hans Rosenplüt's Des Turken Vasnachtspil of 1456
Summary
Johan Huizinga's characterization of the fifteenth century as the “Waning” or “Autumn” of the Middle Ages has been as influential as it has been controversial, and despite the amount of criticism and skepticism the portrayal has elicited from its scholarly readers over the last ninety years, this conceptualization has largely stood its ground, invariably stimulating debate and further research. The present case study is at once a tribute to Huizinga's unique perceptiveness as an “intuitive historian,” but also an attempt to flesh out some of his intuitions by focusing more sharply on two figures that in different ways may be seen as symptomatic of the wider process of transition and transformation which Huizinga describes. Both Olivier de la Marche and Renè d'Anjou figure prominently in Huizinga's account, but deserve to be isolated from Huizinga's master-narrative for a moment to be seen as critical observers of their immediate cultural environment, articulating their own sense of the “waning” of the chivalric ideal.
Both figures were closely involved with the courtly culture of their day: Olivier de la Marche (1425–1502) held a variety of offices at the Burgundian court under Philip, Charles, and Mary, later entering the service of Maximilian I. A remarkable practitioner and theoretician of Burgundian chivalry, he was also the author of the Mèmoires as well as a number of ceremonial and more strictly literary works.
- Type
- Chapter
- Information
- Fifteenth-Century Studies , pp. 137 - 168Publisher: Boydell & BrewerPrint publication year: 2011