Book contents
- Frontmatter
- Contents
- A Note on the Poets and the Poems
- Acknowledgements
- Introduction
- 1 Then and Now: The Legend of Villon in the Middle Ages and in Modernity
- 2 Villon and Swinburne: Finding and Singing Villon
- 3 Villon and Rossetti: Poetics of Strangeness
- 4 Villon and Pound: Modernity and the ‘Mediaeval Dream’
- 5 Villon and Bunting: Prison-Writing and Parody
- 6 Villon and Lowell: Imitation and the Visible Translator
- Conclusion
- Appendices
- Appendix 1
- Appendix 2
- Appendix 3
- Appendix 4
- Appendix 5
- Appendix 6
- Bibliography
- Index
- Medievalism
Appendix 3
from Appendices
Published online by Cambridge University Press: 09 October 2019
- Frontmatter
- Contents
- A Note on the Poets and the Poems
- Acknowledgements
- Introduction
- 1 Then and Now: The Legend of Villon in the Middle Ages and in Modernity
- 2 Villon and Swinburne: Finding and Singing Villon
- 3 Villon and Rossetti: Poetics of Strangeness
- 4 Villon and Pound: Modernity and the ‘Mediaeval Dream’
- 5 Villon and Bunting: Prison-Writing and Parody
- 6 Villon and Lowell: Imitation and the Visible Translator
- Conclusion
- Appendices
- Appendix 1
- Appendix 2
- Appendix 3
- Appendix 4
- Appendix 5
- Appendix 6
- Bibliography
- Index
- Medievalism
Summary
Robert Lowell, ‘In Memory of Arthur Winslow, Movement IV: A Prayer for my Grandfather to Our Lady’, in Lord Weary's Castle, p. 22.
Mother, for these three hundred years or more
Neither our clippers nor our slavers reached
The haven of your peace in this Bay State:
Neither my father nor his father. Beached
On these dry flats of fishy real estate, O Mother, I implore
Your scorched, blue thunderbreasts of love to pour
Buckets of blessings on my burning head
Until I rise like Lazarus from the dead:
Lavabis nos et super nivem dealbabor.
‘On Copley Square, I saw you hold the door
To Trinity, the costly Church, and saw
The painted Paradise of harps and lutes
Sink like Atlantis in the Devil's jaw
And knock the Devil's teeth out by the roots;
But when I strike for shore
I find no painted idols to adore:
Hell is burned out, heaven's harp-strings are slack.
Mother, run to the chalice and bring back
Blood on your finger-tips for Lazarus who was poor.’
- Type
- Chapter
- Information
- François Villon in English PoetryTranslation and Influence, pp. 189Publisher: Boydell & BrewerPrint publication year: 2018